TOP STORY: Old Lyme WPCA Chair Cinami Seeks to Get Sewer Project Finally Flowing, Requests Additional $7.6 Million

Old Lyme Water Pollution Control Authority Chairman Steve Cinami addresses a $7.6 million bond authorization request for sewers to First Selectwoman Martha Shoemaker, center, Selectman Jim Lampos, left, and Selectwoman Jude Read, right.

OLD LYME–6/22 UPDATED: Headline amended: Six years ago, a $9.5 million request to install sewers in the Sound View Beach area got the go-ahead from voters at a town-wide referendum – but the project stalled.

Now, amid inflation exacerbated by the COVID pandemic and other factors, the Old Lyme Water Pollution Control Authority (WPCA) is back with a request for another $7.6 million. 

The state-led, decades-long charge to clean up Long Island Sound by ridding the area of septic systems involves a plan to require residents of three private beach associations and the public Sound View Beach community to install sewers. Continued concerns about the cost of the project and successive rounds of construction bids coming in higher than anticipated have dragged out the process.

Steve Cinami, chairman of the Old Lyme WPCA, visited the Board of Selectmen and Board of Finance this week to plead for approval to go to referendum for the bond authorization necessary to support the Sound View portion of the project. But selectmen balked at the lack of information about how the project will affect the Sound View residents who will have to repay the loan.

Old Lyme officials all along have said the cost of the Sound View project will be borne by the system’s users, not the town’s tax base. 

This time around, significant additional funding from the state and federal government will leave those users responsible for about $8.5 million of the $17.06 million project, which Cinami has emphasized is less than the amount requested at the 2019 referendum. 

He said the new numbers shake out to about $26,000 over 20 years, or $1,932 per year, for a property owner whose house has one bathroom, a kitchen, and four bedrooms or less.  

In August of last year – before the latest round of bids came back and before state and federal funding was secured – Cinami at a public meeting told residents the WPCA was estimating the cost to a user would be about $22,556 over 20 years, or $1,368 a year, for a similarly sized home. 

Assessing ‘affordability’

Selectman Jim Lampos at Monday’s selectmen’s meeting asked for more specifics about fees in addition to the annual project payments for which users will be responsible. He said connection costs and future capital spending for infrastructure improvements in the system flowing through East Lyme into New London will affect user’s sewer bills here in Old Lyme. 

“Before we go to a referendum, I think we have to give the property owners a clear idea of what the affordability is going to be,” he said. “And the taxpayers are going to want to know this before going to a referendum. They’re going to ask for it.”

Cinami estimated the average yearly fee would be around $500 per year in the Sound View area. Beyond that, he said he would have to “try” to develop a rough cost structure. 

State Department of Energy and Environmental Protection (DEEP) Project Engineer Carlos Esguerra last year said the agency sets the amount that residents can reasonably be expected to spend at 2% of the town’s median income, which he identified at the time as $122,000. That equated to $2,440 a year.

There is also a state law specifying a town cannot assess property owners for any amount higher than the percent increase in the property value attributed to the sewers. He said an assessor hired by the Old Lyme WPCA before the previous referendum estimated sewers would increase home values between 10 to 12%. 

Documents from the Sound View Coalition, a grassroots group opposing the sewer project, show an assessor hired in 2020 by the group found sewers would increase residential property values by 7% and commercial properties by 10%.

Cinami, who has been criticized for his abrasive manner at meetings, also heard complaints at Monday’s meeting from Shoemaker and Old Lyme WPCA member Dennis Melluzzo about the chairman’s alleged attempts to quell questions and dissent. 

Shoemaker said she was made to feel uncomfortable asking questions at the June WPCA meeting, while Melluzzo described feeling disrespected by Cinami while speaking up at last month’s WPCA meeting. 

Cinami said he was just trying to run an efficient meeting. 

“I feel, maybe it’s a misperception, but I feel as though I’m trying to get stuff across and I’m interrupted on a constant basis by members.”

He told Shoemaker he was sorry if she took offense, and said he owed Melluzzo an apology as well. 

Capital Costs

At Tuesday’s finance board meeting, member David Kelsey expressed concern about the financial impact of any large-scale capital upgrades that could happen in the future at the New London wastewater treatment plant into which Old Lyme’s sewage will flow. 

He said he’s heard for the past 10 years that DEEP was pushing for the installation of sewers in Old Lyme “because they wanted more users to spread the cost of upgrades in New London.” 

Cinami said he wasn’t aware that the city was on the verge of any major capital projects. 

New London Director of Public Utilities Joseph Lanzafame in a Wednesday phone call disputed Kelsey’s characterization of the situation. 

“There’s no truth to that. Not from our standpoint,” he said. “Somebody else may have other motivations, but from our standpoint, the contribution that Old Lyme is going to give towards the facility is very marginal.” 

A contract between New London and the four beach communities signed late last year calls for the beach associations to pay 1.2% of annual treatment plant capital costs and the town to pay 0.5%.

He estimated the city has spent $15 million over the past 10 years, but could not predict what the future holds in store. 

“But as far as major upgrades, I mean, we’re not looking at hundreds of millions of dollars of work to be done,” he said. 

He said the city does not have plans to upgrade the plant to be able to handle additional flow, which he described as an extremely difficult undertaking. But if that kind of upgrade did happen, he added that Old Lyme ratepayers would not be affected unless the beach associations or the town wanted to purchase some of the increased capacity. 

The current contract with New London allows the beach associations to send up to 120,000 gallons of sewage per day to the treatment plant and the town to send up to 50,000. They have the right to purchase up to an additional 130,000 gallons per day as more people in the beach communities tie into the system.

Lanzafame said he’ll be happy if Old Lyme doesn’t ask for additional capacity in the future. 

“I mean, I’m going to be quite frank. That’s just what it is. Wastewater capacity is a big deal, and it’s just not unlimited,” he said. 

Back at the finance board meeting, Kelsey predicted the costs to each user – including the minimum $1,932 payment homeowners will need to pay for 20 years, the cost of tying into the system, the annual fees and the increased tax bills from their new property values – are likely to result in angry residents. 

“It’s not going to be pleasant when all these numbers come out, is my basic point,” he said. 

While Cinami acknowledged residents in the affected areas will be required to hook up to the system, he added a caveat. 

“There are some new (septic) systems down there that cost sixty thousand dollars; We will probably not have them hook up immediately,” he said. “But any any system that’s in variance, which is, I would say, 97% of all the systems down there, will have to hook up.” 

Next Steps 

In addition to asking for more information on the financial impact for Sound View residents, the Board of Selectmen emphasized that the details of a Cost Sharing Agreement between the beach associations and the town must be finalized before they will ask residents to authorize more spending at a referendum. 

Another issue still outstanding revolves around the portions of the sewer project to be undertaken by the Miami Beach and Old Lyme Shores Beach Associations, which Cinami said have not yet gone out to bid. He said the beach communities’ project officials, who are waiting for approval by the state DEEP before opening the bid process, are hoping to make their selections by the end of July.

Cinami assured selectmen that winning bids received earlier this year for the Sound View work will remain valid through October, though he acknowledged the bidder selected to build the system’s shared pump station has not formally committed to keep his bid open that long. 

Shoemaker said Cinami’s request to schedule a referendum for August 14 won’t be possible because the traditional polling location in the middle school is being renovated and will not be available.

Talking Transportation: There’s Still Some Unfinished Business

Jim Cameron

The end of June has a sense of finality. School wraps up, celebratory parties are held and everyone looks forward to the summer. But there’s a lot of unfinished business on the transportation front worth remembering.

AMTRAK AVELIA:
Whatever happened to Amtrak’s promise to have the new Acela trains in service “by the spring”? The initial contract for 28 train sets was signed in 2016 with the first prototype of the sleek nine-car sets delivered for testing in 2020. The plan was for all the new trains to be running between Washington and Boston by 2022.

Computer simulations found problems as real life testing continued. By 2024 the hope was for the new trains to be running by now. But we’re still waiting. Amtrak’s only explanation for the latest delays is “crew testing.”

The new trains have been sighted in New Jersey (where maximum speeds of 160 mph are possible on short stretches of track) but I’ve not seen Avelia on Connecticut tracks … yet.

DIGITAL DRIVERS LICENSES:
In September 2021 the Connecticut DMV and Governor Lamont announced that ours would be among the first states to allow smartphone users to show a digital version of their driver’s license on their devices. To date, 17 states offer such options. But still not Connecticut.

When I last asked DMV what was delaying the launch, their PR team gave me some boilerplate answer about “testing” and “security”… but no announced date for the launch.

How can California have solved those issues but we can’t?

WALK BRIDGE:
Built in 1896, this crucial rail bridge in South Norwalk has a history of problems. In one year alone the bridge was stuck 16 out of 271 times it opened. Now it’s undergoing a $1.5 billion rebuild, not just of the bridge but its supports and nearby tracks. The IMAX theater in the adjacent Maritime Museum was demolished to make way, but work on the bridge structure itself is still years away. The removal of the existing tower structure for overhead wires is scheduled to begin in 2026 with the new bridge (finally!) being finished in 2029.

DARIEN TRAIN STATION:
Last rebuilt in 2003, the station’s platforms were starting to crumble. By 2018 it was clear that CDOT would have to replace them. The $40 million contract called for first-of-their-kind heated platforms, obviating the need for corrosive salt to melt ice and snow. Half of the platforms were removed and the station waiting room was closed.

But now, years later, construction delays and problems with the electrical system have slowed the work, initially promised to be done by now. It’s hoped the first half of the new platforms may be ready later this summer. Then the other half of the platforms will be demolished and rebuilt. By March 2026 the work will (hopefully) be done and the station’s 1800+ daily commuters will be able to use the new station platforms.

Engineering projects take time. But with every ceremony celebrating the launch of a new project there are overly-optimistic promises of speedy completion. The pols take the credit while we just wait and grow more cynical watching the costs rise.

Editor’s Notes: i) Jim Cameron is the founder of the Commuter Action Group and advocates for Connecticut rail riders. He writes a weekly column called ‘Talking Transportation,’ which is published by a number of publications in the state.
ii) ”Talking Transportation” recently won first place in the general column/commentary category in the Connecticut Society of Professional Journalists Excellence in Journalism Contest.

‘David Ruggles Week’ Concludes at Lyme Library with Painting of Community Mural Celebrating Ruggles, Saturday

Acclaimed Local Artist Nancy Gladwell to Lead Mural Creation

LYME, CT—Lyme Public Library hosts a special ‘David Ruggles Week’ next week from Monday, June 23, through Saturday, June 28. To register to attend any of the events listed below in person ot to receive the Zoom meeting invitation, email programreg@lymepl.org or call 860- 434- 2272.

The schedule of programs is as follows:

June 23  (Monday) @ 6 p.m.
Local historian Jim Lampos will discuss the life, work and, historical impact of the African-American Abolitionist and Lyme native son David Ruggles.on American society
Lyme Library Community Room or Zoom

June 24  (Tuesday) @  6 p.m.
Professor and historian Dr. Jonathan Wells, Professor in the history of Afroamerican and African studies, will be appearing via Zoom to speak about his book “The Kidnapping Club: Wall Street, Slavery, and Resistance on the Eve of the Civil War”. Dr. Wells will recount how journalist, abolitionist and Lyme native son, David Ruggles, worked tirelessly, and at the risk of his own life to bring to light the injustices of institutional corruption that allowed slavery to continue to flourish in America on the eve of the American Civil War. 

Wednesday, June 25 @ 2 p.m. (Zoom)
Local historian Tom Schuch will be speaking about the Ruggles legacy and his genealogical connections to Lyme via Zoom.

Thursday, June 26th @ 6 p.m. (Zoom)
Dr. Graham Hodges, author of “David Ruggles: A Radical Abolitionist and the Underground Railroad in New York City” will speak about how David Ruggles saved lives via the Underground Railroad.

Saturday, June 28 2-4 p.m.
Calling artists of all ages to help make history happen at the library!

Local artist Nancy Gladwell, who is a member of PARJE (Public Art for Racial Justice Education), will be assisting all the artists (no age limit so adults and children are encouraged to attend) to come by and participate in painting a mural for the Lyme Library about the hero, abolitionist and Lyme native son, David Ruggles. The mural created will be proudly displayed in the library upon its completion.

Come in and help promote and participate in the legacy of racial justice that Mr. Ruggles fought so hard to uphold and make history happen at the Lyme Library.

Drop ins welcome. Refreshments will be provided.

Editor’s Note: This report was updated to correct the date of the final event.

Longstanding Foundation Gives Almost Half a Million Dollars to College Students From Lyme, Old Lyme

The MacCurdy Salisbury Educational Foundation recently awarded grants to 26 students. Standing, left to right: Manu Geronimo, Caleb Todzia, Mason Freer, Simon Karpinski, Ryan Shapiro, Micah Bass, Chloe Datum, Thomas Kabel, Tabitha Colwell, Erin Durant, Lily Esposito, Samantha Fiske and Paige Phaneuf. Seated, left to right: Abigail Greene, Abby Griffith, Audrey Spiegel, Nola Slubowski and Ada LaConti. Award recipients not pictured:
Gloria Conley, Caeli Edmed, Grace Ferman, Christopher Gibbons, Lana Lopes, Elias Sahadi, Kelly Sheehan and Charlotte Tinniswood.

LYME/OLD LYME—On June 17, the MacCurdy Salisbury Educational Foundation honored 26 graduating seniors during a reception at the Lyme Art Association.

Foundation President Fred Behringer said there are 94 students from Lyme and Old Lyme currently receiving grants through the program. The awards continue for all four years of college, trade school, or other post-high school training, as long as GPA and Lyme-Old Lyme residency requirements are met.

Total awards amount to $448,500 for the 2025-26 academic year, according to Behringer.

Behringer said grants for this year’s graduating seniors come in at $118,100.

The grants are based on need.

Evelyn MacCurdy Salisbury established the foundation in 1893.

W.E.S. Griswold Award recipient Simon Karpinski, right, and Willis Umberger Award recipient Ryan Shapiro were honored June 17.

Three students also earned $500 special achievement awards.

Simon Karpinski, who will be attending Harvard University, received the W.E.S. Griswold Award. Incoming Columbia University student Ryan Shapiro received the Willis Umberger Award. Caeli Edmed was awarded the Rowland Ballek Leadership Scholarship for a student who has demonstrated leadership in the school and community by organizing, mobilizing or inspiring others. Edmed will attend Yale.

The special awards honor Bill Griswold, president of the foundation from 1965 to 1992; Willis Umberger, secretary/treasurer from 1966 to 1986; and Rowland Ballek, president for 20 years until he retired in 2022.

I-Park Welcomes Visitors at First Open Studios of Season, June 29

Ted Efremoff’s Floating Living Room, Iteration #4, is shown in this photo by Christina Goldberg.

EAST HADDAM—I-Park, a nonprofit artists’ colony set within a 450-acre nature preserve in East Haddam, will hold its first Open Studios event of the season from 2 to 5 p.m. on Sunday, June 29.

The organization in a press release said artists will be in their studios, or at their artworks, from 2 to 4 p.m. to share glimpses into their creative process and the work they’ve developed during their time at I-Park. Visitors should try to arrive at 2 p.m. to experience all of the art, including the inaugural public launch of Ted Efremoff’s Floating Living Room. 

Tickets are free at i-park.org.

The artists’ colony adjoining Devil’s Hopyard State Park is generally closed to visitors to give the artists undisturbed time to work on their creative endeavors. I-Park opens its grounds at the conclusion of each four-week residency.

Visitors will have the opportunity to meet the following eight artists:

New York-based visual artist Stephanie Beck earned an M.F.A. from the Pennsylvania Academy of the Fine Arts. Her work has been included in numerous exhibitions nationally and internationally. Most recently she presented a solo exhibition at the Wave Hill Sunroom Project Space.

David Crowell is a composer and instrumentalist (saxophones, guitar) based in New York City. His work crosses stylistic boundaries encompassing contemporary classical composition, improvisation, jazz and experimental rock and pop. David received a PhD in composition at Stony Brook University and a Bachelor of Music in Jazz Saxophone Performance from the Eastman School of Music. He has studied improvisation with Ralph Alessi, Don Byron, Peter Epstein, Steve Coleman and Ravi Coltrane.

Ian Dippo is a multidisciplinary artist, landscape designer and arborist born in Michigan and based in Austin, Texas. He received a BS in Landscape Architecture from Michigan State University. I-Park is his first residency. 

CT-based interdisciplinary artist Ted Efremoff is a professor of Art and Design at CCSU.  His work deals with issues of displacement, marginalization and integration. It extends beyond explorations of human societies to the influence humans have on nature. His suspicion is that human creativity is not attached solely to the handle of art, but to ordinary activities that intersect every aspect of our lives. He is interested in the kind of literal and metaphoric travel through space and time that storytelling allows us to experience. The stories he tells focus on the creative solutions people find in living their daily lives.

Margaret Gerhardt is a transdisciplinary designer and registered landscape architect whose work bridges the digital and analog, the permanent and the impermanent, the familiar and the unknown. She holds a BFA in Industrial Design from Carnegie Mellon and a dual M.Arch/M.L.A. from the University of Pennsylvania.

Virginia-based visual artist Foon Sham holds a BFA from the California College of Arts and Crafts and an MFA from Virginia Commonwealth University. He is a professor of Art at the University of Maryland, College Park and has had 50 solo exhibitions in the US and abroad, including the National Building Museum and the Smithsonian Sculpture Garden in Washington DC.

NYC-based composer Elise Morris is a professional stage/studio musician and vocalist. She has composed numerous underscores for Scholas=c Audio Books, for documentary film shorts, dance performances, sound design for plays as well as music and lyrics for musicals. In 2023, her musical “MADam LUCY, deceased” was performed at The College of William and Mary. Her 2020 album Dancin’ With The Boys, released the single “Mardi Gras” reaching #1 on US iTunes Jazz charts – and “Unto Light Unbroken” reached #37 on US singer/songwriter charts and #7 in Canada.

Sarah Wang teaches writing at Barnard College. She is a MacDowell Fellow, a NYSCA/NYFA Nonfiction Fellow, a PEN America Writing for Justice Fellow, a Center for Fiction Fellow, a Virginia Center for the Creative Arts Fellow, a Kundiman Fellow, a Kenyon Review Workshop Scholar, a Tin House Scholar, and the winner of a Nelson Algren prize for fiction. Her writing appears in The New Yorker; The Atlantic; London Review of Books; The Nation; The New Republic; Harper’s Bazaar; n+1; BOMB; and McSweeney’s. Her debut novel is forthcoming from Little, Brown in 2026.

Due to the fragility of the artworks and the natural features at I-Park, pets are not permitted on the grounds. Only part of the campus is wheelchair accessible at this time.

For more information, call 860-873-2468 or email events@i-park.org.