Recycling in Old Lyme: Getting Rid of Mattresses

mattresses
LymeLine.com is pleased to be publishing a series of articles written by Old Lyme’s Solid Waste & Recycling Committee that lay out best recycling practices.  To date, the committee’s articles have covered Old Lyme’s curbside trash and recycling programs; the safe disposal of medications; and paint recycling.  This article covers the recycling of mattresses and box springs.

The International Sleep Products Association (ISPA), which is the trade association for the mattress industry, estimates that 35 to 40 million new mattresses and box springs are sold in the United States every year, and at least 15 to 20 million are discarded.

Unfortunately, mattresses are really hard to throw out; there is just no easy way to dispose of them.  They are difficult to land-fill because they can’t be easily compressed and crushed; they pose challenges for incinerators.

So, disposal of mattresses and box springs at the end of their useful life was difficult for towns to manage. Hartford estimated that mattress disposal cost that city about $400,000 in 2010.  Consequently, they are often illegally dumped and found on vacant lots and roadsides.  As a matter of fact, there was a mattress lawn ornament right here in Old Lyme on Rte. 156. It was only recently removed after gracing our roadside for several months. (Thanks, neighbor!)

Connecticut passed comprehensive mattress stewardship legislation in 2013 (the first state to do so.)  Similar to paint, the law requires mattress manufacturers to establish programs to manage unwanted mattresses and box springs; and, like paint, a fee is assessed at the point of sale to fund the program.  California and Rhode Island have since passed similar mattress stewardship laws.

The Mattress Recycling Council (MRC) was formed by ISPA to operate recycling programs in the states that have such laws. Connecticut’s program launched in May, 2015.  “Bye Bye Mattress” (really!) is the recycling program established by MRC. They provide haulers that pick up and transport mattresses and box springs from drop-off sites to recycling centers. Our local drop-off site is Old Lyme’s transfer station.  There are currently mattress recycling facilities in East Hartford and Bridgeport; ours extends to East Hartford.  Mattresses get recycled through the state’s recycling program regardless of when they were purchased.  Note that most mattress retailers will remove your old mattress on delivery of new.

The industry estimates that nearly 90 percent of used mattress and box springs’ components can be recycled — the metal springs, foam, wood and fibers — and made into new useful products.

Before putting this topic to rest, it’s worthwhile to mention the issue of bed bugs. Infested mattresses require special handling.  If you have concerns regarding bed bugs you can find information and guidance from Connecticut’s Department of Energy and Environmental Protection at http://www.ct.gov/deep/cwp/view.asp?a=2714&q=482160&deepNav_GID=1645%20#BedBugs or the Connecticut Coalition Against Bed Bugs at http://www.ct.gov/caes/cwp/view.asp?a=2826&q=437580.

Our next few articles will cover the proper recycling of electronics, tires, and bulky items like appliances and furniture.

If you have questions or comments, contact Leslie O’Connor at alete1@sbcglobal.net or Tom Gotowka at TDGotowka@aol.com.

Letter From Paris – No, Now It’s Essex!  A Brave, New Museum Opens in DC

Nicole Prevost Logan

Nicole Prevost Logan

Editor’s Note:  Our popular writer from Paris, Nicole Prevost Logan, is back in Essex, CT, for the winter.  She does not normally write for us from Essex, but this year, she is making an exception and will be continuing to contribute articles to ValleyNewsNow.com and LymeLine.com during the winter months.  Here is her inaugural column from Essex about the opening of  a very special museum in Washington DC.

The Grand Opening of the National Museum of African American History and Culture (NMAAHC) will take place in Washington DC this coming Saturday, Sept. 24.  The NMAAHC, the 19th and newest of the Smithsonian museums, was established by a bi-partisan Act of Congress in 2003.

The Smithsonian's National Museum of African American History and Culture, Nov. 6, 2015. (Photo by Michael Barnes from http://newsdesk.si.edu/photos)

The Smithsonian’s National Museum of African American History and Culture, Nov. 6, 2015. (Photo by Michael Barnes / Smithsonian Institution.)

The massive structure occupies a prime location next to the Washington Monument and contrasts with the 555 ft. slender obelisk.  The dark bronze-colored metal lattice that covers the ‘Corona” also stands out from the white marble classical architecture of most of the other museums standing on the National Mall.

It has been a long struggle for the supporters, such as Congressman John Lewis (D-Georgia), to make the project a reality.  They needed to overcome the resistance from several senators who advocated another location. The final approval  was more than a triumph — it might be considered a miracle.  It succeeded in making a strong statement as to the importance of Black history and culture in the American nation.

The lead designer was David Adjaye, son of a Ghanaian diplomat and the lead architect Philip Freehon, who died in 2009.  Founding Director Lonnie B. Bunch III is the visionary and driving force of the project.  During some of the many interviews he gave to the press and to a variety of audiences, including select ones like the Aspen institute, he explains the building process and his objective with a very contagious enthusiasm.

The NMAAHC is not intended to be a Holocaust museum, he explains . Its mission is to show the pain but also the joy and the creativity of African-Americans.  A daunting fund-raising goal of 450,000 million dollars had to be reached.

The three-tier effect of the construction incorporates elements from African culture, such as the Yoruban crowns from Nigeria.  Inside the building, high tech designs and the enormity of the space will make it possible to be versatile in organizing several exhibits simultaneously.

The collections had to be created from zero.  It required a treasure hunt into the attics, trunks and basements of the population.  To date 35,000 artifacts have been collected.  A segregated train from outside Chattanooga (TN) was lowered by crane and the museum built around it.  All traffic stopped on Constitution Ave. when an oversized truck delivered the control tower from a federal prison.

Artifacts showing the terrible fate of the slaves are very moving.  Such is an amulet created by the Lombi tribe in the form of a shackle.  More tragic still were the shackles for children.

But fun and the world of entertainment are also present in the displays , such as Louis Armstrong and his trumpet, Lena Horne or Marianne Andersen . The film archives will be essential to build up history, from Harriet Tubman to the human rights movements of the 1950s and 1960s.

According to Washington insiders , the opening of the new museum is the hottest event in a decade.  More than 150,000 special tickets have been distributed to dignitaries while long lines of visitors gather at the entrances of the building to purchase tickets for general admission after the opening.

Editor’s Note: This is the opinion of Nicole Prévost Logan.

Nicole LoganAbout the author: Nicole Prévost Logan divides her time between Essex and Paris, spending summers in the former and winters in the latter. She writes a regular column for us from her Paris home where her topics will include politics, economy, social unrest — mostly in France — but also in other European countries. She also covers a variety of art exhibits and the performing arts in Europe. Logan is the author of ‘Forever on the Road: A Franco-American Family’s Thirty Years in the Foreign Service,’ an autobiography of her life as the wife of an overseas diplomat, who lived in 10 foreign countries on three continents. Her experiences during her foreign service life included being in Lebanon when civil war erupted, excavating a medieval city in Moscow and spending a week under house arrest in Guinea.

Reading Uncertainly? ‘Lafayette in the “Somewhat” United States’ by Sarah Vowell

lafayette-in-the-somewhat-united-statesThis quote describes Sarah Vowell’s new interpretation of our history: “… I like to use whatever is lying around to paint pictures of the past …”

The Marquis de Lafayette just happens to be her tool in this decidedly non-academic, irreverent, and often sarcastic interpretation of the effect that a rich 19-year-old French aristocrat had on our so-called “Revolution.”

Her prose is idiomatic, unpretentious, and humorous – two jokes a page! She sees our colonists as “state-sponsored terrorists, with French financial backing.” The Americans? “A squirming polygon of civilians, politicians and armed forces begging to differ.”

And she concludes: “That, to me, is the quintessential experience of living in the United States: constantly worrying whether or not the country is about to fall apart.”

Is it true that Justice Scalia read this book just before he died of apoplexy?

Ms. Vowell traces the rush of a young man from Paris to these shores, whose persuasive words and evident riches made him a general in the revolutionary forces, a youngster who rushed into battles with little experience and who contributed to the “patriot soap opera” that was our revolutionary period.

This is the seamy, seedy, and often-hilarious underside of “the ironically named ‘United’ States” and their Revolution, one that Ms. Vowell calls “FUBAR!” (I had to look that one up in Google: it means “f—ed up beyond all recognition”).

Hers is a re-interpretation of our past, richly intermixed with her current opinions.

For example:  “To establish such a forthright dream of decency, who wouldn’t sign up to shoot at a few thousand Englishmen, just as long as Mr. Bean wasn’t among them? Alas, from my end of history there’s a big file cabinet blocking the view of the sweet-natured republic Lafayette foretold, and it’s where the guvment (sic) keeps the folders full of Indian treaties, the Chinese Exclusion Act, and NSA-monitored electronic messages pertinent to national security, which is apparently all of them, including the one in which I ask my mom for advice on how to get a red Sharpie stain out of couch upholstery.”

She manages to get in asides on everything: Chris Christie’s “Bridgegate” at Fort Lee (the town was named during the Revolution) and “… it must quiet the mind of Bruce Willis that even though his fellow Americans never nominated him for an Oscar, the French awarded him the Legion d’Honneur.” Another one on General Washington, who was six feet four inches tall: “Still it does get on my nerves how easy it is for tall people to make a good first impression.”

Why did the French want to support us? They had just recently been tossed out of Canada, retaining only the island of St. Pierre and Miquelon (they are still part of France …) and leaving a taste of language in Quebec. So why not send some young aristocrats to these shores, along with a few troops and some naval vessels? They agreed with many of the colonists that the Brits were “pig-headed Anglo-Saxon islanders.”

Yet this historical perambulation is an animated read. No chapter breaks, so it becomes a continuous ramble through early American history using the author’s distinctly tinted glasses. Michiko Kakutani in the New York Times called it a “cutesy-pie book.” Perhaps she is right, but its melange of historical and personal tidbits, from past and present, make it a fun trip.

Editor’s Note: ‘Lafayette in the “Somewhat” United States’ by Sarah Vowell is published by Riverhead Books, New York 2015.

Felix Kloman_headshot_2005_284x331-150x150About the Author: Felix Kloman is a sailor, rower, husband, father, grandfather, retired management consultant and, above all, a curious reader and writer. He’s explored how we as human beings and organizations respond to ever-present uncertainty in two books, ‘Mumpsimus Revisited’ (2005) and ‘The Fantods of Risk’ (2008). A 20-year resident of Lyme, he now writes book reviews, mostly of non-fiction that explores our minds, our behavior, our politics and our history. But he does throw in a novel here and there. For more than 50 years, he’s put together the 17 syllables that comprise haiku, the traditional Japanese poetry, and now serves as the self-appointed “poet laureate” of Ashlawn Farms Coffee, where he may be seen on Friday mornings. His wife, Ann, is also a writer, but of mystery novels, all of which begin in a bubbling village in midcoast Maine, strangely reminiscent of the town she and her husband visit every summer.

The Movie Man: ‘Kubo and the Two Strings’ is an Unexpected Delight

kubo-main_0Truly, if you enjoy learning about ancient mythology, you will enjoy watching Kubo and the Two Strings, brought to you by Laika, the filmmakers behind Coraline and The Boxtrolls. With an all-star-studded cast that includes Charlize Theron, Matthew McConaughey, Ralph Fiennes, Rooney Mara, and Star Trek actor/turned social media personality George Takei, this stop-motion animation film does not disappoint.

We are told the story of Kubo, a young one-eyed boy, who cares for his ill mother by transforming paper into origami masterpieces through his shamisen (a string instrument indigenous to Japan). After staying out past dark (as he was warned against many times), his mother’s sisters destroy his village and attempt to take his remaining eye.

Upon escaping the terror of his aunts, Kubo comes across the incarnate version of his wooden monkey (voiced by Ms. Theron) brought to life by his own mother’s magic, and eventually Beetle (Mr. McConaughey), who join him on a quest to retrieve the armor worn by his father, a Samurai warrior.

The film often invoked reminders of ancient mythology, in which the character is forced to embark on a quest, accompanied people who are both reasonable and unreasonable, in which the protagonist must locate something precious in regards to the parent he never knew, who was a great warrior and up to whose image he seeks to live. This ranges from classical mythology to modern entertainment (think of Luke Skywalker in Star Wars, prior to learning his father was the enemy he was fighting all along [not spoiling anything about this film, disclaimer] or even Telemachus, son of Odysseus in The Odysessy.)

Perhaps what is most rivaled by its story and performances is its original score, which I have no doubt will at least be nominated by many award shows this upcoming season.

It was released in 3D, a trend in movies that I do not understand. Despite being a family-friendly film, I would caution those who have very young children from seeing this. One of the main themes revolves around the title character missing an eye and his grandfather and aunts seeking retribution on his life or his remaining eye, as well as there being some frightening images and scary scenes.

But anybody above the PG-warned audience will find this movie to be an ultimate delight.

Kevin Ganey

About the Author: Kevin Ganey has lived in the Lyme/Old Lyme area since he was three-years-old, attended Xavier High School in Middletown and recently graduated from Quinnipiac University with a degree in Media Studies. Prior to his involvement here at LymeLine.com, he worked for Hall Radio in Norwich, as well as interned under the Director of Communications at High Hopes Therapeutic Riding Center. Kevin has a passion for movies, literature, baseball, and all things New England-based … especially chowder.

Recycling in Old Lyme: Dealing With Left-Over Paint

paint_cansLymeLine.com is pleased to be publishing a series of articles written by Old Lyme’s Solid Waste & Recycling Committee that lay out best recycling practices.  To date, the committee’s articles have covered the town’s current curbside program, and the safe disposal of prescription and over-the counter medications in previous articles. This article covers paint recycling.

The U.S. Environmental Protection Agency estimates that about 10 percent of all paint purchased in the United States is left-over – around 64 million gallons annually. This left-over and unused paint can cause pollution when disposed of improperly and, in the past, was costly for municipalities to manage. 

So, Connecticut enacted a paint stewardship law in 2011, which required that paint manufacturers assume the costs of managing unwanted latex and oil-based paints, including collection, recycling, and/or disposal of unwanted paint products. Connecticut was the third state in the country to pass paint legislation, following Oregon and California.

As a result of the paint stewardship law, a non-profit program was rolled out in 2012 by the American Coatings Association, which is a trade group of paint manufacturers. The program is funded by a fee paid by the consumer at the time of purchase.

“PaintCare” has resulted in a network of drop-off locations for that left-over paint (now 142 sites in the state.) Locations near Old Lyme include Sherwin Williams in Old Saybrook, True Value Hardware in East Lyme, and Rings End Lumber in Niantic. PaintCare now operates in the nine states that have enacted paint stewardship laws. There is no charge at the drop-off site. As noted, the program is wholly funded by fees assessed at the point of sale.

PaintCare drop-off sites accept latex and oil-based house paints, primers, stains, sealers, and clear coatings like shellac and varnish. All of these must be in the original container (no larger than five gallons) with the original printed label and a secured lid (i.e., no open or leaking containers.)  They do not accept aerosols, paint thinners, mineral spirits, and solvents.

You should review the PaintCare website (http://www.paintcare.org) before loading your trunk with your left-over paint.  The site has a complete list of accepted and non-accepted paint products and any drop-off limits.

What happens to the excess paint after drop-off?  PaintCare’s haulers move the paint from the drop-off sites to their facility for sorting. Their goal is to then recycle as much as possible according to a policy of “highest, best use”.

Most of the oil-based paint is taken to a plant where it is processed into a fuel and then burned to recover the energy value.

Clean latex paint (i.e., not rusty, dirty, molding or spoiled) is sent to recycling facilities and reprocessed into “new” paint; most latex paint that doesn’t contain mercury or foreign contaminants can be processed into recycled-content paint.

There are two types of recycled paint: re-blended and re-processed. Re-blended paint contains a much higher percentage of recycled paint than re-processed paint (which mixes old paint with new paint and other new materials).

Paint that is nearly new and in good condition is given to charitable organizations for re-sale. Habitat for Humanity’s ReStores also accept clean surplus paints.

According to the PaintCare 2014 Annual Report, 240,798 gallons of used paint were collected in the first year of the program; 81 percent of the latex paint was recycled into recycled-content paint, 4 percent ended as a landfill cover product, 6 percent was fuel-blended, and 9 percent was unrecyclable and sent to landfill as solids. All of the oil-based paint was used for fuel.

Our next article covers the recycling of mattresses.

If you have questions or comments related to this article or recycling in general, contact Leslie O’Connor at alete1@sbcglobal.net or Tom Gotowka at TDGotowka@aol.com.