Theater Along the River Returns with “Edward III,” June 18

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King Edward III

 

On Saturday, June 18, the Connecticut River Museum’s Theater Along the River kicks off with the Flock Theatre production of William Shakespeare’s Edward III. This year’s summertime series is once again made possible through the generous support of the Essex Wellness Center.

The Raigne of King Edward the Third (typically abbreviated as Edward III) centers on the life of the eponymous English monarch as he faces the threat of a rebellious Scotland while simultaneously laying claim to the French throne, starting the Hundred Years War in the process. Originally printed anonymously in 1596, the author’s identity has been a subject of some debate, though scholars now generally agree that the play is the work of William Shakespeare collaborating with fellow playwright Thomas Kyd.

According to director Derron Wood, “We are pleased to return for a third year to the Connecticut River Museum. It offers a spellbinding backdrop for outdoor theater and allows us to reach a new audience.”

The Connecticut River Museum’s executive director, Christopher Dobbs, said, “Flock Theatre is a master of Shakespeare. We feel fortunate to offer this level of entertainment at the museum and hope that the audience enjoys the production and its backdrop – the river.” Dobbs was quick to note that the museum is only able to host this event and keep the ticket prices reasonable for all ages to enjoy through the “generosity of lead sponsor, the Essex Wellness Center.” Essex Wellness Center offers a range of holistic-minded health services, including Fitness on the Water, a beautiful, private workout studio.

The museum’s grounds will open at 6 p.m. for picnickers to lay out blankets and chairs. Museum staff encourage the audience to make the picnic part of the experience. In fact, there will be a special prize awarded to the “best” picnic arrangement.

Tickets are $18 for the general public and $10 for children (12 and under) and $12 for Connecticut River Museum members. A cash bar serving beer and wine will be available for theatergoers. No carry-in alcohol is permitted. Tickets may be bought at www.ctrivermuseum.org or at the door starting at 6 p.m. the night of the performance. Curtain opens at 7 p.m., with a raindate of June 19.

A second evening of Theater Along the River will be held on Friday, Aug. 5, when Flock Theatre will be performing Shakespeare’s popular comedy, Taming of the Shrew.

Flock Theatre is a professional, not-for-profit theater company founded in 1989. The company is dedicated to creating original, collaborative and educational theater. Perhaps best known for the long-standing summer Shakespeare in the Arboretum, Flock Theatre performs year-round in a variety of venues, including their winter “nest” at the First Congregational Church, on the New London Pier, at the historic Shaw Mansion Museum and throughout New England.

For more information on the programs, please contact the Connecticut River Museum at 860-767-8269 or visit the website, ctrivermuseum.org. The museum is located at 67 Main St., Essex.

“The 39 Steps,” Zany Spoof of Hitchcock Movies, Opens at Ivoryton Playhouse

Dan Fenaughty and Larissa Klinger. Photo by Ivoryton Playhouse

Dan Fenaughty and Larissa Klinger. Photo by Ivoryton Playhouse

Mix a Hitchcock masterpiece with a juicy spy novel, add a dash of Monty Python and you have “The 39 Steps,” a fast-paced whodunit for anyone who loves the magic of theater! This two-time Tony and Drama Desk Award-winning treat is packed with nonstop laughs, over 150 zany characters (played by a ridiculously talented cast of four), an on-stage plane crash, handcuffs, missing fingers and some good old-fashioned romance!

“The 39 Steps” is set in England, just before the war. A young man bored with life meets a woman with a mysterious accent who says she’s a spy and needs to take refuge in his apartment. Murder and mayhem soon follow as our hero is chased across the wild and wooly British countryside, meeting a host of ridiculous characters and climaxing in a death-defying finale! A riotous blend of virtuoso performances and wildly inventive stagecraft, “The 39 Steps” amounts to an unforgettable evening of pure pleasure!

The first version of the play was written by Simon Corble and Nobby Dimon for a cast of four actors and funded by a £1,000 Yorkshire Arts Grant. It premiered in 1995 at the Georgian Theatre Royal in Richmond, North Yorkshire, before embarking on a tour of village halls across the north of England. In 2005, Patrick Barlow rewrote the script, keeping the scenes, staging and small-scale feel, and in June 2005 this re-adaption premiered at the West Yorkshire Playhouse. In 2006, it opened in the West End and in 2008 it premiered on Broadway to rave reviews. The New York Times proclaimed, “Theatre at its finest!… Absurdly enjoyable! This gleefully theatrical riff on Hitchcock’s film is fast and frothy, performed by a cast of four that seems like a cast of thousands.”

This production introduces Ivoryton audiences to the husband and wife team of Dan Fenaughty and Larissa Klinger, who have both performed these roles before in the national tour. The clowns are played by Ivoryton favorite, David Edwards, and Jonathan Brody, making his Ivoryton debut. All four actors are members of Actors Equity. The play is directed by Erik Bloomquist, a two-time Emmy-nominated writer/director/producer and former Top 200 Director on Project Greenlight. Erik is currently in post-production on the television adaptation of “The Cobblestone Corridor,” a seriocomic mystery series based on his internationally acclaimed short film of the same name. The set design is by Dan Nischan, lighting design by Marcus Abbott and costume design by Cully Long.

“The 39 Steps” opened at the Ivoryton Playhouse on June 1 and runs through June 19. Performance times are Wednesday and Sunday matinees at 2 p.m. Evening performances are Wednesday and Thursday at 7:30 p.m., Friday and Saturday at 8 p.m.

Tickets are $44 for adults; $39 for seniors; $22 for students and $17 for children and are available by calling the Playhouse box office at 860-767-7318 or by visiting www.ivorytonplayhouse.org

Ticket prices go up on June 1 to $50 for adults and $45 for seniors, so purchase tickets now for all the summer shows for the best prices. (Group rates are available by calling the box office for information.) The Playhouse is located at 103 Main Street in Ivoryton.

Singers Invited to First ‘Summer Sing’ of the Season: Mozart’s “Requiem” on June 13

MozartOLD SAYBROOK — The first ‘Summer Sing of the season’ will feature Barry Asch of Cappella Cantorum directing Mozart’s “Requiem” on Monday, June 13, at St. Paul Lutheran Church, 56 Great Hammock Road, Old Saybrook.

The event, which features professional soloists, is co-sponsored by two shoreline choral groups, Cappella Cantorum and Con Brio.

All singers are welcome to perform in this read-through of a great choral work. Registration is at 7 p.m.; the sing begins at 7:30. An $8 fee covers the costs of the event. Scores will be available, bring yours if you have it. The church is air-conditioned.

For more information, call (860) 388-4110 or (860) 434-9135 or visit www.cappellacantorum.org or www.conbrio.org.

Old Lyme Artist Featured in Exciting, Experimental ’Free Range’ Exhibition at the Hygienic

FREE RANGE BANNER
An exciting, new exhibition titled ‘Free Range’ opens at the Hygienic Art Gallery in New London this evening, May 28, with a reception from 7 to 10 p.m.  Admission is free and all are welcome to attend the reception.

The mixed media exhibition features the work of five young Connecticut artists, who are fundamentally experimental in their work style, materials and methodology. Each artist has a specific approach; all are explorative and continuously evolving. During the preparation for this show, the participating artists found themselves forming collaborations at times. Works developed from these collaborations will be displayed in this exhibition along with individual bodies of work, allowing for a remarkable exhibition featuring both singular and co-produced vision and creation.

The participating artists are Bryan Gorneau, Susan Hickman, Bryan Jerome, Mary Melendez and Robin Urbani.

Bryan Gorneau is a working artist in Old Lyme and also Studio Manager at Studio 80 + Sculpture Grounds in Old Lyme, where he fabricates large-scale, metal sculptures. His work is infused with a youthful curiosity and creative exploration as he deftly dismantles both objects and ideas, seeking to find a new way of understanding and portraying the world around him. Through his work, Gorneau highlights and preserves many of the “headlines” that have punctuated our societys cultural identity, while redefining their messages from his personal artistic perspective.

Susan Hickman is a mixed media artist and, building on her background in graphic design and photography, she is also a self taught painter and clothing designer. All the materials and textures she uses from one medium to another inform her work, resulting in vibrantly colored, multilayered and highly textural paintings. Currently Hickman is a resident artist at Hygienic Art in New London, Conn. She actively coordinates open studios, art walks, and fashion events, while she continues to experiment with her painting.

Bryan Jerome is a multimedia artist raised in shoreline Connecticut.  He earned his Associates of Arts in Film Making at Rockport College in Maine, and is a professional picture framer with six years experience in Manhattan and a lifetime of framing at his father’s frame shop.  Influences in his life include graffiti culture, pop art, and contemporary artists like Wayne Thiebaud and John Wesley. Jerome confesses that the thrill of putting the unknown permanently on a canvas outweighs the benefits of planning and sketching his ideas beforehand.

Mary Melendez received her BFA from Hartford Art School at the University of Hartford. During her adolescent years, her world was interrupted by an intestinal condition that threatened and altered her life. As an adult much of her art was influenced by medical subject matter. Abstractly it portrayed the relationship between medical utilities/treatments with the human form and identity. Now Melendez also enjoys celebrating pop culture through two-dimensional mixed media and finding minimalism in color experimentation.

Robin Urbani was raised in Black Point, Conn., in a small, eccentric family of painters, gardeners, poets and photographers — creating art has always been a part of her life. Since childhood, Urbani has been drawn to classical figurative sculpture, then the art of puppetry and mask-making; it was not until later that she discovered her love of painting with oils. She prefers to paint from direct observation hoping to transfer the light, color and emotion she feels and sees in the subject. She also finds herself wanting to incorporate fantastic or ethereal imagery from ideas she find compelling. Her work has been shown in galleries in Rhode Island, Connecticut and NYC.

Hygienic Art is a non-profit arts organization dedicated to creating an enriching cultural experience in the city of New London, Conn. It is located at 79 Bank St, New London, CT 06320. Gallery opening hours are Tuesday through Thursday, 11 a.m. to 3 p.m.; Friday and Saturday, 11 a.m. to 6 p.m., and Sunday, 12 to 3 p.m. For further information, call 860-443-8001 or emailhygienicart@gmail.com.

Baldwin on Bosch: Friends of Lyme Library Sponsor Art History Lecture This Morning

'The Garden of Earthly Delights,' the world famous triptych painted by Hieronymus Bosch between 1503-1515 and housed in the Prado Art Gallery in Madrid, Spain since 1939.

‘The Garden of Earthly Delights,’ the world famous triptych painted by Hieronymus Bosch between 1503-1515 and housed in the Prado Art Gallery in Madrid, Spain since 1939.

Robert Baldwin, Associate Professor of Art History, Connecticut College presents, “The Artistry of Bosch: Renaissance Naturalism, Allegory and Imagination,” Saturday, May 21, at 11 a.m., at Lyme Public Library

This event is sponsored by the Friends of the Lyme Public Library

Hieronymous Bosch

Hieronymous Bosch

2016 marks 500 years since the death of Hieronymus Bosch. Bosch revolutionized early Renaissance art by turning away from traditional Christian images such as Madonnas and saints. In the Garden of Earthly Delights (see image above), the Haywain, and the Seven Deadly Sins, Bosch painted secular, encyclopedic scenes of everyday life framed with moral allegory.

Although seemingly poles apart, his naturalism and fantasy were both part of a secular, Renaissance aesthetic, which understood artistic seeing as both empirical and playful. Bosch’s artistry allowed him to convert medieval sin and hellish punishment into visually appealing luxury objects for pleasure-loving aristocrats while bringing the artist fame and fortune.

Baldwin has taught Renaissance and Baroque art history at Connecticut College for 31 years. He is the author of many articles and has a web site socialhistoryofart.com.