Monthly Archives: January 2025

Old Lyme Fire Department Makes Case for Approval of Boughton Rd. Emergency Space Expansion

Posted on by

OLD LYME—The following is a statement from Old Lyme Fire Chief Michael McCarthy and the Old Lyme Fire Department (OLFD) regarding tonight’s presentation and potential vote at Old Lyme’s Annual Town Business Meeting on the expansion of the Boughton Rd. Emergency Operations Center. We have published the statement in its entirety.

This Monday, January 27th, at the town hall 7:30pm is an opportunity to vote on the expansion of the Old Lyme Emergency Management space at our Boughton Road firehouse. The OLFD asks for your support of this project, we have worked closely with the committee, and this has been a need for a long time. Yes, it is a large ticket item, however with several years in a row of garnering grant funding, the cost to the town has been kept low given the scope and total cost. It is difficult to foresee the rise of construction costs. If this does not pass, $708,000 of hard-earned grant money will essentially be forfeited.

Total cost: $1,522,170
Grant funding: $912,950
Remaining town cost: $609,220
Potential grant loss if unapproved: $708,450

Grant-writing is time-consuming and regulated, it takes time and effort to request what has been requested. We are thankful this much funding actually received approval. The timing of the request to the town comes after years of effort to keep cost as low as possible.

The current footprint is about 16’x24′ divided into two rooms, but has an even smaller, workable amount of space given storage cabinets, a kitchenette, and a lot of necessary IT equipment. It is difficult to conduct emergency operations in a space about the size of a master bathroom.

Did you know that OLFD is comprised entirely of volunteers? Did you know that when our town is expecting a significant event like a hurricane, our members leave their families for the entire duration of the storm to hunker down in-station so we can continue to provide emergency support? We take over Lyme Street and Cross Lane firehouse meeting rooms with cots, along with Old Lyme EMS, while the EOC powers up here at Boughton Road.

Although this is our firehouse, it is a shared space. This necessary expansion will allow all three departments to utilize a significantly updated and more spacious facility, and will also support the entire Town of Old Lyme Town Hall as essentially a full backup facility if necessary. The EOC needs a proper facilty during major emergency events like huricanes, but just as important, they need it for year-round necessary, and required training, meetings, and mandated events. Plus, the updated space would enable all three departments training availability year-round.

We hope the townspeople can appreciate this multipurpose effort.

Death Announced of Judith Ellen Komoroske (née Roach), Formerly of Old Lyme

Posted on by
Judith Ellen Komoroske
Dec. 1, 1941 – Jan. 7, 2025

Judith Ellen Komoroske (née Roach) passed away peacefully on January 7, 2025 surrounded by family. Born December 1, 1941 (Hartford, CT), she was raised in Brighton-by-the-Sea, Old Lyme, the second child of Robert Nicholas and Frances Prendergast Roach. She graduated from Williams Memorial Institute in New London and the Duchesne Residence School (NYC). Her first employment was Time Inc., Photography Division. The Manhattan location of Duchesne enabled her to pursue academics alongside her interest in dance, moving from ballet to modern, in the style of Isadora Duncan and Doris Humphrey. She took classes in the studios of José Limón, Alwin Nikolais, Martha Graham, and others.

On November 16, 1963, she married US Navy Nuclear Submarine Officer, Alex B. Komoroske, Jr. Following life in the Navy, the couple settled in Menlo Park, CA where Judith took over a dance studio, expanded it to children and adults of all ages, and incorporated music and poetry representing a wide variety of genres. Judith’s classes left an indelible mark on her students—not least, youth in transition to adulthood (e.g., “Tuesday Girls”). At this time, she also formed the Creative Dance Workshop, a dance troupe of select students who regularly performed her choreographies in the Bay Area. In collaboration with close friend and Stanford Drama Department instructor, Marianne Crowder, the Creative Dance Workshop provided the principal dancers for a film documentary of previously unrecorded Renaissance court dances. For her numerous important contributions to the Bay Area art scene, Judith was named Silicon Valley Arts Laureate. She was a multi-faceted artist who also leaves behind a rich cache of poetry, paintings, and photography.

She is survived by her husband, Alex, two siblings, Susan Kelly (m. Peter Kelly) and Robert Roach Jr. (“Nick” m. Linda Roach [deceased] and Fran Gammell Roach); three daughters, Clare Rothschild (m. Douglas Rothschild), Kirsten Komoroske, and Jessica Solomon (m. Rob Solomon); and six grandchildren, Declan Schriever (m. Paulette McCroskey), Maxwell Rothschild, Luke Rothschild (m. Madison James), Samson Solomon, Joshua Solomon, and Sophia Solomon. A private funeral mass will be followed later this year by a celebration of life event. In lieu of flowers, please consider donations to the Dr. Betof Warner Research Fund at Stanford University or by check payable to Stanford University with “Dr. Betof Warner Research Fund in memory of Judith Komoroske” indicated on the memo line, mailed to Development Services, P.O. Box 20466, Stanford, CA 94309.

Death Announced of Clara (Claire) Maude Taylor, Mother of Craig Taylor of Old Lyme

Posted on by
Clara (Claire) Maude Taylor: Aug. 16, 1941—Jan. 18, 2025

Clara (Claire) Maude Taylor, formerly of Madison, passed away peacefully after a long battle with Alzheimer’s on January 18, 2025. Clara was born on August 16, 1941, in Staten Island, NY, and was the daughter of Albert H. And Eleanor T. Morrill. She was the widow of John Arthur Taylor, whom she adored and always cherished as her partner in life. She missed him dearly.

Clara is survived by her sons Eric Taylor of California, and Craig Taylor, wife Karen, and grandchildren Andrew and Weston Taylor of Old Lyme. Clara is also survived by her brother William Morrill and his wife Sue of Salisbury, CT and her sister-in-law Gill Faison of Mount Pleasant, SC.

Clara will be remembered for her infectious smile and her easy-going, simple attitude towards life. She loved cooking for her family, gardening at her home, and being outdoors whenever possible. But above all, she loved children. Clara’s school and work interests led her to a degree in elementary education from Wagner College, and her early adult years were spent teaching pre-school in the boroughs of New York City. She spent many years as a stay-at-home mother to her sons, Eric and Craig, before returning to work as a home health aide for the visiting nurse association of Madison, where her passion for helping others could continue. Clara’s last joys were her grandchildren, who she visited regularly despite her physical limitations. Nothing could stop her from spending time with the children she loved.

The family wishes to thank the many live-in-companions, doctors, and nursing staff who cared for her both at her home in Madison and at the health center at Essex Meadows in her later years. She adored you. We are truly grateful for your compassion and service.

The family will be holding a private service to celebrate her life. In lieu of flowers memorial contributions in her memory may be made to Friends of Hammonasset state park.

Letter to the Editor: Smith Neck Rd. Proposed House Poses ‘Serious Threat’ to ‘Natural Beauty’ of CT River Valley

Posted on by

To the Editor:

As residents of Old Lyme, we feel a strong responsibility to voice our concerns regarding a recent Special Permit application before the Zoning Commission for 43 Smiths Neck Road, which poses a serious threat to the natural beauty of our cherished Connecticut River Valley. After attending the public hearing, we identified two critical issues that were not addressed, further supporting the case for denying this application—issues the community should be aware of and take action on.

1. Inadequate Planning for Visual Impact

The applicant has failed to present any visual renditions illustrating how the proposed structure will appear in relation to its surroundings—particularly in relation to the neighboring home, located less than 11 yards away. This omission is especially concerning given the site’s pristine location at the mouth of the Back River, where it meets Long Island Sound.

We urge residents to visit the boat landing to envision the visual impact of two substantial homes—a new, massive build adjacent to an already large existing home—situated a mere 11 yards apart. The resulting juxtaposition of two overwhelming, obtrusive, and incongruously designed homes (“monstrous” is a more apt description) would be entirely out of character with the area’s natural charm.

Furthermore, the visual impact of these structures starkly contradicts the Connecticut River Gateway Commission’s mission “to preserve the aesthetic and ecological natural beauty of the lower Connecticut River valley for present and future generations.” Disregarding the Gateway Commission’s expert recommendation to reject the Special Permit application would establish a dangerous precedent, weakening the regulatory framework that safeguards our community and environment and opening the door to unchecked deviations from established zoning principles. The Gateway Commission and its mission were established in law by the Connecticut General Assembly in 1973, recognizing that “this river possesses unique scenic, ecological, scientific, and historic value contributing to public enjoyment, inspiration, and scientific study…that it is in the public interest…to preserve such values and to prevent deterioration of the natural and traditional river-way scene for the enjoyment of present and future generations.”

Allowing this development to proceed would violate the Gateway Commission’s mission and the principles it was founded to uphold. The construction of this new home—essentially positioned on top of an existing one—would irrevocably degrade the unique beauty of the marsh and the entire Back River as it flows into Long Island Sound.

2. Violation of Zoning Regulations

The proposal also conflicts with zoning regulations requiring structures to be built behind the natural crest of a hill to maintain the site’s topography. The applicant’s plans rely on substantial landfill to artificially alter the hill’s contours, concealing the fact that the proposed home’s river-facing wall extends at least 30 yards beyond the hill’s natural crest. Such actions contradict both the letter and the spirit of local zoning laws.

Preserving Our Community’s Legacy

If approved, this application would set a dangerous precedent, endorsing incongruous development that disregards zoning standards and the region’s natural beauty. We urge residents to join us in calling on the Zoning Commission to uphold the principles of responsible land use by denying this application. Together, we can protect the natural legacy we are privileged to enjoy and ensure its preservation for future generations.

Sincerely,

Susan and Thor Kayeum,
Old Lyme.

The Movie Man: ‘A Complete Unknown’ Draws You In, Keeps You There—Overall a Great Movie

Posted on by

I am generally wary of biopics, as I think they are simply made for Oscar bait.

Kevin Ganey is ‘The Movie Man.’

Your team could definitely catch the attention of the Academy of Motion Picture Arts and Sciences if you are seeking to re-create an aesthetic of a bygone era (be it costumes, set design, makeup, music, or even using production technology from any particular era to make it resemble films made in that time). This is on top of your actors’ working impressions of iconic public figures, hoping it be deemed more worthy of praise than creating a new character for audiences.

However, this is not the case with A Complete Unknown, which tells the story of the rise of music legend Bob Dylan. The first indication that I was enjoying this movie was that I was emotionally invested in the characters right from the start (a lesson I learned from the shortcomings of Gladiator II).

I never listened to Bob Dylan’s music, simply because I had no interest. But I was aware of his merit and influence on pop culture (after all, he was awarded the Nobel Prize for Literature in 2014). The title is seems appropriate for me, as this movie was the first time I listened to more than one song in one sitting. This was also my introduction to the debate surrounding Dylan’s controversial choice of using electric music at the 1965 Newport Folk Festival.

A Complete Unknown covers the rise of Dylan from his arrival in New York City in 1961 to said controversial performance. Dylan is depicted as possessing a genius beyond human capacity, which comes with the cost of social skills.

The theme woven throughout this picture is that Dylan is always seeking to be his own authentic self, and is willing to disrespect anyone, friends or business acquaintances alike, in order that he does not become a product of the music industry’s arsenal. Ironically, he will not share details about his background with anybody, even his girlfriend Suze Rotolo (renamed Sylvie Russo, at Dylan’s request, played by Elle Fanning).

While I did not think too much of Timothée Chalamet’s delivery of his lines (seems easy to imitate Bob Dylan’s nasal, high-pitched voice), my opinion changed when I learned he (and every other actor playing a musician in this movie) sang and played the instruments, himself. Upon learning this, my appreciation for his overall performance increased. It is one thing to imitate a historic figure’s speaking characteristics, but it is another to imitate their singing ability.

One particular performance that deserves praise is Edward Norton as Pete Seeger, who seemed to carry a wholesome and folksy vibe with him in every scene that put you at peace, even in the midst of a conflict. Norton’s performance, in my opinion, will be referenced in years to come as a metric for creating a character that is impossible to dislike.

We can also appreciate the little details in this movie (Easter Eggs, as we call them), as they reinforce the themes explored throughout its runtime. One I think of in particular is Dylan’s overgrown fingernails. That, alone, adds more depth to his character than extra dialogue, as it tells us that Dylan is non-traditional to his core.

Overall, this is a great movie worth the reader’s time and money. Compared to other movies I have reviewed, I do not consider it essential to screen it in a theater if there is the ability to stream it, as the reader could enjoy it from the comfort of their own living room if they simply wanted to stay in.

But I will reiterate that the best way to experience a movie is always in the theater. If you can, make screening A Complete Unknown an occasion that is worthy of getting out of the house and meeting up with friends. Doing so will give you more of an experience than just watching it at home.

About the Author: Having lived in Old Lyme and Lyme since the age of three, Kevin has always had a passion for movies that is beyond simply watching, but understanding the craft of cinema and and experiencing films as if they were a musical album. Kevin also has his own website devoted to movie analysis, CityOfCinema.com, and also co-hosts a podcast, Moviehouse Mystics, with Koda Uhl (available on Apple Podcasts, Spotify, and YouTube).