Death Announced of Margaret “Peggy” Ann Martel, 91, Mother of Julie Martel of Old Lyme

Margaret “Peggy” Ann Martel,

OLD LYME — Margaret “Peggy” Ann Martel, aged 91, passed away Nov. 16, 2023, in Old Lyme, surrounded by her children. Born in Skowhegan, Maine Aug. 16, 1932, she was the daughter of Eugene and Katherine McBride.

She was raised in Watertown, Mass., with her late brother Paul McBride. After graduating from Saint Patrick’s High School, she enjoyed working as an operator at the telephone company. In 1953, she married Robert P. Martel of Manchester, N.H., and went with him to his Navy post in Pearl Harbor. They returned to Massachusetts to raise their four children and resided in Belmont and Lunenburg, before settling in Wellesley for many years, until retirement.

Peggy was a lifelong learner. While raising her children, she always made time to continue her education and took university classes with a focus on the Russian language, politics, history and literature. She later worked at Babson Reports and the Wellesley Public School System where she served as the secretary to the principal at Bates Elementary School until her retirement. Peggy also held the role of administrative support professional’s representative in the Wellesley Teacher’s Union-an accomplishment she took pride in, particularly as her grandfather was president of the Typographical Union in the 1920s. In addition to their day jobs, she and her husband owned, rented and maintained several homes in Wellesley; Peggy was a handywoman alongside her husband on weekends.

Upon retirement, Peggy and Bob split their time between Cape Cod and Florida, and enjoyed hosting family visits. They travelled the U.S. and liked seeing new places. After the death of her husband of nearly 50 years, she took extensive trips overseas including China, South America, and European countries. Peggy was a woman of many interests. She spent many hours quilting, crocheting, painting and doing needlepoint. She followed the news very closely and had a keen interest in the stock market. She was an avid reader and a frequent visitor to public libraries. Peggy took great joy in writing and was active in multiple writing groups. In her final years, her writings included a comprehensive life memoire, a short work of fiction and extensive short pieces.

She is survived by her children: Laureen Martel (Alfred Kausel) of Venice, Fla., Timothy Martel (Wendy Greene) of Lexington, Mass., Julie Martel (Fred Behringer) of Old Lyme, and Christopher Martel of Sudbury, Mass.; and her sister-in-law Anne McBride. She is also survived by her cherished grandchildren: Madeleine Kausel, Alana and Ilise Martel and Sarah, Eric and Hannah Behringer. Peggy was the architect of memorable family vacations that they all remember fondly.

In lieu of flowers, please consider contributing to your local public library. A private memorial service will be held at a later date.

Lyme Art Association Greets Holiday Season with Three New Shows, Including ‘Deck the Walls’

J Elaine Senack’s “Black Swallowtail Caterpillar” in acrylic is one of the signature paintings in the ‘Our Fragile Planet‘ show on view from today at the Lyme Art Association. The Opening Reception takes place on Sunday.

OLD LYME — The Lyme Art Association (LAA) hosts three new shows for this year’s holiday season, which are on view now through through Sunday, Dec. 31. 

In the festive exhibition Deck the Walls, visitors will discover an array of fine art in various themes, sizes and mediums in this show that returns each year during the holidays, just in time for gift-giving. 

The juror for Deck the Walls will be Alonzo Clarke, a New Hampshire-based artist, who is a Signature Member of the New England Watercolor Society and has exhibited widely. Clarke is best known for his light-filled watercolors depicting scenes from his travels and his observations of daily life.

Artists explore our relationship to the environment in Our Fragile Planet, considering both the beauty and fragility of the world around us. This show draws artists and visitors into conversations on environmental preservation, sustainable living, and the responsibility we all share in protecting our habitat.

The juror for Our Fragile Planet will be Mark Shasha, award-winning artist, author and educator. Shasha is not only a renowned artist, who focuses on light and texture in the natural world, but also a children’s book author. His books include the beloved Night of the Moonjellies.

Finally, artist Catherine Puccio’s solo show All Things Great and Small will feature her love for animals and her pursuit of truth in nature.  Puccio, who won first place in last January’s Associate Artist show at the LAA, is now being honored for her award through this special exhibition. 

Deck the Walls and Our Fragile Planet are generously sponsored by Enterprise Construction and Point One Architects. Artist awards are sponsored by the Parthenon Diner and Caliber Computing.

Founded in 1914 by the American Impressionists, the LAA continues the tradition of exhibiting and selling representational artwork by its members and invited artists, as well as offering art instruction, lectures, and other public programs to the community.

The Lyme Art Association is located at 90 Lyme Street in Old Lyme, CT, in a building designed by Lyme colony artist and architect, Charles Adams Platt, and located within the national historic district.

Admission is free with contributions appreciated. Gallery hours are Wednesday through Sunday, 10 to 5 p.m., or by appointment.

For more information on exhibits, purchase of art, art classes, or becoming a member, visit the LAA website or call (860) 434-7802.

‘An Artist’s Eye: The Lukas Charles Collection’ on View at Lyme Academy

‘Untitled’ by Eduardo Zamacois y Zabala (1841-1871).

OLD LYME — The Lyme Academy of Fine Arts presents the public opening on Sunday, Nov. 19, of An Artist’s Eye: The Lukas Charles Collection. The exhibition will be on view through Feb. 18, 2024.

The collection features rarely-seen portraits by some of the 19th and early 20th centuries’ most accomplished European, American, and British portrait artists, including Ilya Repin (1844-1930), William Merritt Chase (1849-1916), and Solomon J. Solomon (1860-1927). It was assembled by Dr. Lukas Charles, an artist and New York radiologist.

The 28 paintings selected from Dr. Charles’ extraordinary collection represent some of the finest examples of realistic portraiture produced during this period. “My collection has grown from my love of fine painting and my observations of the differing and deep connections between these artists and their subjects,” reflects Dr. Charles. 

Curators and Co-Artistic Directors of the Lyme Academy, Jordan Sokol and Amaya Gurpide, see in this collection an opportunity for their students, fellow artists, and the art-loving public to witness first-hand both the technical excellence and expressive diversity of previous academic masters.

“The artists represented in this exhibition were trained in academies,” comments Gurpide.

She continues, “This institutionalized practice of art education dates back to the Renaissance and became popular again in the 18th and 19th centuries. Students learn through a progression of foundational, skills-based exercises. Yet, the artists each have their own style and approach their subjects differently, with resemblance becoming secondary to the evocation of character, mood, and self-reflection.”

Portrait of Henrietta Lowy Solomon, The Artist’s Sister by Solomon J. Solomon (1860-1927).

This is, in fact, what ties the collection so closely to the Lyme Academy, whose own mission is to train the newest generation of figurative artists in this age-old tradition, while also encouraging them to discover their own expressive voice. 

The exhibition at the Academy’s Chauncey-Stillman Gallery will be accompanied by a variety of public programming.

The exhibition is open to the public free of charge Wednesday through Friday, from 12 to 4 p.m. and Saturdays and Sundays from 10 a.m. to 4 p.m.  Some holiday closings will be scheduled, which will be listed on the Academy’s website.

The mission of the Lyme Academy of Fine Arts is to teach the foundational skills of drawing, painting, and sculpture in the figurative tradition. Its commitment to training students in these skills and its engagement with contemporary discourse will empower a new generation of artists.

Through its programs and related ventures, including the opening of de Gerenday’s Fine Art Materials and Curiosities on its historic campus, the Academy will enrich the cultural life of the community. 

Visit this link for more information about Lyme Academy.

The Movie Man: Quite Simply, ‘The Holdovers’ is a Must-see

Kevin Ganey is ‘The Movie Man.’

The Holdovers is a must-see, there is no other way to describe it.

Paul Giamatti delivers alongside Da’Vine Joy Randolph and newcomer Dominic Sessa (who is certain to have an extensive career with this debut) in Alexander Payne’s newest film depicting the in-between period of life on campus for a boarding school during Christmas break.

This film struck a personal note with me. Though I never attended boarding school (why should one pay the equivalent of a college tuition for a high school diploma?), I attended Xavier High School, which was all-boys (like the fictional Barton Academy in the film.)

I felt a rush of nostalgia as I watched the students clash amongst each other (ah, the first rushes of testosterone), but it was the setting the first drew me in, as it was something to which I could relate. This is one of the many ways that art finds a way to touch us individually, especially as I recalled Dead Poets Society and Scent of a Woman.

I can confidently say that The Holdovers belongs along their ranks.

Set in December 1970, The Holdovers depicts Paul Giamatti as Paul Hunham, a classics teacher at the fictional Barton Academy who is disliked by both the students and faculty for his dry, sarcastic, cynical, and merciless approach to teaching the spoiled children of immensely wealthy and powerful figures.

Da’Vine Joy Randolph is Mary Lamb, Barton’s cafeteria manager, who is grieving the loss of her son, Curtis — also a Barton alumnus, but he was recently killed in Vietnam as they could not afford tuition for college deferment.

Amongst the elite, Mary, a Black woman, represents the inequality in society (which possibly led to the students’ wealth). Despite her lowly position in the school, she possesses empathy for the students while also being able to wield authority over them, perhaps the result of wisdom, best described as “knowledge from scars.”

Sessa’s portrayal of Angus Tully — a frustrated student who has been neglected by his mother — perfectly encapsulates, not just teen angst, but sorrow and hope, in addition to an earlier sense of empathy for others (even if he needs to learn the hard way, but he is quick to pivot.)

All the characters are exceptionally layered. Throughout the movie, we learn the comprehensive foundation of Paul, Mary, and Angus (in addition to the secondary characters).

One leaves the theater feeling as though you have known said characters for many years.

If Giamatti is not nominated for an Oscar this season, it will just be more proof of the awards being shows and parties for entertainment’s elite. Although cantankerous, Giamatti portrays Hunham in a lovable antihero manner, particularly in regard to his ability to cleverly reference historic persons and events to insult others.

I also need to give kudos to the cinematography, which has the rustic touch of 1970s nostalgia.

But the writing: it all comes back to the writing.

World events intertwine within the story to reinforce the era. Clichés are evident, but it was the ability to subtly to pick up on the characters and their personalities that impressed me, akin to watching a stage play as we learn about prior events that took place off-stage.

My sole complaint was that Mary, a main character, did not have a fulfilling resolution weaved into the stories of Paul and Angus. But apart from that, I am telling readers that The Holdovers is a must-see and definitely worth the potentially high price of a ticket.

About the Author: Though no longer a resident of Lyme, Kevin knows he can never sever his roots to the tree of his identity. When not attending to his job in Boston, he is committed to ensuring a better grasp of current (and past) releases of cinema to his home community as he strives to leave his own mark in the same field that has always been his guide to understanding life. If you enjoy his published reviews here on LymeLine.com, follow him on his website at ‘The City of Cinema and read more of his unique insights into entertainment.

No Change to Any Elected Position in Old Lyme After Recount, Lowry (D) Wins BOE Seat by One Vote

OLD LYME — A recount of votes cast in Tuesday’s election was held Monday in the Meeting Room at Old Lyme Town Hall for the four offices shown below. The recount was held for these offices because, in each case, the vote totals announced on Election Day were less than 20 votes apart.

After the ballots had been run through the tabulator again, it was announced that the outcome of all four results remains unchanged.

The candidate now elected for each position is therefore as follows:

  • Selectman:
    Judith Read (R)
  • Board of Assessment Appeals:
    Peter Hunt (D)
  • Zoning Board of Appeals Alternate:
    Kathleen Tracy (D)
  • Region 18 Board of Education:
    Alexander Lowry (D)

The final unofficial counts were:

  • Selectman:
    Jim Lampos (D) 1781
    John Mesham (R) 1697
    Judith Read (R) 1715
  • Board of Assessment Appeals:
    Peter Hunt (D) 1738
    David Evers (R) 1721
  • Zoning Board of Appeals Alternate:
    Kathleen Tracy (D) 1760
    Michaelle Pearson (D) 1813
    Brian Cole (U, endorsed R) 1804
    Peter Lucchese 1567
    Roderick Clingman (R) 175
  • Region 18 Board of Education:
    W. Scott Brown (D) 1764
    Susan Fogliano (D) 1859
    Alexander Lowry (D) 1718
    Michael Presti (R) 1606
    Suzanne Thompson (R) 1717
    Steven Wilson (R) 1514