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Site Snapshot 11 September 2025

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Talking Transportation: Why the Scorn for Bus Riders?

Jim Cameron

Why do many people have such scorn for those who take the bus?

Forty-one million trips are taken on 12,000 public buses each year in Connecticut in communities across the state (not counting school buses.)  Yet, those riders are regarded as losers, not by the transit operators, but by those who drive by car.

When Southington was recently considering restoring bus service for the first time since 1969, a local resident wrote a letter to the local paper declaring “Towns that have bus service are towns that frankly have a lesser quality of people.”

Really?  “Lesser quality,” how?  Because they can’t afford to own a car?  Or because they are minorities?  That comment is either racist or classist or both.

As I wrote recently, the Greater Bridgeport Transit bus system carries 18,000 passengers every day (5.2 million a year), 90 percent of them either going to school or work.  Something like 26 percent of all Bridgeport train riders got to or from the station by bus.

Sure, some are non-white or non-English speaking.  But why begrudge them transportation?  You’d rather they not have a job or an education?

And yes, their fares are kept low with state subsidies.  But their incomes are also low and for them, even a $1.75 bus fare is expensive.  Remember … Metro-North trips (26.5 million per year), though also expensive (the highest in the US), are also subsidized.

But the biggest target of transit scorn is CTfastrak, the four-year-old, 9.4-mile-long dedicated BRT (bus rapid transit) system running between Hartford and New Britain.  Transit planners from across the country come to study CTfastrak. The Feds are looking to spend $665 million on similar systems across the US.

Yet Connecticut Republicans were trying to close it before it even began.

When it first opened in 2014, the CDOT projected 16,000 daily riders.  To date, the ridership is closer to 11,400.  Fares are cheap ($1.75 round-trip) and service is frequent with buses departing every few minutes.  From New Britain to downtown Hartford, it’s only 20 minutes, even at rush hour.  That’s about half the time you’d spend on I-84 stuck in bumper-to-bumper traffic.

From the dedicated bus-only right-of-way, buses can also transfer to local roads into downtown Hartford and communities ranging from New Britain and Bristol to Cheshire and Waterbury.  The stations are clean and modern and the buses even offer free Wi-Fi … something we still don’t (and probably never will) have on Metro-North.

Critics complain about “empty buses” riding up and down the system.  Sure, the buses may not be jammed like Metro-North on a summertime Friday, but they do carry thousands every day.  Imagine if those bus riders were in cars.  How’d you like the traffic then?

Why the scorn for bus riders?  Beyond racism and class-warfare, I think there’s actually some jealousy.  Why do they get a fast, clean, cheap ride when I’m stuck in traffic?  Well, for some it’s a matter of necessity: they don’t own or have access to a car.  For others, as with train riders, it’s a matter of choice: they prefer the bus for speed and convenience.

So can we please stop shaming bus riders?

Like all of us, they have places to go, so let’s just allow them to ride in peace and harmony.

Posted with permission of Hearst CT Media

About the author: Jim Cameron is founder of The Commuter Action Group, and a member of the Darien RTM.  The opinions expressed in this column are only his own.  You can reach him at CommuterActionGroup@gmail.com  For a full collection of  “Talking Transportation” columns, visit www.talkingtransportation.blogspot.com

See ‘Summer Sculpture Showcase 2019’ in Old Lyme

Sculptor Gil Boro in his studio in Old Lyme.

‘War’ by Craig Frederick is a dramatic work.

Gilbert Boro, owner and curator of the Sculpture Grounds in Old Lyme, Conn., presents Summer Sculpture Showcase 2019: An Exhibit of Intriguing Landscape Sculptures. Featuring 23 works by both well-established, nationally renowned sculptors, as well as fresh promising newcomers, the summer-long show will run through Oct. 26, 2019.

The reception is free and open to the public and includes live music and light refreshments.

Boro, a nationally acclaimed sculptor in his own right, hosts this fifth annual show to provide a venue for both young and mid-career sculptors to showcase their work. This summer’s show is curated by the Sculpture Grounds team that has collaborated for several years to produce dynamic exhibits. Each of the artists chosen, Boro says, “offers original creative thinking resulting in a combination of contrasting conceptual designs in a variety of media.”

Boro has a strong aversion to exhibits that prohibit touching a piece. His Sculpture Grounds not only permit – but encourage – visitors to touch sculptures. “I really think that three-dimensional art should be handled, touched, pushed, and experienced in three dimensions,” he says. The exhibitors for the Summer Showcase embrace this concept.

Artists from Connecticut, the Northeast region, and around the country are represented in the show. Massachusetts sculptor Madeleine Lord scrounges through scrap yards collecting all manner of discarded metal that she then assembles into playful humanoid type sculptures. Her showpiece Core is indicative of her imaginative creativity.

‘Closing the Deal’ by Jerold Ehrlich is one of the featured pieces in the 2019 Summer Sculpture Showcase.

Connecticut-based artist Craig Frederick was chosen for his sculpture “War”. Frederick says creating art “is my way of attempting to understand an increasingly complex world. In a world where order, as we perceive it, is a mere illusion, the work of my art becomes the ability to navigate the churning of many tides.”

‘Core’ by Madeleine Lord

Other participating sculptors include William Evertson, whose works examining our human failings and fragility have been displayed world-wide; the abstract sculpture of Joe Gitterman; and luminous glass sculptor Mundy Hepburn.

‘Can I Live’ by Lyme Academy College recent graduate Alfredo Carlson.

In the spirit of supporting and exhibiting promising new artists, the Summer Showcase will introduce the work of Alfredo Carlson, a 2019 graduate of Lyme Academy of Fine Arts and a native of Haiti. Upon his arrival in America at age 10, Carlson had no previous schooling. He says he never thought he would even make it to high school, let alone college. “I literally started from the bottom,”

Carlson says. “I get asked how it feels be a college graduate. I literally don’t know. I’m still in shock I’ve made it this far.” Carlson says, “I’m honored to be included in such a big show,” which will feature his senior project, “Can I Live?”

‘Stance’ by Michael Thron is an intriguing piece.

Situated halfway between Boston and New York, Summer Sculpture Showcase 2019 is set on Boro’s four-and-a-half acre estate in the heart of Old Lyme’s historic village. The permanent display consists of approximately 100 works strategically placed around the park-like grounds. Now in its 15th year, the Sculpture Grounds host more than 5,000 visitors a year.

Visitors are welcome to bring their own picnic to the patio cafe. The grounds are open 9 a.m. to 5 p.m. daily, year-round, admission is free, and touching the sculptures is encouraged. For more information, artist’s statements and brief bios,  visit www.sculpturegrounds.com.

 

Tickets Sold Out for High Hopes ‘Big Barn Bash’ Tonight

ALL TICKETS ARE SOLD!  We are proud to be a sponsor of this wonderful event and hope everyone who attends has a fabulous evening!

Join High Hopes Therapeutic Riding on Saturday and dance the night away during an inspirational and elegant evening to benefit High Hopes’ programs and participants.

The Big Barn Bash is one of Eastern Connecticut’s premier gala events and takes place at High Hopes’ facility, which is transformed into the ideal setting for cocktails, silent auction, sit-down dinner, music and dancing.  Over 600 guests are expected.

Event proceeds benefit the programs and participants of High Hopes’ year-round equine-assisted therapy programs.

The Big Barn Bash is a community-sponsored event with over 200 volunteers working annually to support the event and is sponsored financially by Northstar Wealth Partners, LLC and Dominion.

Corporate sponsorship is a critical portion of the funds raised, which accounts for 20 percent of High Hopes’ operating support.

For  tickets or more information, visit www.highhopestr.org or call 860 434-1974.

High Hopes is one of the oldest and largest therapeutic riding centers in the United States, operating since 1974 and accredited by the Professional Association of Therapeutic Horsemanship, International (PATH Intl.) since 1979.  High Hopes is committed to providing the highest quality service to all who might benefit, regardless of their financial means. www.highhopestr.org

All About Opossums; Potapaug Hosts Talk in Old Lyme This Evening

Potapaug Audubon will host a talk on the Virginia Opossum, Thursday. Public domain photo.

Tomorrow, Thursday, June 6, Potapaug Audubon hosts a slide presentation titled, “The Virginia Opossum,” starting at 7 p.m. in Old Lyme’s Memorial Town Hall with ME, Barbara Hawes, a wildlife rehabilitator with the state of Connecticut for 21 years, specializing in exclusively opossums for the last 14 years. She is also a Potapaug Audubon board member.

The opossum is quite misunderstood. There will be answers to these questions:

  • Do they “play possum”?
  • Are they related to rats?
  • Do they hang by their tail?

Plus numerous other facts will be revealed that most people do not know.

All are welcome.

Old Lyme Memorial Town Hall is at 52 Lyme St.

Legal News You Can Use: Injured at Work? Should I Make a Worker’s Comp. Claim?

Looks safe enough, but injuries can happen anywhere in a work environment.

Sponsored Post from Suisman Shapiro Attorneys-at-Law 

Imagine that you’re working at your desk. There are no significant hazards around you. You reach up and pick up a heavy box above you, and you suddenly feel a snap along your shoulder. You’ve been working in the same position for many hours, and combined with the strain of the weight of the box, you’re now struggling with a painful injury.

Situations like yours aren’t uncommon. It’s actually relatively common for accidents to happen on the job with little that can be done to prevent them. Whether it’s because of repetitive motions, picking up something too heavy or other causes, injuries can happen in an instant.

When they do, you need to know what to do next. No matter what kind of injury you suffer, your employer should help you file a claim with the workers’ compensation insurance carrier. If your injury is extremely painful, a coworker can take you to the hospital, or your employer can call for an ambulance.

It’s important that you receive care right away so that you can prevent the injury from worsening.

What information should you keep from the hospital visit?

Keep every piece of paperwork you receive. You should also inform the medical provider that this is a work-related injury so that they can give you copies of the correct documents for your employer.

If you are hurt on the job in any way, workers’ compensation should be there to protect you and pay for your medical care. Don’t delay in telling someone if you get hurt so you can get care quickly.

The Suisman Shapiro website has more information on the compensation and benefits you may receive after a work injury.