Learn About the Private Life of an Unloved Bird This Evening at CT River Museum

The Connecticut River Museum in Essex presents, “Vulture: The Private Life of an Unloved Bird,” with author Katie Fallon this evening, Thursday, June 15, from 5:30 to 6:30 p.m.

Join Fallon, author of this fascinating book about vultures, for a reading, book signing, and discussion of the essential roles that vultures play in healthy ecosystems.

This event is free to members of the Museum and $5 for non-members.

Seating is limited; call 860.767.8269 ext.110 to register.

The Museum is located at 67 Main St., Essex, CT 06426.

Letter From Paris: (Old Hand) Putin Meets (New Kid) Macron With Surprising Results

Nicole Prévost Logan

The hour-long press conference held jointly by long-standing Russian President Putin and newly-elected French President Macron in the Palace of Versailles on May 29, was a spectacle not to be missed.

Vladimir Putin

Emmanuel Macron

Putin had been absent from the high-powered week during which US President Donald Trump met with heads of state at the new NATO headquarters in Brussels and at the G7 summit in Taormina, Sicily. Macron seized an opportunity to invite the Russian president. The timing, location and format of the encounter of the two presidents were a smart move on the part of Macron.

He was not organizing a “state visit” – lest he offended Angela Merkel – but asking the Russian leader to be present at the inauguration of an exhibit marking the 300th anniversary of the visit of Tzar Peter the Great to France. The two presidents met in the grandiose 17th century palace of the French monarchs. Putin would probably find similarities between the ornate rooms and his elegant home town of St. Petersburg.

The visit was organized under the sign of culture and meant to revive the historical ties between the two countries. Macron mentioned how much Peter the Great had wanted to open up his country to the West and learn about its military architecture, crafts, and sciences. Putin contributed proudly an even earlier historical fact – the marriage at Queen Ann of Kiev, daughter of Grand Prince Yaroslav the Wise, to French King Henry I, in 1051.

During the press conference, the supposedly “novice” French president appeared self-assured, and totally in charge of the proceedings. He described how he envisaged cooperation with Russia. His road map for Syria was to guarantee humanitarian aid to the population and emphasize that the use of chemical weapons would constitute a red line that would be met with an immediate response from France.

Macron added that failed states lead to chaos. Hence the necessity to keep Bachar el Assad until ISIS is eradicated. In Ukraine, he stressed that an agreement should be reached within the framework of the Minsk accord. The objective there is both to stop progression of the spheres of influence of Russia in the region and the escalation of violence. He did not say the word ‘Crimea,’ however, implying that its return to the Ukraine was not on the agenda.

In his statement, Macron declared that during their three-hour-long conversation they covered all topics, including areas of disagreement. As he mentioned the treatment of homosexuals and transgenders in Chechnia, he turned toward Putin and told him to his face, “We will monitor the progress you make in that area.”

During his talk, Putin looked fidgety, ill-at-ease, squirming, and with shifty eyes. He mumbled his comments. He did say though that he would be ready to engage in a dialogue. Then, turning toward the audience of international media, he almost pleaded with them, saying, “You have to convince public opinion that the sanctions are stifling Russia. Tell the world they have to be lifted.”

French journalists raised questions about the spread of fake news on the social networks and in magazines like Sputnik and Russia Today intended to destabilize the leader of the En Marche movement during the campaign. Macron retorted that those people are not journalists and will not be treated as such.

Journalists also asked what the French government was going to do about the hacking of 70,000 documents belonging to then-candidate Macron 40 hours before the first round of the vote. Macron responded that he was not going to dwell on those events, adding, “What I want to do is to move on.”

From the exchanges between the two protagonists, it was clear that Macron was in control of the situation. His message was clear and direct. The days when Putin disregarded the EU as being too weak were now over. The power dynamic was the correct one for Macron to use and Putin understood that.

This was a textbook situation where the two protagonists, although not liking each other, could work out a resolution from which both could profit. Since 1990, Putin — a major player behind the war in Syria — has been shattered by the implosion of the Russian empire. Moreover, since sanctions are hurting his country severely, the give and take of negotiation is therefore possible.

Now, we can only hope that effective action will match the quality of this performance by Macron.

Editor’s Notes:
i) This is the opinion of Nicole Prévost Logan.
ii) Nicole is, in fact, now back in Essex, but events in France are currently moving so fast that she’s continuing to write for us from this side of the Atlantic in an effort to keep readers over here up to date.  Merci, Nicole!

Nicole Prévost Logan

About the author: Nicole Prévost Logan divides her time between Essex and Paris, spending summers in the former and winters in the latter. She writes a regular column for us from her Paris home where her topics will include politics, economy, social unrest — mostly in France — but also in other European countries. She also covers a variety of art exhibits and the performing arts in Europe. Logan is the author of ‘Forever on the Road: A Franco-American Family’s Thirty Years in the Foreign Service,’ an autobiography of her life as the wife of an overseas diplomat, who lived in 10 foreign countries on three continents. Her experiences during her foreign service life included being in Lebanon when civil war erupted, excavating a medieval city in Moscow and spending a week under house arrest in Guinea.

On Board the ‘Onrust;’ Famed Re-creation of Adriaen Block’s Boat Sails up Connecticut River

The ‘Onrust’ docked at Saybrook Point Inn and Spa.

It was “a momentous occasion,” according to Connecticut River Museum Executive Director Chris Dobbs when a group of dignitaries and invited guests gathered to board the re-creation of Adriaen Block’s boat Onrust last Thursday.  Dobbs pointed out that it was, “400 years ago — 403 to be precise” since the original Onrust commenced its exploration of the Connecticut River ultimately exploring it upstream to just a little further north than present-day Hartford — a distance of approximately 60 miles from Long Island Sound.

Connecticut River Museum Executive Director Chris Dobbs takes a brief break from his duties as host on board the ‘Onrust.’

While overwintering (1613-1614) in New York Bay, the Dutch explorer Block’s first ship, the Tyger (Tiger), caught fire and burned to the waterline.  Working through the frigid winter, Block built a new ship from the salvaged remnants and named it the Onrust, Dutch for ‘Restless.’

It was the first vessel built by Europeans in New York State and the first yacht built in the New World.  In 1614, Block and his crew set off to explore coastal New York, Long Island, Connecticut, and Rhode Island with the intent of developing trade partnerships with Native Americans.  During his time on the water, Block became the first known European to travel up the Connecticut River  

The re-created Onrust was launched in 2009 by The Onrust Project, an all-volunteer non-profit out of New York, which built the vessel after painstakingly researching traditional Dutch shipbuilding techniques.  

To reach the Saybrook Point Inn at Old Saybrook, Conn., where the guests boarded the ship, the Onrust followed a similar path to the one that Block took in 1614.  It departed from Kingston, N.Y., traveled to New York Bay, traversed the treacherous Hell Gate, entered Long Island Sound and sailed to the mouth of the Connecticut River. 

While preparations were made to launch, Connecticut River Museum Board Chairman Tom Wilcox told the guests now assembled on board the Onrust, “This is a most auspicious occasion,” and correctly predicted they would have, “a lovely sail.”  Despite an earlier threat of rain, the weather cooperated completely with warm temperatures and clear skies.

Steven Tagliatella, owner of the Saybrook Point Inn and Spa, addressed the guests on board the ‘Onrust.’

Another guest on board was Steven Tagliatella, owner of the Saybrook Point Inn, who spoke effusively about the upcoming trip to the Connecticut River Museum describing the Onrust as “a spectacular sight.”  He also took the opportunity to mention the new tourism coalition he has formed to promote tourism in the state, noting that the Onrust offers “a wonderful opportunity” for tourism.

Connecticut State Historian Walter Woodward speaks on the theme of ‘restlessness,’ echoing the name of the boat — ‘Onrust’ translates from the Dutch to ‘restless.’

Walter Woodward, Connecticut’s State Historian, really spoke for everyone aboard when he said, “To be on this boat on this day is so exciting,” but then asked the guests to take themselves back in time to the spring of 1614 when Block brought the boat he had built the previous winter and named Onrust – Restless – to the mouth of the river the natives call Quinitticut. Woodward declared that Block, “was as restless as his little vessel,” explaining, “The 47-year-old trader-explorer was anxious to make up the losses he had experienced the previous winter, when his ship the Tyger had accidentally caught fire.”

Woodward pursued the theme of ‘restlessness’ as he continued, saying, “Then as now, the word restless had many meanings … A generation of restless Europeans … both Dutch and English would come to this river, first in search of trade with the indigenous people, and soon after, in the quest for their land and resources.”

Old Saybrook First Selectman Carl Fortuna (center in sunglasses) chats with a guest during the trip up the Connecticut River.

Woodward added, “Some were restless too in a godly way – troubled in mind and spirit, seeking a place to serve God as their consciences demanded.”

He also noted that, “For those already here, the arrival of the Onrust heralded a new native restlessness – first, as the indigenous people jostled with each other for control of the distribution of European trade goods … and later to fight the efforts of these insurgents to drive them from their homes.”

Jennifer White-Dobbs enjoys the glorious river views with her son (right) and a guest.

Keeping to his theme, Woodward ended with the words, “I know you are restless to get underway, so let me conclude by saying it is a privilege to be here today to mark the moment in time, when Adriaen Block and his Onrust entered the river he named Fresh River, and a world-transforming era of restless change began.”

The Essex Sailing Masters of 1812 greeted the ‘Onrust’ with bright melodies in front of the Museum.

Before introducing the next speaker, Dobbs noted, “The amount of research to build this vessel was amazing,” and also that it had taken, “Around 250 people to build the Onrust.” He explained that the Onrust will be a floating exhibit at the Museum through early October, open for dockside tours, school and Scout programs, along with public cruises and charters.

The guests vigorously waved Dutch flags as the ‘Onrust’ pulled into the Connecticut River Museum’s dock.

Dobbs then presented Emily Boucher, who brought a message from Senator Chris Murphy, which she read aloud to the guests on the Onrust. In the message, Murphy expressed the wish that he could join everyone on the trip, and noted he was pleased with the financial assistance the state had given the Museum which, “was going to allow it [the Museum] to not float away.”

A crew member prepares to fire the cannon to announce the boat’s arrival at the Connecticut River Museum.

Finally the Onrust departed from Saybrook Point inn and sailed serenely up the Connecticut River offering spectacular views in all directions. As the three-man crew prepared for arrival at the Museum during the first hour of the popular RiverFare event, one crew member fired a celebratory cannon. Meanwhile, Essex’s very own Sailing Masters of 1812 provided a cheery, musical fanfare as the historic vessel approached the Museum’s dock. 

It was indeed a wonderful and “momentous” voyage!

For more information on the Connecticut River Museum and the Onrust, visit the Museum’s website.  The Museum extends special thanks to Saybrook Point Inn, Marina & Spa, Essex Meadows, the Sailing Masters of 1812, and The Onrust Project for their efforts in arranging the vessel’s arrival. 

The Connecticut River Museum is located on the Essex waterfront at 67 Main Street in Essex and is open daily from 10 a.m. to 5 p.m. The Museum, located in the historic Steamboat Dock building, offers exhibits and programs about the history and environment of the Connecticut River. For a full listing of Museum programs or to buy tickets for the Onrust, RiverFare, and many other events go to www.ctrivermuseum.org or call 860-767-8269.

‘Million Dollar Quartet’ Opens Wednesday at Ivoryton Playhouse

Emily Mattheson as Dyanne, Jamie Pittle on drums and John Rochette as Elvis in rehearsal for ‘Million Dollar Quartet.’ Photograph by George Pierce.

IVORYTON — What would happen if rock-n’-roll legends Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash all got together for one night only to give one of the most epic jam sessions the world has ever known? That’s what happens in Million Dollar Quartet, the Tony-winning musical that brings to life this legendary session that occurred on Dec. 4, 1956 at Sun Records Studio in Memphis, Tenn.

Million Dollar Quartet opens at the Ivoryton Playhouse on May 31, and runs through June 25, 2017. Performance times are Wednesday and Sunday matinees at 2 p.m. Evening performances are Wednesday and Thursday at 7:30 p.m., Friday and Saturday at 8 p.m.

Sam Phillips, the “Father of Rock ‘n’ Roll” who was responsible for launching the careers of each icon, brought the four legendary musicians together at the Sun Records studio in Memphis for the first and only time. The resulting evening became known as one of the greatest rock ‘n’ roll jam sessions in history.

The jam session consisted largely of snippets of gospel songs that the four artists had all grown up singing. The recordings show Elvis, the most nationally and internationally famous of the four at the time, to be the focal point of what was a casual, spur-of-the-moment gathering of four artists who would each go on to contribute greatly to the seismic shift in popular music in the late 1950s.

John Rochette who plays Elvis Presley in the upcoming musical at Ivoryton Playhouse.

During the session, Phillips called a local newspaper, the Memphis Press-Scimitar and the following day, an article about the session appeared in the Press-Scimitar under the headline “Million Dollar Quartet”.

The jukebox Million Dollar Quartet written by Floyd Mutrux and Colin Escott, brings that legendary night to life with an irresistible tale of broken promises, secrets, betrayal and celebrations featuring an eclectic score of rock, gospel, R&B and country hits including; “Blue Suede Shoes,” “Fever,” “Sixteen Tons,” “Who Do You Love?,” “Great Balls of Fire,” “Matchbox,” “Folsom Prison Blues,” “Whole Lotta Shakin’ Goin’ On,” “Hound Dog,” and more.

The Broadway production premiered at the Nederlander Theatre on April 11, 2010, with a cast featuring Eddie Clendening as Elvis Presley, Lance Guest as Johnny Cash, Levi Kreis as Jerry Lee Lewis, Robert Britton Lyons as Carl Perkins and Hunter Foster as Sam Phillips.  The musical transferred to New World Stages in July 2011 and closed on June 24, 2012. A US national tour and International productions followed.

The musical was nominated for three 2010 Tony Awards including Best Musical and Best Book of a Musical. Levi Kreis won the award for Best Featured Actor for his portrayal of Jerry Lee Lewis.

This production is directed by Sherry Lutken, who was last here in 2015 with Stand By Your Man: The Tammy Wynette Story; Eric Anthony is Musical Director; Set Design is by Martin Scott Marchitto and Lighting by Marcus Abbott. Costume Design is by Rebecca Welles

The Ivoryton Playhouse production stars: Luke Darnell* as Carl Perkins, Joe Callahan* as Jerry Lee Lewis, Jeremy Sevelovitz* as Johnny Cash, John Rochette* as Elvis Presley, Ben Hope* as Sam Phillips, Jamie Pittle as Fluke, Emily Mattheson as Dyanne and Kroy Presley as Jay Perkins.

Tickets are $50 for adults; $45 for seniors; $22 for students and $17 for children and are available by calling the Playhouse box office at 860-767-7318 or by visiting www.ivorytonplayhouse.org  (Group rates are available by calling the box office for information.) The Playhouse is located at 103 Main Street in Ivoryton.

Community Music School Offers New Music Therapy Group Classes


Community Music School is offering new music therapy programs this summer.  In addition to one-on-one music therapist sessions, CMS is debuting three new group classes beginning in June led by board certified music therapist, Amy Hemenway.

Music Therapy Group Class for Young Children with Autism begins June 28 at 10am for ages 2-5. This group will consist of 6, 30-minute group sessions to target various skills including communication, joint attention, gross/fine motor skills, socialization and other sensory-related needs. The final 15 minutes of each session will be reserved for parent/guardian feedback and questions with the therapist.

Music Therapy Social Skills Group for Adolescents & Young Adults with Autism begins June 28 at 5:30pm for ages 13-22.  This group will consist of 6, 45-minute group sessions for individuals ages 13-21 that have high-functioning autism.  The final 15 minutes of each session will be reserved for parent/guardian feedback and questions with the therapist.  Group endeavors will involve lyrical analysis, songwriting and improvisation activities designed to promote self-expression, creative/musical expression, communication of thoughts/ideas, group collaboration and peer support.

Music Therapy Drum Circles are scheduled for July 14 and August 11 at 7pm.  This family-oriented event will promote socialization and creative/musical expression.  Individuals of all ages and abilities may participate.  Not restricted to music therapy students!

Amy Hemenway is a board-certified music therapist who enjoys providing clinical services to children, adolescents and adults on the autism spectrum.  She also has experience in working with individuals with a variety of cognitive, psychological and motor impairments.  She received her Bachelor of Music degree from Marywood University, Scranton, PA in 1998 and recently received her Master of Arts in Music Therapy degree from Saint Mary-of-the-Woods College, Terre Haute, IN.

For additional information, visit www.community-music-school.org/therapy or call CMS at 860-767-0026.

Community Music School offers innovative music programming for infants through adults, building on a 34 year tradition of providing quality music instruction to residents of shoreline communities. CMS programs cultivate musical ability and creativity, and provide students with a thorough understanding of music so they can enjoy playing and listening for their entire lives.  Learn more at www.community-music-school.org or call (860)767-0026.