Letter From Paris: Deaths of Two Icons Leave a Nation in Mourning

Nicole Prévost Logan

From Les Invalides to the Champs Elysees, intense emotion grips France at the passing of two iconic personalities.

Within 24 hours France lost two familiar figures: Jean d’Ormesson, 92, man of letters, and Johnny Hallyday, 74, the popular singer who, for almost 60 years, enthralled millions of fans. The intensity of the emotions was incredible. For a week, politics, wars, economic crises, were suspended and replaced by an immense sadness, which united the nation. No matter how different the two men were, they shared a great simplicity and the gift of connecting with the people.

It is not unusual for the French to express their collective grief in the public place. In 1885, two million people attended the national funerals of Victor Hugo. Simone Weil, the courageous woman who showed exceptional fortitude in her public life by being a pioneer of the right to abortion, received the highest honors by being laid to rest in the Pantheon. In 1963, a human tide surged toward the Pere Lachaise cemetery to say goodbye to Edith Piaf.

Count Jean d’Ormesson

Count Jean d’Ormesson, at age 48, was the youngest “immortal” to enter the Academie Française – a literary institution created by Louis XIII to uphold the French language. He died as the dean of that 40-members council. Son of a French ambassador, d’Ormesson was part of the French aristocracy, with degrees in history and philosophy. He directed the conservative daily Le Figaro, became a prolific writer, publishing a book per year, with the last one completed three days before his death. His smiling face and piercing blue eyes were a familiar sight for the viewers of countless televised literary shows, such Bouillon de Culture, Apostrophe or La Grande Librairie.

An elegant conversationalist, he spoke with wit, lightness, and optimism. His remarks, studded with literary quotes, included gems of uplifting philosophy, such as,”Life is beautiful because we are lucky to die”, and “In the New Testament, the myth of the Wandering Jew is condemned to immortality by Jesus.”

During the strikingly sober ceremony, in the courtyard of the Invalides, a small group of guests, representing the world of politics and culture, stood stoically, whipped by a glacial wind. The eulogy given by French president Emmanuel Macron, matched the literary sophistication of the deceased academician.

Johnny Hallyday was a monument in France with an amazing longevity. From the first time he appeared on the stage at age 17, this blond, tall young man became an adulated performer and he remained a star for almost 60 years. For millions of fans, his disappearance meant the loss of a chunk of their own life. Fighting lung cancer for several years, in spite of the terrible pain, he continued performing until the very end. People thought he was indestructible, hence the extreme shock people felt when they learned about his death on Dec. 6th.

Abandoned by his father at the age of eight months, Hallyday did not grow up in the security of a proper family but bounced around from one relative to another. A cousin gave him his stage name.

Facts about his career are staggering: more than 28 million spectators attended the 3,300 concerts he gave in 40 countries; he sold 110 million records. He had a real talent in choosing the best composers and song writers, which allowed him to produce 1,000 songs, many of them in Gold albums.

Johnny Hallyday

Hallyday went through all the styles of music from rock n’roll, pop, blues, soul, country, and hard rock. Among the best known hits is, “Ah Marie, si tu savais, tout le mal que l’on m’a fait” (Ah, Marie, if you only knew how much they hurt me) about a young man, fighting in the WWI trenches and writing to his fiancee.

It is a paradox that, in spite of his love for the US, that country barely knew him. Driving full speed on his Harley Davidson with his buddies from the Midwest to California was one of his greatest pleasures. He sang with Sammy Davis Junior. Michel Berger wrote for him a song called “On a tous quelque chose de Tennessee” (We all have something of Tennesse.) The lyrics recall lines from “Cat on a Hot Tin Roof.”

He spent the last 10 years of his life in Los Angeles, Calif., with Tom Hanks and Ben Affleck as neighbors and only returned to France to perform in concerts. Some of his concerts became giant productions of a size never seen before. The absolute zenith of his career was right after France won the soccer World Cup in 1998 when Hallyday flew over the Stade de France by helicopter and was lowered into the hysterical crowd.

The public funeral of Hallyday was an incredible spectacle offered to millions of fans. The cortege moved slowly down the Champs Elysees, led by a white coffin. This was followed by a caravan of black limousines filled with family, close friends and dignitaries and then – even for people who do not particularly like motorcycles – the incredible sight of 700 bikers, who had come from all over France.

On the steps of the Madeleine church, President Emmanuel Macron, paid his respects to the rock star and invited the crowd to bid farewell to “Mr. Johhny Hallyday.”

Editor’s Note: This is the opinion of Nicole Prévost Logan.

Nicole Prévost Logan

About the author: Nicole Prévost Logan divides her time between Essex and Paris, spending summers in the former and winters in the latter. She writes a regular column for us from her Paris home where her topics will include politics, economy, social unrest — mostly in France — but also in other European countries. She also covers a variety of art exhibits and the performing arts in Europe. Logan is the author of ‘Forever on the Road: A Franco-American Family’s Thirty Years in the Foreign Service,’ an autobiography of her life as the wife of an overseas diplomat, who lived in 10 foreign countries on three continents. Her experiences during her foreign service life included being in Lebanon when civil war erupted, excavating a medieval city in Moscow and spending a week under house arrest in Guinea.

Letter From Paris: A Six-Month Performance Review for Emmanuel Macron

Nicole Prévost Logan

Six months into his mandate, French President Emmanuel Macron has been working at a dizzying pace to fulfill his campaign promises.

Hubert Vedrine, former minister of foreign affairs and expert in international and strategic affairs, made the following comment : “Emmanuel Macron immediately embodied the stature of a chief of State. ”

“The French people are impossible to reform”, said Macron during his campaign.  This is why he set out not to reform but to transform France from top to bottom.  First he brought “parity” men/women into the government. 

The “moralization” of the two legislative chambers was his second objective, which meant bringing an end to the opaque system of financial privileges long enjoyed by the deputies.  Like a breath of fresh air, the professional politicians who, since the beginning of the fifth Republic, had been playing musical chairs, faded away .They were replaced by influential members of the civil society, without any political experience.

Emmanuel Macron

As a rule, the French do not really like to work during the summer.  Breaking with that tradition, Macron spent four months talking with the trade unions.  He invited – separately – the leaders of the different groups (CGT, FO, CFDT)  in order to hear their demands and make his own proposals.

The result was amazing.

The loud manifs (street demonstrations), which traditionally are the main tool of the trade unions, rapidly run out of steam.   On the basis of the summer negotiations, changes in the labor code were formulated into executive orders before becoming law.

Macron used the same strategy – divide and conquer – to defuse the revolt of the mayors. 

There are 36,000 municipalities in France.  Some of the communes are tiny with as few as 200 inhabitants, and feel unfairly treated as compared to the large and wealthy urban centers like Paris, Lyons or Marseille. When Macron announced he would drastically slash down the dotations (subsidies) made by the State, the local officials went up in arms. 

What did Macron do? 

He invited 1,500 mayors to the Elysée Palace and developed his plan to help the small communes .

Thanks to his work experience in the financial and business world, he focused on a crucial economic problem: the cost of French labor is not competitive enough. The main reason?  The cost of labor is bloated by the inclusion of “social charges.” Macron plans to have the entire population share the burden by paying a general tax.  The other pillar of his financial program is to stop demonizing capital income by reducing the tax to a flat rate of 30 percent  – a win-win system to encourage the French population to invest.

Emmanuel Macron has been described as having a velvet smile contrasting with the steely expression of his blue eyes. From the youthful, exuberant attitude he projected during the electoral campaign, he has evolved into the image of an authoritarian leader. He delegates the day-to-day running of the country to his prime minister Edouard Philippe, who is doing his job efficiently and with discretion.  This leaves Macron time to address the big picture, particularly regarding the new place of France on the world stage.

On Sept. 26, in a major speech at the Sorbonne, Macron showed his unwavering ‘Europhile’ vision. He proposes a ‘re-invention’ of Europe with action led by countries willing to make changes. To ensure the future of the Eurozone, he proposes a single budget, a ‘Super Minister’ of economy and the creation of a European IMF. He wants a “protective Europe” in relation to workers and consumers. He believes strongly in giving a central role to culture in defining the European identity.

During his visit to Abu Dhabi for the inauguration of the new Louvre museum on Nov. 8, Macron met with “MBS” (Saudi Arabia prince Mohammed Ben Salmane ) and with “MBZ” (Abu Dhabi crown prince, Mohammed Bin Zayed)  A feverish round of diplomacy took place in which the president succeeded to  “exfiltrate” the Sunni Lebanese minister Saad Hariri from Saudi Arabia and acted as a mediator in the growing fracture of the Persian Gulf.

On Nov. 28,  after a two-hour speech to 800 students of the Ouagadougou University, in Burkina Faso, the Q and A session turned into an hilarious exchange. “Can you help us fix the frequent power outages on the campus?” asked a student. “But this is not my responsibility,” Macron answered, “Ask your president to deal with this problem.” The reaction of his audience – was at first a roar of laughter then deafening applause. A symbolic detail of the Macron’s visit to Africa was that he was accompanied on his trip by leaders of recent  start-ups instead of the CEOs of large companies such as Areva or Total.

The three-day visit to Africa in late November was an opportunity for the French president to break, not only with the colonial era, but also with the neo-colonial era of Françafrique launched by General de Gaulle in 1960.  At a summit meeting held in Abidjan, Ivory Coast, where the discussions at the summit meeting dealt mostly with the immigration crisis, Macron initiated a partnership whereby Europeans and Africans should share responsibilities.  Macron did not mince words when he told his audience : “The passeurs (smugglers) are not European, my friends , they are African.”

At a time when Angela Merkel is vacillating and Brexit is looming, the role of Emmanuel Macron in Europe is crucial. 

Editor’s Note: This is the opinion of Nicole Prévost Logan.

Nicole Prévost Logan

About the author: Nicole Prévost Logan divides her time between Essex and Paris, spending summers in the former and winters in the latter. She writes a regular column for us from her Paris home where her topics will include politics, economy, social unrest — mostly in France — but also in other European countries. She also covers a variety of art exhibits and the performing arts in Europe. Logan is the author of ‘Forever on the Road: A Franco-American Family’s Thirty Years in the Foreign Service,’ an autobiography of her life as the wife of an overseas diplomat, who lived in 10 foreign countries on three continents. Her experiences during her foreign service life included being in Lebanon when civil war erupted, excavating a medieval city in Moscow and spending a week under house arrest in Guinea.

Child & Family Hosts Essex Holiday House Tour Today

File photo of a beautifully decorated home from the 2015 tour.

This Saturday, Dec. 9, will highlight a memorable stroll through Essex, one of New England’s most picturesque towns, for its 14th biennial holiday house tour.  Created and organized by the Essex Auxiliary of the Child & Family Agency of Southeastern CT, the tour consists of seven distinctive private homes beautifully decorated for the holidays, the Essex Historical Society properties, and the Connecticut River Museum with Steve Cryan’s special holiday train show.  The Essex Art Association will also offer free chili.

Home base for the tour will be the Essex Town Hall at 29 West Avenue, where tickets may be purchased or picked up, and where there will be a large Boutique with vendors offering clothing, jewelry, gifts, home décor items, holiday arrangements and other alluring items.  Several drawings for donations by the vendors will be held here at the end of the day, and, during the day, Santa’s Café will offer snacks and refreshments.  The Boutique will be open from 9:30 to 5:00, and admission is free.

Tickets for the tour are $30 in advance, $35 the day of the tour.  Checks payable to Child & Family Agency may be sent to:  Essex Holiday House Tour, 168 River Road, Essex, CT 06426.

Tickets are also available in advance at www.childandfamilyagency.org; at the Griswold Inn Store, One North Main, and Walker Loden in Essex; Centerbrook Cheese Shop in Centerbrook; Saybrook Country Barn in Old Saybrook; Lark in Chester; Celebrations in Deep River; Bowerbird in Old Lyme; Walker Loden in Madison and New Haven; and the Child & Family Agency in New London, (806)443-2896, ext. 1403.

All proceeds from the tour go to funding Child & Family Agency’s programs addressing the mental health, educational, and healthcare needs of children and their families to promote the well-being and development of all children.

Services are offered from birth through high school in southeastern Connecticut and include child guidance, early childhood development, and after-school academic, recreational, and artistic activities.  Adult services include parenting education as well as prevention training for scholars and professional practitioners.  Healthcare services address both physical and mental health issues facing children.

Office-based, community-based, and home-based mental health services are available from New Haven to Stonington, and 14 school-based health centers provide healthcare options to children in Waterford, New London, Groton, Norwich, and Stonington. Child Guidance centers are based in Essex, New London, and Groton.

Last year, with a professional staff of more than 190, Child & Family provided services to over 18,000 children and their families in 79 towns in New Haven, Middlesex, and New London Counties.

In other words, your enjoyment of the Essex Holiday House Tour will benefit thousands of children in our neighborhoods, so come and help us celebrate the holidays by exploring lovely historic homes, including a mansion, in a picture-book setting!

Carol Stroll Down Main Street, Then See ‘Trees in the Rigging’ in Essex Today

Boats in the annual Trees in the Rigging Lighted Boat Parade are decorated with holiday lights. Photo by Jody Dole.

Kick off the holiday season in Essex with the annual Trees in the Rigging Community Carol Sing and Lighted Boat Parade.   The Connecticut River Museum, the Essex Board of Trade, and the Essex Historical Society combine to present this annual event that includes a traditional, lantern-lit carol stroll down Main Street where spectators are invited to bring their own lanterns or flashlights and join in with the Sailing Masters of 1812 Fife and Drum Corps and a parade of antique cars.

Participants can gather at the Essex Town Hall at 4 p.m. The stroll steps off at 4:30 p.m. beginning on West Avenue and ending at the Connecticut River Museum with a parade of vessels dressed out in holiday lights and passing in review along the Connecticut River.  Santa and his elves will arrive by one of the parade boats for visits with children on the lawn of the Connecticut River Museum. The Connecticut River Museum will also be open that evening for all to attend the 24th Annual Holiday Train Show at a reduced admission of $6.

Register Your Boat for the Lighted Boat Parade

A critical and crowd-pleasing part of this free community event is the parade of boats dressed in holiday lights that sail along Essex’s waterfront. The decorated boats are part of a friendly competition.  A modest 1st, 2nd, and 3rd place prize will be awarded to the best dressed boats. Winners will be invited to receive their prize and participate in a photo-op on Monday, Nov. 27 at 4:30 p.m. at the Connecticut River Museum.

Registration is required to participate in the boat parade that usually begins around 5:15 p.m. from the south end of Essex Harbor. To register, send emails to: kperkins@ctrivermuseum.org. Information should include: vessel name; type of boat and description; owner(s) name; contact information (phone and preferred email); decorating scheme (if known at time of registration). Registration must be received by Monday, Nov. 20 at 4:30 p.m.  

To make your own lanterns at home:
Step 1: fill an empty aluminum can with water and freeze. This will make it easier to punch holes for the design in the can.
Step 2: using a hammer and nail, punch holes in the can to make a connect-the-dots style picture of a holiday design. Use plenty of holes to allow the light to shine through.
Step 3: punch two holes near the rim to attach a wire handle.
Step 4: after the ice is melted, attach a votive or other small candle to the inside bottom of the can.

The Connecticut River Museum is located at 67 Main Street, Essex and is open Tuesday – Sunday from 10 am – 5 p.m.  For more information, call 860.767.8269 or go to www.ctrivermuseum.org.

It’s Holmes for the Holidays! Final Day to See ‘The Game’s Afoot’ at Ivoryton Playhouse

Hard at work in a rehearsal for ‘The Game’s Afoot’ are, from left to right, Katrina Ferguson, Michael Iannucci, Molly Densmore, Erik Bloomquist, Craig McDonald and Maggie McGlone Jennings. Photos by Anne Hudson.

IVORYTON – On Wednesday, Nov. 1, the Ivoryton Playhouse continues the Halloween season with a murderously funny thriller set in William Gillette’s Connecticut Castle – Ken Ludwig’s The Game’s Afoot.

It is December 1936 and Broadway star William Gillette, admired the world over for his theatrical portrayal of Sherlock Holmes, has invited his fellow cast-members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. Then it’s up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears.

In the vein of the best “whodunit” murder mysteries, the plot takes many twists and turns. The dialogue is witty and face-paced; there’s suspense within the laughter and even when you think you’ve figured out who the bad guy is, you will start to question yourself when the plot takes an unexpected twist.

An intense moment during a rehearsal for Victoria Bundonis and Craig McDonald.

The Cleveland Examiner writes about The Game’s Afoot, “From the intriguing opening mini play within a play to the surprise last scene a split second before final curtain, The Game’s Afoot gives you everything you love about great live theatre. Billed as a comedy thriller you will find yourself swept along for a wild and funny ride.”

The Game’s Afoot is directed by Playhouse Artistic Director Jacqueline Hubbard and features Ivoryton favorites Erik Bloomquist, Victoria Bundonis*, Katrina Ferguson*, Michael Iannucci*, Maggie McGlone Jennings and Beverley J. Taylor, as well as Craig McDonald*, making his Playhouse debut as William Gillette and Molly Densmore* as the beautiful Aggie.

Set design is by Daniel Nischan, lighting design by Marcus Abbott, sound by Tate R. Burmeister and costume design by Kathleen T. Gephart.

The Game’s Afoot opens at the Ivoryton Playhouse runs through Nov. 19. Performance times are Wednesday and Sunday matinees at 2 p.m. Evening performances are Wednesday and Thursday at 7:30 p.m.Friday and Saturday at 8 p.m.

Tickets are $50 for adults; $45 for seniors; $22 for students and $17 for children and are available by calling the Playhouse box office at 860-767-7318 or by visiting our website at www.ivorytonplayhouse.org  (Group rates are available by calling the box office for information.) The Playhouse is located at 103 Main Street in Ivoryton.

*denotes member of Actors Equity