Lyme Art Association Presents Evocative ‘Land and Sea’ Show Through Nov. 19

‘Meigs Point, Hammonasset’ in oil by Tom Adkins is one of the signature paintings in the ‘Land and Sea’ exhibition.

OLD LYME — This fall the Lyme Art Association (LAA) presents Land and Sea, an exhibit of outdoor scenes; landscapes, seascapes, cityscapes and backyard-scapes. Art of varied media and styles, all from LAA member artists, will be presented in the historic, sky-lit galleries through Nov. 19.

“We are grateful for the great outdoors right where we are,” said Executive Director Laurie Pavlos, continuing, “The open air that makes visiting safer and the beautiful vistas that calm our anxious hearts.”

She added, “But we miss traveling to see new scenery, climates, and topography. Land and Sea is a response to these impulses; we hope that our visitors enjoy spending time in the gallery this fall appreciating the great outdoors.”

The LAA is located at 90 Lyme Street in Old Lyme, Conn. in a building designed by Charles Adams Platt and within the town’s Historic District. The gallery is open from 10 a.m. to 5 p.m., Wednesday through Sunday, and by appointment.

The Association was founded in 1914 by the American Impressionists and continues the tradition of exhibiting and selling representational artwork by its members and invited artists, as well as offering art instruction and lectures to the community.

Admission is free with contributions appreciated.

For more information on exhibitions, purchase of art, art classes, or becoming a member, call 860-434-7802 or visit www.lymeartassociation.org

The Movie Man: Sandler Has Done It Again in ‘Hubie Halloween’

Adam Sandler being interviewed in 2018. This screenshot was originally uploaded on YouTube (https://www.youtube.com/watch?v=Lc9jYc07e54&t=45s) under a CC license.

Adam Sandler has done it again.

No, he didn’t bring in a stunning performance to follow up Uncut Gems, but rather he has brought us another stupid movie that we can love: Hubie Halloween.

Ever since his movie career began in the 90s, Sandler has brought us countless flicks that have ridiculous premises, but lovable characters, who deliver humor that can be described as none other than guilty pleasure. From Billy Madison, Happy Gilmore, The Waterboy, and Big Daddy, countless laughs have been produced from first watching these films to quoting them in front of our friends.

And like all of Sandler’s films since the 90s, they include tributes to the iconic characters and jokes from those name-making movies.

Hubie Halloween proves no different, as we see references to the O’Doyle family, Orderly Hal played by Ben Stiller, and cameos from star after star after star that he has collaborated with in the past.

Hubie Halloween follows its title character, Hubie Dubois, a zealous idiot with a heart of gold, despite being the constant object of ridicule from people he’s known his whole life in his hometown of Salem, Mass.

Although he is an idiot, Hubie happens to possess stuntman-like skills and a trusty thermos that can assist him in any situation, and it might as well have been made by Q in the 007 franchise. When trouble breaks out on Halloween night, Hubie must win the trust of his neighbors in order to solve the mysterious disappearances of townsfolk.

Hubie appears to be along the likes of one of Sandler’s earlier characters, Bobby Boucher from The Waterboy; however, this character does not match the potential when it comes to humor and lovability. It starts off slow, but there are plenty of laugh-out-loud moments as it progresses.

It does dabble in the sentimental though as it also presents cliched, but true, life lessons. 

Sandler should not be dismissed as a one-trick pony for this ridiculous movie. We must remember he has delivered repeatedly with Punch Drunk Love, Reign Over Me, and most recently Uncut Gems (one viewer was so impressed that he personally called Sandler to share his satisfaction, and that was none other than Daniel Day-Lewis).

But why does he continue to produce his name-brand humor when he could be collecting award after award and potentially collaborate with greats like Scorsese? I can only speculate one reason: he likes to do it.

From a critic’s perspective, this movie fails at artistic achievements (though not as badly as Jack and Jill). It’s just another Adam Sandler movie, but that’s good enough for me.

This will not be added to any special lists by the American Film Institute, nor will it be included in the Criterion Collection.

No, it will just remain on Netflix to be selected whiled scrolling through the selections whenever you and your friends are simply seeking a good time.

Kevin Ganey is ‘The Movie Man.’

About the Author: Though no longer a resident of Lyme, Kevin knows he can never sever his roots to the tree of his identity. When not attending to his job in Boston, he is committed to ensuring a better grasp of current (and past) releases of cinema to his home community as he strives to leave his own mark in the same field that has always been his guide to understanding life. If you enjoy his published reviews here on LymeLine.com, follow him on his new website at ‘The City of Cinema and read more of his unique insights into entertainment.

Lyme Academy Offers Wide Range of Fall Classes, All Welcome

OLD LYME — Lyme Academy of Fine Arts is offering an exciting selection of classes, which bridge the skills of the past with the inspiration of the future.

A full listing of all the classes and workshops on offer is given below. If you would like to obtain further information on any of the classes or workshops, visit lymeacademy.edu or call 860.434.5232.

INSTRUCTED STUDIO

Lyme Academy alumna and now teacher works on a sculpture.

Facilitator: Kimberly Monson
Tuesdays/Thursdays 9 a.m.-12 p.m.
Six weeks
Tuesday Instructed, Thursday Open Studio
$450
Independent lessons are collaborative in order to best serve the student in reaching developmental goals in drawing, painting and sculpture.

AFTERNOON LANDSCAPE
Taught by: Michael Viera
Thursdays, Oct. 2 – 23
1-4 p.m.
$350
Lessons focus on navigating pictorial composition, color selection and mixing, value, temperature and light. The class will be held on various on-site locations in Lyme and Old Lyme to experience the exceptional regional landscape.

CAST DRAWING
Taught by: Rick Lacey
Mondays, Oct. 19 – Nov. 23
6-9 p.m.
$350
In this course, instructor Rick Lacey provides a framework to plot and map the cast on the page. Special attention is paid to construction, line work and quality, and the importance of value.

FIGURE DRAWING IN VINE CHARCOAL 
Taught by: Hollis Dunlap
Tuesdays, Oct. 6 – Nov. 10
6-9 p.m.
$400
Over the six classes, students will learn to revise the drawing by examining proportions and angles in order to get the most out of their abilities.

ART OF THE STILL LIFE 
Taught by: Justin Wiest
Oct. 16-18
9-4 p.m.
$450
This workshop will make the contention that: The set-up has to look like a painting before the artist begins to paint.
The methods and materials will be thoroughly discussed.

Lyme Academy alumnus and now teacher Michael Viera will be leading a class titled, ‘Afternoon Landscape,’ this fall.

CLASSES & WORKSHOPS
RELIEF SCULPTURE
Three Day Workshop with Kellie Pereira
Oct. 23, 24 and 25
9-4 p.m.
$500
This course provides instruction on how to produce a bas-relief sculpture, a silicone mold from the sculpture produced in class and plaster casts.

ENCAUSTIC
Two-day workshop with Kathryn Bevier
November 7 – 8
10 a.m. to 3 p.m.
$350
In this workshop, attention will be given to a more classical painting approach with encaustic exploring monochromatic and a la prima practices. Working from a simple still life or landscape imagery, Bevier will guide you through several exercises to help you hone in on a fresh and energetic composition of color.

CRAFTING THE PORTRAIT- DRAWING
Three-Day Workshop with Tyler Berry
April 23 to 25
9-4 p.m.
$475
In this three-day workshop, artists will learn the fundamentals of portrait drawing. With an emphasis on structure and anatomy, Tyler will help students in understanding likeness through careful observation of proportion, skeletal landmarks, and abstract shape-design. Artists will also learn to create a sculptural quality to their portraits through in-depth analysis of the light source and how it interacts with the forms of the face.

ONLINE CLASSES
Color Mentorship – Online Learning with West Fraser
Zoom Discussions,
Tuesdays, Oct. 6 to 27
Beginning at 4:30 p.m.
$400
Gain familiarity with color concepts for yourself or in preparation for West’s on-site workshop “Going Beyond Theory of Color to Application” set for the Spring of 2021.

Fundamentals of Illustration with Greg Mursko
Mondays, Oct. 19 to Nov. 23
1-4 p.m.
$350
This course introduces the basic principles being an illustrator. The majority of work created in the medium of your choice (graphite, colored pencil, acrylic paint, etc.)

Graphic Arts
Fundamentals of Imaging Software with Greg Mursko
Mondays, Oct. 19 to Nov. 23
9-12 p.m.
$350
This class will introduce the basics of imaging software, including the user interface, working with layers, color, type, tools, filters, masks, and more.

Value in the Landscape
Online Learning with Thomas Caleb Goggans
Tuesdays, Nov. 3 to 24, at 4:30 p.m.
$350
Caleb Goggans will demonstrate and guide a progressive exercise designed to give students the knowledge and confidence to compose compelling, well organized, and beautiful paintings.

No ‘Wee Faerie Village’ This Year, But a Virtual One Opens at Florence Griswold Museum

OLD LYME — The Florence Griswold Museum in Old Lyme has been obliged to postpone one of its most popular events, Wee Faerie Village, due to ongoing health risks associated with large crowds amid the COVID-19 pandemic, and in accordance with guidance from the State of Connecticut.
In an inspired move, however, the Museum is today launching Virtual Faerie Village in its place. This will be available through Nov. 1, at FlorenceGriswoldMuseum.org and VirtualFaerieVillage.org
After the success of the Museum’s online camp and other virtual programs, Museum staff are now offering faerie fun to be had safely at home with activities planned to capture the magic of the faerie realm for participants of all ages.
One of the highlights will be Wee TV, half-hour episodes of faerie crafts and special guests. Extra creative faerie aficionados will want to take part in the Wee Faerie Super Fan and Crafting Club. Club members receive a Folly Woods pin (only 100 available).  Register for the Club at this link.
This year’s Wee Faerie Village theme, Folly Woods – Awesome Wee Faerie Architecture has been postponed to October of 2021, when the Museum visitors will again be able to experience in person the magic of the outdoor installations of enchanting faerie houses created by artists and designers.
The Museum has expressed gratitude to the artists who have been working tirelessly on their creations for Folly Woods – Awesome Wee Faerie Architecture. They have graciously agreed to present their work next year. 

Virtual Faerie Village is generously supported by Art Bridges, the ForGood Fund at the Community Foundation of Eastern Connecticut, and the Joffray Family.

Meet a (Hula-Hooping) Moose in Cushman’s Enchanting Story of Being ‘Soaked’

LymeLine.com publisher Olwen Logan reads ‘Soaked’ by Abi Cushman to her grandson, William Logan, who assisted significantly with this book review.

“Soaked” is quite simply an enchanting book that captivates and delights youngsters from the first page to the last.

I can say that with some authority since I ‘tested’ the book on my two-year-old grandson William and his response to it was nothing short of remarkable. He not only asks for the book by name every time he sees me but also  — or so his parents tell me — at almost every bedtime.

Moreover, he has renamed it!

And the reason he did that is because the only word in the whole book that he didn’t understand was, by coincidence, its title … ‘Soaked.’ By the way, the inside cover states the book is for, “Age 3 and up,” but William, at two, lapped it up.

When I finished reading ‘Soaked’ to him for the very first time, William desperately wanted to hear it again and, without hesitation, asked me to read the “Rain Book,” which is, in fact, a wonderfully apt title.

That is now what it will be known as henceforward in our family since we took a copy on a family vacation recently and by the end of the week, every member of the family had read the ‘Rain Book’ to William multiple times!

First-time author-illustrator Abi Cushman of Niantic, Conn. is an extraordinarily talented illustrator. (Full disclosure, I know Abi, but primarily in a professional capacity.) Although she remains remarkably unassuming about the fact she is now a published author, she should be extremely proud of that achievement — and perhaps even more so, of the beautiful book that is the root of her new-found fame.

She has created four characters, Bear, Badger, Bunny and Moose, whom you feel you’ve known your whole life … in the same way that we all know Winnie-the-Pooh. Their respective personas come through loud and clear though Cushman uses very little narrative to convey them.

Moose is far and away William’s favorite character in the story.

Well, of course he is … who couldn’t be drawn to a Hula-Hooping moose? You’ve never heard of a Hula-Hooping moose? Neither had we, but he fits so perfectly into this delightful story, you take him completely for granted as though it’s perfectly normal for a moose to have a set of hula-hoops at which he is adept at using.

The hula-hoops are, in fact, key to this simple tale, cleverly linking its various elements and locations. The story travels from sad scenes in the depressing rain through to Bear’s dry cave (where there is insufficient space for Moose to hula-hoop, but he does it anyway!) followed by the rescue of a hula-hoop from a high branch (which involves a great deal of precarious standing on shoulders) and then the jovial collapse of the tower of animals.

All the animals, who topple together after successfully retrieving the hula-hoop, surface cheerfully in a mass of water and are thoroughly “soaked.” This jolly scene leads to the idea that Bear should try hula-hooping.

Now Bear, who is the story narrator, is a pretty grumpy fellow and anxious to maintain his negative outlook on the world, regardless of what befalls him. He does not want to enjoy hula-hooping but it is abundantly clearly from the charming illustrations that Bear takes to it like (and forgive the pun!) a duck to water, urged on by the ever-present, cheery Badger (with the bumble-bee umbrella) and bounce-along Bunny.

There are a variety of morals that can be drawn from this simple story and the reader can choose which one is most age-appropriate. It could be a deeper one like the value of true friends or the strength of teamwork, or simply that you don’t have to have sun to have fun.

There are other possibilities too and another strangely wonderful thing about this book is that there are many places in the text where you can fill in the story details as you wish, making it possible to create new twists to the story with every reading

I won’t be a spoiler and divulge the surprising ending to the story.

You’ll have to buy — or borrow — the book for yourself. And I strongly recommend you do just that because this is a very special book, which I predict will stand the test of time … perhaps even lasting as long as that beloved Pooh!  The illustrations on their own justify the purchase of the book.

This may be the humble Cushman’s first book but I’m confident it certainly won’t be her last. I sincerely hope we’ll soon be hearing more about the adventures of Bear, Badger, and Bunny and not forgetting, that Hula-Hooping Moose!

Editor’s Note: Visit Abi Cushman’s website for more information about the book and details of where to purchase it.