The Movie Man: ‘Ralph Breaks the Internet’ Offers Existentialism for Kids 101

In this sequel to 2012’s Wreck it Ralph, the title character and his adorable best friend, Vanellope, venture beyond their familiar arcade community into the world of the Internet.

And this depiction of the Internet is a tangible and personified version of the World Wide Web, akin to a thriving city with anthropological beings embodying many things with which we are familiar, such as algorithms and search engines (including a frustrated reminder to say “thank you” when your search engine brings you what you were seeking.)

There are some philosophical themes in these movies, at least entry-level for the younger crowds screening them (despite reading Dostoyevsky at a book club meeting later on, the film does not exactly go into themes from The Grand Inquisitor about whether we are responsible enough to handle freedom).

Vanellope ponders what the meaning of everything is beyond their games, the stark reality of being 0’s and 1’s, and wanting more, while Ralph expresses, not only contention, but joy with what his life is.

The previous film tackled the issue of personal identity and worth, with Ralph wanting to be more than just the “bad guy” character and Vanellope being included in her game.

This installment now tackles the issue of friendship, and what being a true friend really means: whatever is best for your friend, regardless of how it affects you. (And this is where memories of my Catholic education came to mind, reminding me that the real definition of love is to will the good of the other).

While the Wreck it Ralph movies have not demonstrated themselves to be Disney’s most groundbreaking movies in recent years (the plots can seem familiar at times), they still prove to be highly entertaining and filled with unique, lovable characters.

And Disney did have the joy of referencing itself by bringing Vanellope to Oh My Disney to see numerous iconic characters and environments, making everything more enjoyable. And the theme of Girl Power is brought up when she takes refuge in the Princesses’ dressing room, which will delight numerous girls (young and old.)

For the sake of pure entertainment, I would definitely recommend this film to viewers of all ages. It is not necessary for Disney to break ground through every film they release, but they certainly know how to make a good time at the movies.

Editor’s Note: This is the opinion of Kevin Ganey.

Kevin Ganey

About the Author: Kevin Ganey has lived in the Lyme/Old Lyme area since he was three-years-old, attended Xavier High School in Middletown and recently graduated from Quinnipiac University with a degree in Media Studies. Prior to his involvement here at LymeLine.com, he worked for Hall Radio in Norwich, as well as interned under the Director of Communications at High Hopes Therapeutic Riding Center. Kevin has a passion for movies, literature, baseball, and all things New England-based … especially chow

The Movie Man: ‘The Ballad of Buster Scruggs’ Delights, Challenges

It seems that the newest trend in film is to go from first screenings at movie theaters to permanent availability on Netflix, following the trend that TV shows have started.

Originally, it was seen with popular, but not so artistically influential, stars such as Adam Sandler. But now iconic brothers Joel and Ethan Coen have followed through on this trend with the release of The Ballad of Buster Scruggs, a Western collection of vignettes ranging from bank robberies to covered-wagon journeys.

I finished the film as I expected I would: scratching my head, pondering the meaning of every story in the anthology. But this is the case with nearly every film by the Coen brothers. This happened when I finished No Country for Old Men, A Serious Man, and even The Big Lebowski.

But have no fear, in our digital age, you will not be perpetually stumped. With the assistance of Google, one can find a medium that can help you understand the artistic, and often spiritual, meanings of these films.

But make no mistake: you will enjoy Buster Scruggs. This will not be ranked as one of the Coen’s most memorable and definitive films, but you will be entertained.

They’re back at it with their quirky humor and folksy manner of storytelling that is present in every film (even ones as dark as No Country, upon further reflection.) You will also see tributes to other iconic directors, such as Stanley Kubrick (through their amazing landscape shots that help reinforce the environment of the story), and Spaghetti Western legend Sergio Leone (via silence, creating a build-up of suspense) — and this is more than fitting, being a Western movie.

For most readers, it will be quite easy to screen Buster Scruggs on finishing this review. Simply open a new tab in your internet explorer and log in to your Netflix account.

For everyone else, you will have to go through the painstaking process of pulling out your credit card and paying a whopping $8 to $14 to have thousands of videos at your disposal. It is a convenient way to watch movies now, but I believe it takes the joy out of the occasion of going to the movies … and I hope to write about this in the future.

‘Til next time, this is the Movie Man signing out …

Return of ‘The Movie Man’: ‘Beautiful Boy’ Reveals Realities of Relationships Controlled by Addiction

Editor’s Note: We welcome Kevin Ganey back to LymeLine.com. We have missed his stimulating, thought-provoking, intensely personal reviews of movies and are thrilled he has returned

Author’s Note: It seems that in the last two years, I’ve fallen off the edge of the earth when it comes to keeping up with current films. In this time, I’ve skipped the Oscars, and have not even watched trailers to highly anticipated future features. I’m also too intimidated to watch whichever new Marvel film has been released, due to fear of being unable to follow the story. But I have spent a great deal of time immersing myself in older ones, and I owe a great deal to the Criterion Collection for this. But make no mistake, I intend to continue critiquing films for the readers situated in the Connecticut River and Long Island Sound.

The cover of the book on which the movie is based.

I left the screening of Beautiful Boy in a depressed mood.

The film, starring Steve Carell and Timothée Chalamet, depicts the relationship of a father and son, David and Nic Sheff, during the latter’s tumultuous period of drug addiction. While many fans of Dunder-Mifflin’s greatest regional manager will take delight in seeing that Nic’s mother is played by none other than Amy Ryan (Michael Scott’s wife), this will not contain any of the goofy humor we saw on the iconic sitcom. It deals with the gut-wrenching and horrific truths of what addiction is.

This is a true story, based on the memoirs of both father and son.

It captures the grim reality of addiction. From Nic’s days of smoking weed (with his father, on occasion) to his bodily dependency on heroin and crystal meth. In several points, Nic gets sober (at one point lasting over a year without using anything), only to fall into relapse.

The film captures the ugly truth of addiction’s harm to the user, and to the user’s loved ones; depicting Nic stealing prescription medicine from his girlfriend’s family, as well as taking the only money his younger half-brother has (a mere $8).

Along with addiction, this film also brilliantly depicts the relationship between David and Nic. We get to see things through David’s perspective as he watches his son spiral out of control and sends him to rehab time after time after time. We clearly see David’s frustration as he wants what is best for his son, whom he loves more than everything.

While I never struggled with drug addiction, I could see myself in Nic pleading to David in regards to numerous subjects, asking his father to have faith in him, and David’s stern responses, all in vigilance to protecting Nic’s well-being. For once, I could understand the mindset in which my parents denied my numerous requests throughout youth, and I could see the arrogance in the “What do they know?” reaction I would give.

This is not a film to see on the basis of pure entertainment. I could hardly imagine any filmmaker with a sound conscience taking addiction as a subject with the intent of making a light-hearted humorous project. I was also dissatisfied with the story’s editing and basic setup.

Without giving away the ending, I was unable to perceive the narrative had finished until the credits began to roll. The performances were stellar, and I would not be surprised if any of the cast receives award nominations, Chalamet, in particular.

Editor’s Note: This is the opinion of Kevin Ganey.

Kevin Ganey

About the Author: Kevin Ganey has lived in the Lyme/Old Lyme area since he was three-years-old, attended Xavier High School in Middletown and recently graduated from Quinnipiac University with a degree in Media Studies. Prior to his involvement here at LymeLine.com, he worked for Hall Radio in Norwich, as well as interned under the Director of Communications at High Hopes Therapeutic Riding Center. Kevin has a passion for movies, literature, baseball, and all things New England-based … especially chow

The Movie Man: ‘Kubo and the Two Strings’ is an Unexpected Delight

kubo-main_0Truly, if you enjoy learning about ancient mythology, you will enjoy watching Kubo and the Two Strings, brought to you by Laika, the filmmakers behind Coraline and The Boxtrolls. With an all-star-studded cast that includes Charlize Theron, Matthew McConaughey, Ralph Fiennes, Rooney Mara, and Star Trek actor/turned social media personality George Takei, this stop-motion animation film does not disappoint.

We are told the story of Kubo, a young one-eyed boy, who cares for his ill mother by transforming paper into origami masterpieces through his shamisen (a string instrument indigenous to Japan). After staying out past dark (as he was warned against many times), his mother’s sisters destroy his village and attempt to take his remaining eye.

Upon escaping the terror of his aunts, Kubo comes across the incarnate version of his wooden monkey (voiced by Ms. Theron) brought to life by his own mother’s magic, and eventually Beetle (Mr. McConaughey), who join him on a quest to retrieve the armor worn by his father, a Samurai warrior.

The film often invoked reminders of ancient mythology, in which the character is forced to embark on a quest, accompanied people who are both reasonable and unreasonable, in which the protagonist must locate something precious in regards to the parent he never knew, who was a great warrior and up to whose image he seeks to live. This ranges from classical mythology to modern entertainment (think of Luke Skywalker in Star Wars, prior to learning his father was the enemy he was fighting all along [not spoiling anything about this film, disclaimer] or even Telemachus, son of Odysseus in The Odysessy.)

Perhaps what is most rivaled by its story and performances is its original score, which I have no doubt will at least be nominated by many award shows this upcoming season.

It was released in 3D, a trend in movies that I do not understand. Despite being a family-friendly film, I would caution those who have very young children from seeing this. One of the main themes revolves around the title character missing an eye and his grandfather and aunts seeking retribution on his life or his remaining eye, as well as there being some frightening images and scary scenes.

But anybody above the PG-warned audience will find this movie to be an ultimate delight.

Kevin Ganey

About the Author: Kevin Ganey has lived in the Lyme/Old Lyme area since he was three-years-old, attended Xavier High School in Middletown and recently graduated from Quinnipiac University with a degree in Media Studies. Prior to his involvement here at LymeLine.com, he worked for Hall Radio in Norwich, as well as interned under the Director of Communications at High Hopes Therapeutic Riding Center. Kevin has a passion for movies, literature, baseball, and all things New England-based … especially chowder.

The Movie Man: Don’t Waste Your Money on ‘Suicide Squad’

Suicide_Squad_compressedOne would think that gathering together all of DC’s most memorable villains for a single movie would be appealing. After all, that’s how big-named stars such as Will Smith, Jared Leto, Viola Davis, and Margot Robbie were probably hooked on this project. Unfortunately, big names could not save a super-villain movie that lacked the type of lure that films in said genre should have.

I guess I have to give myself a break for ultimately being disappointed after seeing the trailers over the last year. Mainly because this film was produced by Zack Snyder, who was also behind 2013’s Superman film, Man of Steel, which I left disappointed. An opinion shared by my brother and a friend with whom we screened it.

I cannot determine what it is about this new string of DC movies that include Ben Affleck as Batman, Gal Godot as Wonder Woman, and Jesse Eisenberg as Lex Luther that turns me off. Is it the writing? It ultimately must be.

As I said earlier, it lacks the “lure.” I did partially read a review in The Washington Post that criticized this film and tried to put it aside to see if I could screen it unbiased. After several hours of reflecting, I guess I was wrong. What I can say is the film does include fitting performances for their characters, so I guess that is the silver lining?

What first lost me was Jared Leto’s portrayal of the Joker. Now, maybe this is the result of us all being spoiled (and still enthralled) by Heath Ledger’s portrayal of one of the greatest villains of all time in The Dark Knight back in 2008, a time when we were going through a presidential election that did not involve dirty tricks, lying, and childlike name-calling. Now it is possible I am being unfair, as Ledger did go on to win a posthumous Academy Award for this performance.

But Leto also earned himself the same honor in the same acting category (Supporting Role, for Dallas Buyer’s Club.) It certainly cannot be because of his acting since he seemed to give it all he had as the psychotic killer clown. But it has to be how the Joker is presented.

He is not much of a clown, as we have seen him depicted throughout the character’s history, ranging from Cesar Romero in the campy 1960s Batman series, Jack Nicholson in Tim Burton’s 1989 adaptation, Mark Hamill’s great vocal performance for multiple animated gigs, and, of course, Ledger’s run in 2008. He is not a clown, but rather a … punk, which I believe is the word that best describes him. Nothing clown-like about him, just a crazed psycho.

Will Smith delivered, as always. It was unique seeing him as a villain, but then again, he did serve as the protagonist who ultimately had a heart of gold, mainly because of his love for his daughter. And Margot Robbie certainly proved herself as Harley Quinn, bringing back her memorable Long Island accent from The Wolf of Wall Street, making her character as crazy and, well, sexually seductive, as possible (what else will people think when a character has an outfit like that?)

I will make a prediction, as I have heard people comment on the web, that girls will go crazy over Harley Quinn and many will dress as her for Halloween this year. And one cannot go wrong with casting Viola Davis, one of the most talented actresses of our era, as she portrays the cold and heartless government agent who recruits the “suicide squad” (as Smith character, Deadshot, coins it), and she does not invest much emotion through it (after all, less can be more sometimes.)

You will hear many classic rock songs in this flick, if that will bring you to the theaters. Songs include Bohemian Rhapsody, Fortunate Sun, and Spirit in the Sky. But then again, as I have always thought, if the promotions for the movie include lists of popular songs that the viewer will eventually hear, that is an indicator of desperation.

Overall, I would not recommend this flick. Earlier when I reviewed the Bond film, Spectre, I suggested viewing it despite its “meh” quality because it was James Bond, something well embedded in our culture for over 50 years. While these DC characters have been known as long as Bond (well, Joker perhaps), it has not been as part of our movie-going experiences like 007 has. Nobody has hyped about the highly anticipated DC comics film as frequently as Ian Fleming’s iconic spy.

But to simplify it: this movie is not worth the price of the movie ticket.

Kevin Ganey

About the Author: Kevin Ganey has lived in the Lyme/Old Lyme area since he was three-years-old, attended Xavier High School in Middletown and recently graduated from Quinnipiac University with a degree in Media Studies. Prior to his involvement here at LymeLine.com, he worked for Hall Radio in Norwich, as well as interned under the Director of Communications at High Hopes Therapeutic Riding Center. Kevin has a passion for movies, literature, baseball, and all things New England-based … especially chowder.