Letter From Paris: Taxing Times in France

Nicole Prévost Logan

Nicole Prévost Logan

In spite of lively street scenes in Paris, crowds strolling in the Tuileries gardens, restaurant terraces full of people enjoying a copious lunch and long lines at museums and movie theaters, the ongoing austerity measures imposed by the Socialist government contribute to a morose mood in France .

In the past two years, new taxes have multiplied.  More people have to file income taxes, some retirees are struggling to survive on their pensions, the Taxe sur la Valeur Ajoutée (TVA – the equivalent of sales tax in the US) on restaurants — after being lowered — is going up again to reach 10% next January.  Corporate taxes have also increased.

The population was encouraged to invest its savings into special accounts.  Promises of a guaranteed interest of 3 percent on these savings accounts have gradually vanished.  It is today below 1 percent.

The northwest region of Brittany is in in uproar following a new “eco-tax” imposed on truckers, fishermen and farmers.

A tax of 75 percent on annual incomes higher than one million will hit particularly the stars soccer players, who threatened to go on strike for one week-end in November.  When one knows how fanatic the public here is about its soccer matches, one might expect violent scenes.

The TV series called “A Village Français,” now in its third season, continues to enjoy top ratings.  It shows how the average French people behaved during the German occupation.  It depicts the whole spectrum of the population, ranging from despicable collaborators to courageous “resistants” with — in between — the vast majority just trying to survive and protect their families.  The show is done with honesty, avoiding black and white judgments.  By 1943 the French became more daring , as their spirits were lifted by the London broadcasts.

This is a great idea: for a small fee, courses in the English language are offered to the passengers riding the Train à Grande Vitesse (TGV – high speed train) from Rheims to Paris – a facility to be extended to other railroad lines.

Nicole Prévost Logan divides her time between Essex and Paris, spending summers in the former and winters in the latter.  She will write a regular column for us from her Paris home where her topics will include politics, economy, social unrest — mostly in France — but also in other European countries.  She also will cover a variety of art exhibits and the performing arts in Europe.  Logan is the author of ‘Forever on the Road: A Franco-American Family’s Thirty Years in the Foreign Service,’ an autobiography of her life as the wife of an overseas diplomat, who lived in 10 foreign countries on three continents.  Her experiences during her foreign service life included being in Lebanon when civil war erupted, excavating a medieval city in Moscow and spending a week under house arrest in Guinea.

Introducing a Letter From Paris

Nicole Prévost Logan

Nicole Prévost Logan

We are delighted to introduce a new columnist to LymeLine today.  Nicole Prévost Logan divides her time between Essex and Paris, spending summers in the former and winters in the latter.  She will write a regular column for us from her Paris home where her topics will include politics, economy, social unrest — mostly in France — but also in other European countries.  She also will cover a variety of art exhibits and the performing arts in Europe.

Logan is the author of Forever on the Road: A Franco-American Family’s thirty Years in the Foreign Service, an autobiography of her life as the wife of an overseas diplomat, who lived in 10 foreign countries on three continents.  Her experiences during her foreign service life included being in Lebanon when civil war erupted, excavating a medieval city in Moscow and spending a week under house arrest in Guinea.

The End of an Era

By Nicole Prévost Logan

The International Herald Tribune – so familiar to American expatriates in Europe – is no more.  After 125 years of existence,  the newspaper lost its name, to become the International New York Times , on October 15 of this year.  The change marks the end of an era.

Hemingway’s hero in The sun Also Rises read it  and Jean Seberg, the journalist student in Jean Luc Goddard’s 1960 film Breathless, sold it on the Avenue des Champs Elysées.

Sold in 160 countries, the newspaper stood out as the most international of any daily publications.  Being printed in Paris, it was anchored in its local culture.  But at the same time,  for we Americans visiting or living in the French capital, it represented a life line to the home country.  Over the years it became the property of the New York Times and later of the Washington Post,  allowing its op-ed page to offer a wide spectrum of opinions across partisan lines.

It was an entertaining paper to read.  Some of us would go straight to the last page, looking for the crossword puzzles and the cartoons.  The columns of humorist Art Buchwald were an institution.  Syndicated in hundreds of  newspapers, he had a special talent to make people laugh, particularly by poking fun at politicians.  Every year at this time, the readers would look forward to the repeat of his column entitled “Merci Donnant” (literal translation of  Thanksgiving).