Evening of Song with Tenor Brian Cheney, June 22, Benefits Old Lyme DTC

Tenor Brian Cheney will present an ‘Evening of Song,’ Saturday, June 22, at the Chester Meeting House.

The Old Lyme Democratic Town Committee hosts “An Evening of Song with Tenor Brian Cheney,” Saturday, June 22, at 7:30 p.m. at the Chester Meeting House, 4 Liberty St., in Chester.

Cheney, an Old Lyme resident, is an acclaimed, professional tenor, who has performed to rave reviews in venues across the US and internationally.

Admission is a $35 donation to the Old Lyme Democratic Town Committee.  Reservations can be made at this link.

Old Lyme Holds Annual Budget Meeting Tonight; 2018 Citizen of the Year to be Announced at Meeting

The Old Lyme Board of Selectmen will host the Annual Budget Meeting on Monday, May 20, at 7:30 p.m. in the Lyme-Old Lyme Middle School auditorium at 53 Lyme Street in Old Lyme.  Agenda items include the long-awaited announcement of Citizen of the Year of 2018.

Other agenda items, which may be voted on at the meeting, include:

  1. The adoption of the Budget for the fiscal year July 1, 2019 to June 30, 2020, as recommended by the Board of Finance.
  2. A proposal that taxes in the Town of Old Lyme on Real Property and Personal Property shall be paid in two (2) equal semi-annual installments, the first payment being due on July 1, 2019 and the second payment being due on January 1, 2020, provided that any such tax of less than $100 for the year shall be due in full in one payment on July 1, 2019, and provided that taxes in any amount  owed for vehicles on the Supplemental List shall be made in one payment due on January 1, 2020.
    1.  A proposal to purchase, using open space acquisition funds, lands that are owned by Jean A. McCulloch Farm, LLC, consisting of 300 acres, more or less, situated near Whipporwill Road and Flat Rock Hill Road, in accord with the terms of a Contract of Sale dated on or about April 1, 2019, for the consideration of $600,000 (a copy of the Contract, which includes a map, is available at the Town Clerks’ office); and
    2. To promote the public use and enjoyment of the open space lands, to authorize the First Selectman and the Town Attorney to negotiate and consummate a modification to the easement covering the said lands, in order to permit the Town the legal right to construct and maintain vehicle parking areas on the said lands; and
    3. In furtherance of the foregoing, to authorize the First Selectman to execute and sign, on behalf of the Town, such contracts, deeds and other instruments as are reasonably necessary to carry out the said purchase and easement modification.
  3. An appropriation of $73,000 to the Health Insurance Account for health insurance costs associated with new memberships and changes in status.
  4. An appropriation of $16,000 to the PW Project Contractors Account for emergency repairs to Grassy Hill Road Bridge.
  5. An appropriation of $26,000 to the CRRA/MIRA Account for increase in CRRA/MIRA tipping fees.

Extensive Summer Program Breathes New Life Into Lyme Academy Campus, While Academy’s Future Still Uncertain

File photo of the Chandler Academic Center at Lyme Academy College prior to its affiliation with the University of New Haven.

The future of the Lyme Academy of Fine Arts is one of the big, unanswered questions in Old Lyme at the moment.

In July 2014, the University of New Haven (UNH) announced an “affiliation” with what was then Lyme Academy College of Fine Arts in a move that was perceived as likely saving the college from possible closure due its critical financial difficulties.  University of New Haven President Stephen Kaplan said at the time, “We are determined to protect and preserve the mission of Lyme Academy College, retaining the unique qualities that appeal to students seeking an arts degree in an idyllic, rural setting that nurtures creativity,”

Just five short years later, in a move that generated both shock and anger, UNH announced it was pulling out from the college saying it would continue its involvement through the end of the 2018-19 academic year and then divest itself of the institution.  The announcement was made in late August 2018 just as the BFA Class of 2022 was days away from starting their studies, leaving those freshmen students registered at a degree-granting college that would not exist past the end of their first year.

Since that announcement back in August 2018, there has been sparse official communication from either UNH or the Lyme Academy College Board of Trustees as to what is happening to the facility.  This has led to rumor and speculation regarding the future of the academy in Old Lyme and beyond.

Lyme Academy College alumna and teacher Kim Monson, who has led efforts to keep the Academy as a fully operational institution.

But all through this period of uncertainty, a group of alumni led by Kimberly Monson, who is both an alumna of the College and now a teacher there, has been fighting hard to keep the Academy (‘college’ has now been dropped from the name) as a going concern.  Monson is passionate about the mission of the academy to which President Kaplan referred, believing in it with a similar conviction to the academy’s founder, the acclaimed sculptor and musician Elisabeth Gordon Chandler.

Elisabeth Gordon Chandler

Chandler, who was one of Monson’s teachers, founded Lyme Academy of Fine Arts back in 1976 because she was determined to preserve the traditional skills of figurative and representational art, which she felt at that time were in danger of disappearing with the explosion of contemporary art. Chandler’s mission was to educate aspiring artists through a rigorous studio curriculum similar to that followed by the Great Masters.

The Academy became a degree-granting college in 1996 and in 2002 added the word ‘college’ to its name, but, all the while, retained its focus on those traditional skills. The curriculum has always included classes in anatomy and perspective, which have become increasingly rare to find in art schools in the past 40 years.

Monson told LymeLine.com this week that she now finally sees a way forward for Lyme Academy of Fine Arts.  The first part of the plan is to “disentangle” itself from UNH, which is no straightforward task.  The 2014 agreement between the two institutions has not been made public and working out who owns what in terms of the facilities, finances, intellectual property and more is believed to be a both ongoing and complex task. That piece has to be concluded for Lyme Academy to stand proud once again as an independent institution, and timing on when the official ‘separation’ will occur is unclear.

The second piece is the employment of a director for the new institution. The position has been advertised and an announcement on the appointee is expected shortly. Monson believes this will be a major step in re-establishing the academy on a firm footing.

The third and final step is the development of an extensive summer program, which hopefully will provide what Monson describes as “a pathway to sustainability.” Monson and her husband, fellow alumnus and College teacher Michael Viera, have created the program, which kicks off May 29, by working long hours and giving it intense commitment while still fulfilling their current College teaching roles.

There are three segments to the summer program, namely Middle School, Pre-College and Adult.

There will be opportunities to paint ‘en plein air’ for all ages from middle school upwards during Lyme Academy’s Summer Program.

Monson explains that the Middle School Academy is a new venture and something she identified as a real need for that age-group. She points out, “Artists took apprentices of middle school age,” so there is no question that students of that age are ready to learn art fundamentals “in a respectful manner” but laced with fun and physical activity.

Over four weeks, four artists will be studied — one per week — in an exciting, exploratory fashion, which will include learning skills in painting, sculpture, pastels, drawing, collage, and storytelling.  Students can enroll in any or all of the week-long programs, which begin July 8 with Edgar Degas, then follow with Michelangelo (July 15 ), Salvador Dali (July 22) and end with Leonardo da Vinci (July 29.)  Timing for the Monday to Friday program is 9 a.m. to 3 p.m. and the fee for each week is $325.

The Pre-College Academy is an experience in which Monson says, “high school students are treated like college students.” and “immerse themselves in intensive workshops” for a week on each topic.  Students will not only expand their portfolios but also gain a significant advantage over their peers when they enter college.

There are eight programs on offer: sculpture, drawing, oil painting, illustration essentials, world building, animation, toy sculpture, and concept building.  Students can register for any number of classes from one to all eight and fees are $350 or $375 depending on the class.

 

Adult classes range from ‘Open Figure Drawing’ on Saturday mornings to ‘Expanding your Encaustic Horizons’ (July 29-31) to ‘Three Dimensional Forms Meet Wax’ (Aug. 1-2). Other programs include an ‘Etching Workshop’ (June 10-14), ‘Sunset Painting’ (Wednesdays, May 29- June 26) and ‘Watercolor’ (Tuesdays, June 18- July 23).

Master Class Workshops include ‘Walking Tour Townscape Painting Workshop with Michael Viera,’ which Monson describes as a “destination week,” takes place Aug. 19-23 from 9 a.m. to 4 p.m. daily. Viera, an accomplished and award-winning artist, will lead his students in the footsteps of the Old Lyme Impressionists and ‘paint the town’ This tour will be enhanced by talks from the Old Lyme Historical Society and a visit to the Florence Griswold Museum.

Sculpture by John O’Reilly, who will teach an Animal Sculpture Master Class Workshop this summer at Lyme Academy.

Two more Master Class Workshops are being offered —  ‘Classical Drawing Boot Camp‘ with Rick Lacey (July 15-19), ‘Printmaking’ with Nancy Friese in June, and ‘Animal Sculpture‘ with John O’Reilly (June 24-28).  Both teachers are extremely talented artists with multiple awards between them. Lacey is a graduate of both Lyme-Old Lyme High School and Lyme Academy College of Fine Arts. O’ Reilly has a B.F.A. from Columbus College of Art and Design and an M.F.A. from the New York Academy of Art.

‘Helen’ by Rick Lacey, who is teaching a Classical Drawing Boot Camp this summer at Lyme Academy.

Based on the Atelier model, the week-long Classical Drawing Boot Camp, which starts July 15, concentrates the student in lengthy study through direct, focused observation. The morning session is dedicated to the art of cast drawing. Measurements, comparisons and intense analysis emphasize the structure necessary for drawing. The afternoons are dedicated to the study of figure drawing from a life model in a continued pose. Attention is paid to set up and final execution over the course of a week.

Sculpting animals is a time honored tradition to which the Animal Sculpture Master Class (starting June 24) pays homage. The founder of Lyme Academy, Elisabeth Gordon Chandler, began her art career sculpting her beloved dog to cope with her grief after he passed away. Sculpting an animal from direct observation is an invaluable learning opportunity. Comparative anatomy, overall structure and form variations will be explored while choosing the proper gesture or behavior to suit your vision. Workshop participants will sculpt live from a horse or a dog.

Monson urges people considering applying for classes to enroll soon since classes are filling fast. She says with the deep-seated passion of a life-long artist, “People should take time to invest in themselves. They should come learn about their capabilities … learn about what they can do and didn’t know they could do.”

Stressing that all the teachers of these classes are “really good people,” Monson explains this means that not only are they outstanding, established artists, but also that they are dedicated to the Academy and “will put it in its best light.” Many of the teachers, like Monson and Viera, are alumni of the College, the majority of whom have gone on to obtain an MFA at another college. The Middle School Academy is being taught primarily by 2019 graduates of Lyme Academy College.

Regarding the future, Monson says her immediate goal is “to populate the campus” during the summer programs and thus breathe vitality and enthusiasm back into the Academy.  She does not know details of the post-summer plans, but says with conviction, “We deserve to be here because we have so much to offer.”  She believes talks with other institutions are ongoing to see where Lyme Academy might find a synergistic relationship or determine if credits from Lyme Academy might be transferable into a degree-granting institution. Monson also thinks discussions with the Town of Old Lyme are continuing despite the rejection by the Town of the Academy’s application for $90,000 in the 2019-20 fiscal year.

Her unequivocal objective — and that of all the other alumni and board members working hard to find a solution for Lyme Academy once it is separated from UNH — remains “to give it [the Academy] a long-term pathway to success.”

Editor’s Note: Full details of these summer programs including instructors, dates, times, fees, and enrollment information can be found on Lyme Academy’s new website at this link. For further information about these summer programs, contact Kristen Brady by email at kbrady@lymefs.newhaven.edu or telephone at 860-598-5143.

Ride the 7th Annual ‘Tour de Lyme’ Today! Registration Open at Event, Proceeds Benefit Lyme Land Trust

And away they go … the 7th annual Tour de Lyme takes place this Sunday.

Join the seventh annual Tour de Lyme on Sunday, May 19.  For competitive riders, this is a chance to warm up for the cycling season ahead. For others, it provides a wonderful occasion to pedal through Lyme and enjoy the surrounding countryside.  If you are a mountain biker, this is an opportunity to ride through private lands open only for this event.

Everyone – riders, sponsors, and volunteers – will enjoy a post-ride picnic at Ashlawn Farm with popular food trucks, beer and live music.  This year there will be physical therapists to help with any injuries, the always popular massage therapists to loosen tight muscles, and a plant sale to stock up on herbs for the season ahead. There will also be Tour de Lyme shirts for sale.

For complete information and online registration, visit www.tourdelyme.org

Ready to ride!

It’s not a race but a carefully planned series of rides designed to suit every level of skill and endurance. There are four road rides of varying length and degree of difficulty:

  • The CHALLENGE, the name says it all, is 60 miles – a real workout;
  • The CLASSIC, shorter at 25 miles, but still a challenge;
  • The VALLEY Rides pleasant easier rides with fewer hills, 26 miles or 35 miles
  • The FAMILY at just 8 miles designed for riding with children. 

There are also two mountain bike options;

  • the RIDER’S TEST a 26.5 mile ride for serious enthusiasts
  • a shorter, less challenging option.

The Tour de Lyme is hosted by The Lyme Land Conservation Trust.  Since 1966, the Lyme Land Trust has been conserving the unique and historic landscapes of Lyme, Connecticut. During those years, the Lyme rural community has shown that a small population can have a big impact and protect more than 3000 acres of woodlands, working farm fields, and bird-filled marshes. The result is an outdoor paradise – open to all. 

Money raised from the Tour de Lyme will create added opportunities for public enjoyment of the Land Trust preserves while protecting and maintaining what has already been conserved for generations to come. 

The Lyme Land Trust is a 501(c)(3) non-profit organization – registration and donations are tax deductible.

Where Art Meets Nature: I-Park Hosts Free, Open Studios Event Today

The public is invited to visit I-Park for its first Open Studios of the 2019 season. Guests will be able to meet six of the seven resident artists on Sunday, May 19, at 2 p.m. I-Park is located at 428 Hopyard Rd. in East Haddam, which adjoins the Devil’s Hopyard State Park.

The facility is generally closed to visitors to give the artists undisturbed time to work on their creative endeavors. But once a month, at the conclusion of each residency, visitors are invited to meet the artists in their studios, attend the presentation segment that features select time-based works, enjoy complimentary refreshments and stroll the trails winding through I-Park’s scenic, art-filled campus.

The studios will only be open from 2 until 3:30 p.m. so guests are encouraged to arrive early so they have enough time to visit all the studios before the 3:30 p.m. presentations.

A reception with refreshments will follow.

I-­Park is an artists-in-residence program offering fully funded residencies in visual arts, creative writing, music composition/sound art, moving image and architecture/landscape design. Since its founding in 2001, I-­Park has sponsored more than 900 residencies, and has developed cross-­‐disciplinary projects of cultural significance and brought them to life in the public domain.

Set within a 450-acre nature preserve, I-­Park has a strong interest in site-responsive and environmental art – and has been the setting for exhibitions, performances, symposia and programs that facilitate artistic collaboration.

The Artists-in-Residence at I-Park.

The artists-in-residence are:

Marianne Barcellona is a painter and professional photographer from New York City. Her extensive travels provide raw inspiration for her paintings.

Hugh Livingston is a composer and sound artist from California who creates multi-media installations related to natural and built spaces; he also performs exploratory cello music. His artworks have been installed internationally.

Colette Lucas is a mixed media artist and gardening enthusiast based in New Hampshire. Her botanical motifs are created from a combination of imagination, observation and research.

Tom Nazziola, a New Jersey composer, has had his music featured on virtually every medium in the world of music. From “live film music” to choral and orchestral pieces, his compositions have been performed around the world.

Dominica Phetteplace is a prize-winning Washington (state) poet and writer whose work has appeared in Asimov’s, Zyzzyva, Copper Nickel and Ecotone as well as numerous other publications.

Allison Roberts is a lens-based artist from Oklahoma. She works primarily with photography, video and installation to address memory, place and identity as such are experienced during periods of transition.

Jane Simpson is a mixed media artist from New Hampshire. Her collage and assemblage work is comprised mainly of found paper – made either by mother nature or human ingenuity. Recently she has incorporated graphite drawings inspired by vintage photographs.

Although admission to Open Studios is free, advance reservations are requested. To reserve your space, visit i-park.org. For additional information, email events@i-park.org, call 860-873-2468 or visit i-­‐park.org.