Return of ‘The Movie Man’: ‘Beautiful Boy’ Reveals Realities of Relationships Controlled by Addiction

Editor’s Note: We welcome Kevin Ganey back to LymeLine.com. We have missed his stimulating, thought-provoking, intensely personal reviews of movies and are thrilled he has returned

Author’s Note: It seems that in the last two years, I’ve fallen off the edge of the earth when it comes to keeping up with current films. In this time, I’ve skipped the Oscars, and have not even watched trailers to highly anticipated future features. I’m also too intimidated to watch whichever new Marvel film has been released, due to fear of being unable to follow the story. But I have spent a great deal of time immersing myself in older ones, and I owe a great deal to the Criterion Collection for this. But make no mistake, I intend to continue critiquing films for the readers situated in the Connecticut River and Long Island Sound.

The cover of the book on which the movie is based.

I left the screening of Beautiful Boy in a depressed mood.

The film, starring Steve Carell and Timothée Chalamet, depicts the relationship of a father and son, David and Nic Sheff, during the latter’s tumultuous period of drug addiction. While many fans of Dunder-Mifflin’s greatest regional manager will take delight in seeing that Nic’s mother is played by none other than Amy Ryan (Michael Scott’s wife), this will not contain any of the goofy humor we saw on the iconic sitcom. It deals with the gut-wrenching and horrific truths of what addiction is.

This is a true story, based on the memoirs of both father and son.

It captures the grim reality of addiction. From Nic’s days of smoking weed (with his father, on occasion) to his bodily dependency on heroin and crystal meth. In several points, Nic gets sober (at one point lasting over a year without using anything), only to fall into relapse.

The film captures the ugly truth of addiction’s harm to the user, and to the user’s loved ones; depicting Nic stealing prescription medicine from his girlfriend’s family, as well as taking the only money his younger half-brother has (a mere $8).

Along with addiction, this film also brilliantly depicts the relationship between David and Nic. We get to see things through David’s perspective as he watches his son spiral out of control and sends him to rehab time after time after time. We clearly see David’s frustration as he wants what is best for his son, whom he loves more than everything.

While I never struggled with drug addiction, I could see myself in Nic pleading to David in regards to numerous subjects, asking his father to have faith in him, and David’s stern responses, all in vigilance to protecting Nic’s well-being. For once, I could understand the mindset in which my parents denied my numerous requests throughout youth, and I could see the arrogance in the “What do they know?” reaction I would give.

This is not a film to see on the basis of pure entertainment. I could hardly imagine any filmmaker with a sound conscience taking addiction as a subject with the intent of making a light-hearted humorous project. I was also dissatisfied with the story’s editing and basic setup.

Without giving away the ending, I was unable to perceive the narrative had finished until the credits began to roll. The performances were stellar, and I would not be surprised if any of the cast receives award nominations, Chalamet, in particular.

Editor’s Note: This is the opinion of Kevin Ganey.

Kevin Ganey

About the Author: Kevin Ganey has lived in the Lyme/Old Lyme area since he was three-years-old, attended Xavier High School in Middletown and recently graduated from Quinnipiac University with a degree in Media Studies. Prior to his involvement here at LymeLine.com, he worked for Hall Radio in Norwich, as well as interned under the Director of Communications at High Hopes Therapeutic Riding Center. Kevin has a passion for movies, literature, baseball, and all things New England-based … especially chow

Letter From Paris: Thoughts on an Historic Day of Respectful Remembrance … and Distressing Disrespect

Nicole Prévost Logan

Editor’s Note:  We are delighted to welcome back Nicole Prévost Logan after her traditional break from writing while she summers in Essex, Conn.  She has now returned to Paris just in time for the centennial celebrations of the end of World War I, on which she provides an insightful commentary in this column.

Paris was the center of the world on November 11 – the 100-year anniversary of the Armistice of World War I.  Struggling against a strong wind and in pouring rain, 70 world leaders walked toward the Arc de Triomphe on a deserted Avenue des Champs Elysées – a striking image on an historical day.

The ceremony, taking place by the tomb of the unknown soldier, was magnificently choreographed by the French president Emmanuel Macron.  It was solemn and sober.  Not intended to be a show of triumphalism, it did not include a military parade.

The president only reviewed only some of the elite military academies: students from Ecole polytechnique, wearing bicornes (two-pointed hats), and from St Cyr (equivalent to West Point) with their emblematic “casoars” of red and white feathers, as well as students from the air force and naval academies.  The ceremony was to be essentially both an homage to the millions who died and a reminder of the importance of reconciliation and peace.

The timing of the proceedings was synchronized to the minute: at 11 o’clock  all the bells of France tolled, the five Mirages of the patrouille de France flew twice over the Place de l’Etoile in impeccable formation leaving tricolor strands of smoke in the sky.  The sounds of Sonnerie aux Morts (The Last Post) and other bugle and drums pieces added their somber touch. 

Whereas most of the foreign leaders had ridden busses from the Palais de l’ Elysée to the Tomb of the Unknown Soldier, the American and Russian presidents as well as the Israeli prime minister were driven all the way in their cars for security reasons.  The honorable guests gathered under the transparent awning and waited.  And waited.  And waited.

Finally the armored car of Donald Trump, in a convoy of 53 vehicles carrying 700 security agents and US government officials, appeared at the bottom of the Champs Elysées.  The American president had a chance for a photo op alone in front of the other heads of State.  

The seating on the first row must have ben a nightmare for the protocol people.  Trudeau was far enough from Trump and protected from him by the King of Morocco and his son.  Trump was next to Angela Merkel.  A few minutes later Vladimir Putin arrived (according to a Russian radio commentator, he had been kept in his car for 20 minutes until the Trumps were settled.)  He took his place next to Brigitte Macron.  Trump broke into a broad smile for the first and only time of the weekend as he greeted Putin.

The visit of the American president to France had started on a sour note.  He distorted what Macron had said  during his November 10 interview with CNN’s Fareed Zakaria.  In a furious tweet, he said that he found the French president’s comment about building an independent European military force “insulting.”  In fact, Macron had never used the words “against the US.”

A cultural and emotional program started with the cellist Yo-Yo Ma playing a Sarabande of the Suite No.5 in C minor by Johann Sebastian Bach and ended with the 17-minute long Ravel Bolero, performed by the European Union Youth Philharmonic Orchestra.  A group of young people of all nationalities read excerpts form diaries written by a few French poilus (soldiers) among the 1.4 million killed during the Great War.  The message was the transmission of memory through the future generations.

Macron was born in Amiens, a provincial town in the heart of the devastated regions of France during World War I.  His four great-grandfathers fought there.  In his speech, the French president spoke with emotion of the battlefields he visited during the seven days prior to the centennial, saying, “I walked on the grey earth where so many soldiers were buried, which is today covered by innocent nature.” 

One of the highly symbolic moments of that week was in the clearing of Rethondes when Merkel (the first time ever for a German chancellor) and Macron sat side by side in the train car where the armistice was signed  November 11, 1918.

In the second part of his speech Macron, portrayed himself as a patriot.  Nationalism, he said, has nothing to do with patriotism and is, in fact, its betrayal.  Withdrawal within one’s borders is harmful for the rest of the world, he added.  The anger of Trump was becoming increasingly tangible as he heard those words, his face frozen in a  pouting expression.  One might describe the speech as outright provocation, but it was well-deserved .

The chasm between Trump and Macron grew deeper in the afternoon.  A Peace Forum had been scheduled at La Villette for business people, NGOs, associations and also political leaders, with the objective of  promoting multilateralism.  The American president chose not to attend.

TV viewers were treated to a surreal split screen: on one side Trump speaking at the American cemetery of Suresnes, near Paris, to honor some of the 116,000 Americans who fell during the Great War and on the other, Merkel giving the inaugural speech at the Forum, in which she supported Macron’s vision of an European army to be created in the distant future.

The American president intensified his flurry of angry tweets after his return to the US and threatened France with increased taxes on its wine exports.  In a November 15 interview held on the French nuclear aircraft carrier Charles de Gaulle, the French president commented: ‘I do not answer tweets. I believe in mutual respect between allies.’

How unfortunate that such a solemn commemoration was hijacked by low-level diatribe.

Editor’s Note: This is the opinion of Nicole Prévost Logan.

Nicole Prévost Logan

About the author: Nicole Prévost Logan divides her time between Essex and Paris, spending summers in the former and winters in the latter. She writes a regular column for us from her Paris home where her topics will include politics, economy, social unrest — mostly in France — but also in other European countries. She also covers a variety of art exhibits and the performing arts in Europe. Logan is the author of ‘Forever on the Road: A Franco-American Family’s Thirty Years in the Foreign Service,’ an autobiography of her life as the wife of an overseas diplomat, who lived in 10 foreign countries on three continents. Her experiences during her foreign service life included being in Lebanon when civil war erupted, excavating a medieval city in Moscow and spending a week under house arrest in Guinea.

Free Business Website Audit Offered During ‘Ignite’s’ Office Hours at Innovations Commons, Nov. 28

Ignite, a program of Thames River Innovation Place, will hold its monthly Office Hours program Wednesday, Nov. 28, when it will  host website and graphic designer Cheney Giordano from This is Fine Design. Business owners and entrepreneurs are invited to schedule a one-on-one appointment between the hours of 10 a.m. and 2 p.m. by emailing ignite@thamesriverinnovation.org. There is no fee to participate. All appointments will be held at the Innovation Commons, 93 Shennecossett Rd, Groton.

For more information, visit www.bit.ly/OfficeHours112818.

This is Fine Design is a full-service, high-touch agency. In the mentor sessions, Cheney Giordano is available to audit your business’s online presence and offer suggestions for improvements to reach your business goals. This is Fine Design designs logos, a new look for an established website, documents and presentations, and WordPress transfers. The company can also create a complete business presence on the internet including website and social media pages. This is Fine Design has designed websites for New London Community Land Trust, Robert Frank Designs and Ignite Thames River, among others.

Ignite is designed to spur new ideas, businesses, and innovative growth in the Thames River region by producing events, sponsoring education, and connecting entrepreneurs into the business development support system. The Ignite program is established under the Thames River Innovation Place and is made possible by support from CTNext.

Office Hours with Mentors is offered monthly on the last Wednesday and is just one of many programs regularly held by Ignite. In December, Marcum Accountants and Advisors will offer tax help.

For more information, visit www.IgniteThamesRiver.org

Recount Called in 33rd State Senate District Race

Secretary of the State Denise Merrill’s office said on Thursday that another state Senate race will be subject to a recount.

State election officials said a recent correction to a reporting error in Essex has put the contest for the 33rd District [which includes the Town of Lyme] within a margin that requires a recount. The new tally leaves Essex’s Democratic First Selectman Norm Needleman leading East Haddam Republican state Rep. Melissa Ziobron by 137 votes.

John Heiser of the Essex Registrar of Voters office said …

Read the full article by Clarice Silber, which was published today on CTMirr0r.orgat this link.

LOL High School Safe Grad Committee Hosts Fundraiser Tonight at Jonathan Edwards Winery; All Welcome

The Lyme-Old Lyme High School Safe Grad Committee is hosting a fundraising event at Jonathan Edwards Winery in North Stonington, Conn., this coming Friday, Nov. 16.  The event will run from 6:30 to 9:30 p.m. 

All ticket sales benefit the graduation night event for the Class of 2019.  Tickets include a glass of wine of your choice, food and fun.

In addition to ticket sales, the winery is donating 25 percent of all wine sales that evening (either for consumption that evening or wine purchased as gifts or for the holidays to take home) back to Safe Grad.

Tickets can be purchased online at http://lolgradnight.com/jonathan_edwards_winery/

Food for the event has been generously donated by Cloud Nine Catering, Coffee’s Country Market, Dock 11 Café, Fromage Fine Foods, The Hideaway Restaurant & Pub and The Public House.

The event is open to anyone who would like to attend and help support a safe graduation for the Class of 2019.

The philosophy and ideals behind the Safe Grad Night party are interlinked with providing an evening that is fun, memorable and safe. More than “just a party,” the event is a commitment by parents to conduct a great, “once in a lifetime” extravaganza for the graduating seniors. 

Grad Night is alcohol- and drug-free and allows the senior class to have one final evening together as a class to celebrate their graduation.  The event lasts through the whole night and the seniors have no idea where the event will be held until they are on board the buses. History has shown that a significant majority of the senior class attends the event every year.