‘USA and Russia: Is Trust Ever Possible?’ Local Author, Dick Shriver, To Speak at Saint Ann’s Church This Afternoon

Former US Department of Defense official and Old Lyme resident Dick Shriver will speak at Saint Ann’s, June 11.

Saint Ann’s Church in Old Lyme, Conn., has announced that Dick Shriver, local resident, author, and former U.S. Department of Defense Official, will share remarks and recollections under the title, USA and Russia: Is Trust Ever Possible? based on his global work experience captured in his recently published book, Glimpses of an Uncharted Life (iUniverse Editor’s Choice), at Saint Ann’s Church on Sunday, June 11, at 5 p.m.

A book of reminiscences and reflections, Glimpses of an Uncharted Life, shares what Shriver and his wife, Barbara, gleaned from living overseas for 15 years and what they learned about the life and the people under communism and among countries recovering from the collapse of tyranny.

Shriver will discuss the current relationship between the United States and Russia by drawing reference to his own compelling experiences during the end of The Cold War.  Shriver’s many accomplishments during his time abroad included the creation of a new legal system for Estonia and creating thousands of private sector jobs in an independent Ukraine.  There will be a question-and-answer session after the lecture.

A reception for the author and a book-signing event will follow the presentation in the Griswold Room at saint Ann’s.  Shriver’s new book, Glimpses of an Uncharted Life (hardcover: $33.95 and softcover: $23.95) will be offered for sale at Saint Ann’s Church during the reception.  The Shrivers will generously donate $5 per book sold to Saint Ann’s Church.  Signed copies of Shriver’s book are now for available for pre-sale, by check or cash, at Saint Ann’s Parish Office during office hours.

To reserve a seat for this timely and relevant discussion of the past, present and future relationship of the United States and Russia, contact Kathy Rowe at 860-434-1621 or register online with Eventbrite @ Dick Shriver Event.

Shriver lives in Old Lyme, Conn., with his wife Barbara. They are active in the community as members of Saint Ann’s Parish. Dick is a founder and board member of the Mentoring Corps for Community Development and coach of Ticks Girls Lacrosse. He is former Warden of Saint Ann’s Vestry and Executive-in-Residence at the U.S. Coast Guard Academy. Barbara is engaged in pastoral care at St. Ann’s and sings with the Valley Shore Sweet Adelines a Cappella group.

Editor’s Note: Saint Ann’s is an Episcopal parish in Old Lyme, Conn., where the Rector, The Reverend Canon Mark K. J. Robinson welcomes all visitors. Saint Ann’s is located at 82 Shore Road (Rte. 156), two miles off I-95, Exit 70. Parking is adjacent to the church. For information, contact Kathy Rowe at 860-434-1621, via email at office@saintannsoldlyme.org, or visit Saint Ann’s online at www.saintannsoldlyme.org.

Studio 80’s ‘Summer Sculpture Showcase 2017’ on View Through October

View of the Sculpture Grounds at Studio 80 where the Opening Reception for Summer Sculpture Showcase 2017 will be hosted on June 10. Three works by Gilbert Boro can be seen in the photo.

Opening Reception Features Live Performances by GUSTO Dance & River Valley Dance Project 

Gilbert Boro, owner and sculptor at Studio 80 + Sculpture Grounds in Old Lyme, is hosting an Opening Reception on Saturday, June 10, from 5 to 8 p.m. for two new exhibitions on his property, Summer Sculpture Showcase 2017 and The Golden Hour. All are welcome to attend the reception at which light refreshments will be served.

During the Opening Reception, there will be two live, outdoor performances at 6 and 7 p.m. by the GUSTO Dance & River Valley Dance Project. All are welcome to attend the reception, watch the dance performances and wander the beautiful gardens and on-site gallery to view the works.

GUSTO Dance & River Valley Dance Project will present two live performances on Saturday, June 10, at Studio 80 + Sculpture Grounds.

Summer Sculpture Showcase 2017 follows on naturally from last year’s extremely successful juried exhibition of the same name , which drew large crowds and had to be extended into October to meet public demand.  This new exhibition on the grounds adjoining Boro’s studio and inside the Emily Seward Boro (ESB) Gallery on the property features works created by 17 widely acclaimed sculptors interspersed among Boro’s own sculptures, along with works by 22 other contributing artists.  More than 30 sculptors from across the country responded to the Call for Entries submitting some 60 works.

Boro’s expansive Sculpture Gardens are located on 4.5 acres of his residence on historic Lyme Street in the heart of Old Lyme, Conn.  The beautifully landscaped grounds slope down toward the Lieutenant River offering a unique en plein air experience for the exhibition, which combines both large- and small-scale contemporary sculptures. Many of the works, which are in a variety of media, are for sale.

In Love with an Idea’ is the signature mixed media piece in Susan Hickman’s ‘The Golden Hour’ exhibition on view in the ESB Gallery at the Sculpture Grounds during Summer Sculpture Showcase 2017.

A second exhibition will be on view in the ESB Gallery located on the Studio 80 grounds during the Showcase. “The Golden Hour” will feature mixed media works by talented indoor artist Susan Hickman, who was born a twin in rural Ohio.  She grew up in a small town and went on to study graphic design and photography at Ohio University.

Hickman moved to New York for a year before making her way up to the New England area where she has spent the last 15 years.  She is currently a resident artist of Hygienic Gallery in New London.  An eclectic mixed media artist working with paper, acrylic, ink, oils, found objects, graphic design, clothing design, photography and more, Hickman has also owned and managed several small galleries in New London including DEW ART Gallery, TAKEOUT Gallery and Down Gallery in Mystic.

She utilizes studio waste, discarded paintings, and found textiles as well as new ones, thus creating a restorative process, making something new from the past. She enjoys experimenting with texture and color and finds making art of any kind an exploration and an escape.

The sculptors and the title(s) of their work(s) included in the Showcase are as follows:
Michael Alfano • Fox
Greg Bailey • Green Descent
Henneke Beaumont • Connected-Disconnected
Brooke Bofill • Tension, Reveal
Jerry Erlich • Third Wheel
Denis Folz • Structured Form 1

‘Amulet’ by Gints Grinbergs is the signature piece of Summer Sculpture Showcase 2017.

Gints Grinbergs • Amulet, Stainless Steel Globes
Deborah Hornbake • Leap
David Judelson • Pablo
Elizabeth Knowles & William Thielen • Locating
Carlin Morris • Untitled
Christ Plaisted • Victorious Vine
Marcia Raff • 3’s a Crowd
Janet Rutkowski • Cymbalic Journey
Lisa Simonds • Silueta
Matthew Weber • Cedar Shingles & Shim Stacks
Melanie Zibit • Echo

The signature piece of the exhibition is Amulet by Gints Grinbergs, who works with a variety of metals, including copper, bronze, and stainless steel, to create open forms.  Welding metal spheres and partial spheres, he creates modern structures, for indoors or out. Fascinated by pictures taken by the Hubble telescope and electron microscopes, Grinbergs makes associations with galaxies and molecular structures. The combination of a modern metal structure with rough, natural stone make these works unique sculptural forms.

Grinbergs has a BFA and a BA. in architecture from the Rhode Island School of Design and has studied at Massachusetts College of Art and the School of the Museum of Fine Arts, Boston. His work has been featured at the DeCordova Museum and Sculpture Park; Michael Beauchemin Gallery, Boston; and Lever House Gallery, New York, N.Y. and is Included in private and corporate collections throughout North America.

‘Green Descent’ by Greg Bailey is a featured piece in Summer Sculpture Showcase 2017.

Greg Bailey’s Green Descent is a striking work featuring elongated cones creating a continuum in the shape of an arc.  Bailey comments, “I am more than halfway through my life and besides some fleeting glimpses of awakening, I remain to be a predominantly unconscious individual. I am surprised that I have not grown past being manipulated by advertisements, angered by the news, or frustrated by the people around me. My hope is that by the end of my days I can learn to be present and at peace.”

He adds, “The production of art offers opportunities for discovering unconscious motivations and rationalizations. In this way, working in the studio is a practice of introspection and clarification.”

Fox by Michael Alfano is a delightful, engaging study in realism.  The sculptor explains that he has been, “… sculpting figures, monuments, and philosophical pieces for 20 years,” and comments, “If the artist taps into a universal truth, the piece is felt by everyone like clear mountain air.” He first studied at the Art Students League of New York with an emphasis on life size sculpture and anatomy.

His formal education continued at Boston University, and was augmented by internships with several prominent sculptors. He continues his training with master classes, and occasionally teaches sculpture.  Alfano exhibits his work at galleries and other public venues, and he is a regular entrant in art shows, where he has garnered over 60 awards.  His sculptures are found in private collections throughout the world and can be seen in monuments and other public art on permanent display in the United States.  Alfano’s work has been featured in newspapers, magazines, books, and on television.

‘Fox’ by Michael Alfano is a featured piece in Summer Sculpture Showcase 2017.

The jurors for the exhibition were sculptor Gilbert V. Boro, art historian Barbara Zabel and photographer Christina Goldberg.

Boro has enjoyed an extraordinary and distinguished more than 50-year-career as a successful architect, sought-after international design consultant and an inspiring educator.  With a BFA from Duke University and post-graduate degrees from Columbia University, NYC, his work explores the interplay of space, place and scale in a wide range of media including steel, stone, wood, metal, aluminum and fiberglass.

Working in sculpture has been a compulsion rather than a possibility for Boro.  While mastering the rigors of technical competence, he developed a deep-seated passion for three-dimensional art, which continues to be the influential force behind his creations. He is both inspired and motivated by the creative freedom of sculpting, finding that abstract work is the means to fulfill his vision.  Boro’s sculptures can be found in art centers and public art venues across the US and throughout Europe; they have also been purchased by private collectors, corporations and foundations in both the US and internationally.

Sculptor Gilbert V. Boro in his studio.

Zabel is Professor Emerita of Art History at Connecticut College, where she taught modern and contemporary art.  She received her PhD at the University of Virginia and has received grants from the NEH, the Smithsonian, and the Mellon Foundation. She has written for art magazines and has published two books, the latest Calder’s Portraits, published in 2011 by the Smithsonian for the exhibition she curated at the National Portrait Gallery.

Since her retirement, Professor Zabel has taught several courses at local museums and has organized several exhibitions for the Lyman Allyn Art Museum, most recently The David Smalley Memorial Exhibition, which opens June 3 and is on view through Aug. 13.

Goldberg has worked as Exhibitions Coordinator and resident photographer for Studio 80 + Sculpture Grounds for almost five years.  She is chief curator of Summer Sculpture Showcase 2017 and also photographs all the works exhibited on the sculpture grounds on a revolving basis. Additionally, she builds and designs web content for a great range of social media outlets, both for Studio 80 and external clients.

With a background in visual arts and communications from the University of Hartford Art School and Suffolk University, Goldberg’s photographs have been published extensively in numerous local print and digital venues including Coastal Connecticut magazine, Middletown Press, and Events magazine. A selection of her photographs will be on display in the coming months at Paynter Fine Art Gallery, located in the heart of Old Lyme’s Historical District.

View across Gil Boro’s Sculpture Grounds looking towards Studio 80.

This Summer Sculpture Showcase offers a unique opportunity for established sculptors to exhibit their work in a different location, while also effectively creating a new exhibition within the Sculpture Gardens.  Boro comments, “I’m delighted to be able to open my grounds to these exceptional sculptors whose work intrigues me.  Each one offers original creative thinking resulting in a combination of contrasting conceptual designs in a variety of media.  I think any visitor to the exhibition is going to be thoroughly engaged by what he or she sees – including children.”

Boro is somewhat unusual as a professional sculptor in that he loves to see folk of all ages directly interacting with his sculptures, noting that he has a strong aversion to exhibitions, “… where people can’t touch my work.”  Apart from attracting visitors to see the works on his grounds, Boro is thoroughly invested in the vibrant Old Lyme arts scene and hopes this exhibition will help cement the town as a summer destination for art-loving visitors from near and far, especially during the town’s Midsummer Festival, which this year is on Friday, July 28, and Saturday, July 29.

About Studio 80 + Sculpture Grounds:  Located at 80-1 Lyme St., less than a minute from Exit 70 on I-95, the Sculpture Grounds are open 365 days a year from 9 a.m. to 5 p.m. daily.  Admission is free.  Children, field trips and group visits are all welcome. The Studio is open by appointment.  For further information, contact 860-434-5957, visit www.sculpturegrounds.com or email studio80sculpturegrounds@gmail.com

High Hopes Hosts a Magical ‘Moon Dance’ Tonight


Join High Hopes Therapeutic Riding on Saturday and dance the night away to music of the Sultan’s during an inspirational and elegant evening to benefit High Hopes’ programs and participants.

Moon Dance is one of Eastern Connecticut’s premier gala events and features the toe-tapping sound of The Sultans at High Hopes’ facility, which is transformed into the ideal setting for cocktails, silent auction, sit down dinner, music and dancing.  Over 600 guests are expected.

Event proceeds benefit the programs and participants of High Hopes’ year-round equine-assisted therapy programs.

Moon Dance is a community-sponsored event with over 200 volunteers working annually to support the event and is sponsored financially by Northstar Wealth Partners, LLC and Dominion.  Other leading corporate sponsors include:

Platinum Partners
All-American Waste
Herb Chambers Companies
Julia Balfour, LLC
Lee & Bernadette Olivier
WNLC – Hall Communications

Gold Partners
AJ Shea Construction
Bob’s Discount Furniture
Geneve Corporation
Gordon ADR
Lawrence & Memorial Hospital
OverAbove, LLC
Taylor Rental – Party Plus
U.S. Trust, Bank of America Private Wealth Management

Corporate sponsorship is a critical portion of the funds raised, which accounts for 20 percent of High Hopes’ operating support.

For Moon Dance tickets or more information, visit www.highhopestr.org or call 860 434-1974.

High Hopes is one of the oldest and largest therapeutic riding centers in the United States, operating since 1974 and accredited by the Professional Association of Therapeutic Horsemanship, International (PATH Intl.) since 1979.  High Hopes is committed to providing the highest quality service to all who might benefit, regardless of their financial means. www.highhopestr.org

Fitness Fundraiser Being Held Today for Rob Wallace’s Liver Transplant Medical Expenses

Rob Wallace (center) of Old Lyme is suffering from liver cancer, but now after an extended search, a donor has been found for Rob and surgery is scheduled at the end of the month. His wife Lori (second from left) is an instructor at ‘Fitness on the Water’ at Water’s Edge in Westbrook, where they are holding a fundraiser Saturday for Rob’s medical expenses associate with the surgery that are not covered by insurance. Rob and Lori’s three children complete the photo.

Old Lyme resident Rob Wallace, diagnosed with liver cancer in 2015, has found a live organ donor. The surgery is scheduled for the end of June and he will be out of work at Arch One Glass in Old Saybrook for quite some time.

To help defray some of the medical expenses not covered by insurance, the Wallace Family is getting a leg up from Fitness on the Water in Westbrook, where Rob’s wife Lori is a popular Spin and Yoga instructor.

A fitness fundraiser, Saturday, June 10 from 7:30 a.m. to 12:30 p.m., offers all exercise classes for $10 (cash and check only) with 100 percent of the funds going to the Wallace family. Fitness on the Water instructors are all donating their time for this special event taking place in the three exercise studios, located at 1587 Boston Post Road at Water’s Edge.

Classes may fill quickly, so register promptly by calling 860-961-4507, e-mailing donna@fitnessonthewater.com, or viewing the class schedule and signing up via the mindbody mobile app or online at clients.mindbodyonline.com/launch

Enjoy raffles and refreshments to support this event and make a donation of any size to the Wallace family.

For additional information about Rob’s journey, visit www.gofundme.com/robwallace-sjourney

Reading Uncertainly? ‘Being Mortal’ by Atul Gawande

Here is a challenge and a question.

The challenge: “Our decision-making in medicine has failed so spectacularly that we have reached the point of actively inflicting harm on patients rather than confronting the subject of mortality.”

The question: Can the medical profession change from its former “priestly doctor-knows-best” and its current “informative” models to a more jointly-responsible “interpretive” model in which patients and physicians work together to mold priorities and decisions?

Atul Gawande, a professor at Harvard Medical School and one of the most thoughtful and articulate observers of the medical scene today (frequently in The New Yorker), asks us to “ … confront the realities of decline and mortality,” not with fear but with intelligence and realism. Too often “the waning days of our lives are given over to treatments that addle our brains and sap our bodies for a sliver’s chance of benefit.”

It has not always been that way. In the past “elders were cared for in multi-generational systems” when we died much sooner and faster, but now we must endure multiple failures in our bodies during “long retirements. … We are already oddities living well beyond our appointed time.” Institutionalization means loss of privacy and control, too many medications whose combined effects we don’t understand, and too much passive entertainment. Even the advent of the much-heralded “assisted living” mechanism has been watered down and often corrupted.

Gawande proposes a future in which “geriatrics” will be taught to all physicians who, in turn, will discuss options with us realistically. For example, his illustration is the simple use of living plants, birds, dogs, and cats, plus smaller groupings of the aged to reduce “the plagues of nursing home existence: boredom, loneliness, and helplessness,” so that we can “renew the joy of life.”

But the good doctor seems to equivocate when it comes to the idea of “death with dignity,” or the option of physician-assisted suicide, now permissible to some degree in five states in the U. S. and in The Netherlands. “I am leery of the idea that endings are controllable,” he writes. Must we insist, legally, on palliative care for the terminally ill? Don’t we/they have an inherent right to select our own course of action, not only for terminal physical illnesses where courses of painful (and costly) procedures may give us only a few extra months, but also for forecasts of mental deterioration, such as dementia and Alzheimer’s?

An inability or unwillingness to take our own early action when capable may create enormous costs (mental and financial) to all of us. I am an advocate of considering options early enough, working with our physicians, but retaining the right to final decisions, including death.

(Read, for example, Derek Humphry”s Final Exit, Random House, New York 2002)

Doctor Gawande’s goal makes eminent sense, “The battle of being mortal is the battle to maintain the integrity of one’s life – to avoid becoming so diminished or dissipated or subjugated that who you are becomes disconnected from who you were or who you want to be.”

Editor’s Note: ‘Being Mortal’ by Atul Gawande is published by Henry Holt and Co., New York 2014.

Felix Kloman

About the Author: Felix Kloman is a sailor, rower, husband, father, grandfather, retired management consultant and, above all, a curious reader and writer. He’s explored how we as human beings and organizations respond to ever-present uncertainty in two books, ‘Mumpsimus Revisited’ (2005) and ‘The Fantods of Risk’ (2008). A 20-year resident of Lyme, he now writes book reviews, mostly of non-fiction that explores our minds, our behavior, our politics and our history. But he does throw in a novel here and there. For more than 50 years, he’s put together the 17 syllables that comprise haiku, the traditional Japanese poetry, and now serves as the self-appointed “poet laureate” of Ashlawn Farms Coffee, where he may be seen on Friday mornings. His wife, Ann, is also a writer, but of mystery novels, all of which begin in a bubbling village in midcoast Maine, strangely reminiscent of the town she and her husband visit every summer.