Legal News You Can Use: Is My Case a Personal Injury or Worker’s Compensation Claim?

WorkersCompAs an attorney who practices both Worker’s Compensation and Personal Injury Law, I find that many people are confused as to if and where these systems overlap. Although there are many similarities between these two areas of law, there are a number of significant differences that make the representation of clients in either scenario unique.

Personal injury claims fall under the broad area of law called torts, and arise out of what is known as the “common law.” The “common law” is derived from the English legal system and is essentially a set of laws and rules that have developed over hundreds of years of court and appellate decisions.

It is a body of law that is constantly changing as courts review prior decisions and either affirm, or modify the decisions that came before. Although there are certain statutes (written laws passed by the State and Federal Legislatures) that govern personal injury actions, by and large most personal injury actions are based on common law decisions.

Specific to personal injury actions, it is the law of the land that all individuals or entities (like businesses) owe a duty to all members of society to act in a way that is reasonable and does not intrude on anyone else’s safety. If a person or entity breaches that duty and someone gets injured, that someone (who is now a potential plaintiff) has a cause of actions against the breaching party (now a potential defendant). In these claims the plaintiff must prove that the defendant is at fault. If they win, they are entitled to recover money for both economic damages (medical bills, lost wages, etc.) and non-economic damages (including pain and suffering).

In Connecticut these claims can be brought in court if the parties cannot agree to a settlement.  There the claims can either be tried before a judge or a jury of six. In the alternative, if the parties agree, the claims can be privately mediated outside the court system. If the plaintiff prevails in his or her claim, most often the damages are awarded all in one shot. No matter what though, eventually every case comes to an end by way of settlement or trial and verdict and very rarely will a plaintiff receive any type of compensation until the case is over.

Although a form of lawsuit, Worker’s Compensation is the exclusive remedy for injuries that occur on the job. Claims are brought before the Worker’s Compensation Commissioner and an injured worker cannot sue their employer at common law.  Why? Because around the turn of 20th Century, with industrial production in America in full bloom, workers injured on the job had the right to sue their employers for injuries on the job. As the advent of the contingency fee allowed people who could never afford it before, access to the courts, and employers pressured the legal system to come up with theories to limit recovery, something had to give.

It was actually employers (who wanted to be able to cap their potential exposure in the event they were sued) who pushed for Worker’s Compensation laws. Under virtually every Worker’s Compensation scheme injured workers are entitled to both economic and non-economic damages. However, a big difference between Worker’s Comp and personal injury is that Comp is a “no-fault” system. An injured worker need not prove that his/her employer was at fault for his/her injuries. He/she need only prove that they were injured while in the scope and course of their employment. How it happened is relatively unimportant.

If the injured worker can establish that, then they are entitled to benefits. But unlike personal injury, what the injured worker is entitled to is entirely dictated by statute rather than the common law. In addition, because it is “no-fault,” whatever they are entitled to, they receive as soon as it becomes due. The trade-off is that there are built in caps on these statutory benefits.

For example, there is a maximum weekly compensation rate you can receive regardless of how much money you make, and irrespective of how badly you are hurt. Likewise, there are statutory rules governing exactly how much pain and suffering you can receive based on a scheme too complex to explain in this brief article. However, unlike a personal injury suit, a Worker’s Compensation case never has to come to an end. Although Comp cases are often permanently settled, neither side is obligated to do so and the claim could remain open until the death of the claimant.

Regardless of which system you are looking at, as someone who has practiced in both areas for almost 25 years, they represent a good faith attempt to make whole those individuals who unfortunately need to avail themselves of these laws. Although far from perfect, they are part of the fairest and most accessible legal system on the planet.

About the author: Attorney Robert B. Keville is a Director at Suisman Shapiro Attorneys-at-Law, the largest law firm in eastern Connecticut.  If you have questions about these topics or other injury matters, he can be reached via email at rkeville@sswbgg.com or by phone at (860) 442-4416.

Essex Winter Series Presents Jeff Barnhart & His Hot Rhythm, Sunday

Jeff Barnhart plays Sunday in the next Essex Winter Series concert.

Jeff Barnhart plays Sunday in the next Essex Winter Series concert.

Jeff Barnhart and His Hot Rhythm will celebrate the rollicking jazz and pop styles of the first half of the twentieth century with a concert on the Essex Winter Series on Sunday, Feb. 21, at 3 p.m. at Valley Regional High School in Deep River. Barnhart, the renowned pianist who serves as Jazz Artistic Advisor forEssex Winter Series, will be joined by a band of all-stars, including Anne Barnhart on vocals and flute; Joe Midiri on reeds; Paul Midiri on vibes and trombone; Vince Giordano on bass, tuba, and bass sax; and Jim Lawlor on drums.

Essex Winter Series Artistic Director Mihae Lee.

Essex Winter Series Artistic Director Mihae Lee.

Known for both the quality and variety of its concerts, Essex Winter Series, under the artistic direction of Mihae Lee, features one jazz concert each season. Named for a former board member who encouraged the inclusion of jazz in the series, The Stu Ingersoll Jazz Concert has become very popular, attracting a large and loyal audience.

The Feb. 21 concert is sponsored by the Clark Group and Tower Laboratories.

Tickets, all general admission, are $35 ($5 for students) and may be purchased online at www.essexwinterseries.com or by phone at 860-272-4572.

Barnhart is an internationally renowned pianist, vocalist, arranger, bandleader, recording artist, composer (member of ASCAP), educator and entertainer. He began his professional career at age 14 playing and entertaining four nights a week in a restaurant in his home state of Connecticut. Here he began to learn the classic swing, jazz and ragtime repertoire of the early 20th century.

The 21st century has found Barnhart constantly appearing as a soloist and band pianist at parties, festivals, clubs and cruises throughout the world. In addition, he leads two bands in the UK: the Fryer-Barnhart International Jazz Band, which concentrates on hot music of the 1920s, and Jeff Barnhart’s British Band, which performs small group swing of the 30’s. Due to his versatility, vast repertoire and vibrant energy, Barnhart is in increasing demand as a participant in international jazz events as either a soloist or as pianist in All-Star Jazz ensembles.

 Among the great musicians in the band is the renowned Vince Giordano on bass, tuba, and bass sax.

Among the great musicians in the Hot Rhythm band is the renowned Vince Giordano on bass, tuba, and bass sax.

In addition to his widely acclaimed solo and band appearances, Barnhart is enjoying great success performing with smaller groups, most notably Ivory&Gold®, a group he co-leads with his talented wife, flutist/vocalist Anne Barnhart. Ivory&Gold® has become a mainstay at many jazz and ragtime festivals throughout the US, the UK and Europe.

Barnhart enjoys playing dual piano and has done so with such jazz luminaries as Ralph Sutton, Neville Dickie, Louis Mazetier, John Sheridan and Brian Holland. In addition to his own label, Jazz Alive Records, Barnhart plays piano and sings on the international labels GHB, Summit-World Jazz Records, Music Minus One, and the two largest jazz labels in the UK, Lake Records and P.E.K. Sound.

In 2006, Barnhart joined the roster of artists featured on the Arbors Records label, with four recordings currently available: the most recent featuring jazz legends Bob Wilber and Bucky Pizzarelli. Barnhart has recorded as both pianist and vocalist on over 100 full-length albums.

He averages 40 weeks a year on the road, bringing his music to all corners of the globe. Music composer, performer and reviewer Jack Rummel, recently summed up the reason for Barnhart’s popularity, averring, “When it comes to talent, speed, versatility, creativity, mastery of multiple genres and just plain entertaining zaniness, Jeff Barnhart stands alone”.

In addition to his active performance and recording schedule, Jeff is a dedicated and enthusiastic educator. His double BA in Music and English, combined with his MA in Education, make Barnhart a formidable and entertaining force in the clinic, master class and inspirational speaking forums. In the first quarter of 2015, he and his wife have appeared as clinicians at Lone Star College in Kingwood, TX, The University of Colorado Denver and Mississippi State University.

The remainder of Essex Winter Series concerts are listed below.

All of the concerts are on Sunday afternoons at 3 p.m. in Deep River. Concerts take place at Valley Regional High School, with the exception of the March 6 concert, which will be presented at John Winthrop Middle School.

March 6: Patricia Schuman, soprano
John Winthrop Middle School

We are delighted to welcome back to our stage the internationally-celebrated soprano Patricia Schuman. Her program, “Winter Romance,” will feature songs of love and loss as well as lighter fare from the great Amer­ican songbook and musical theater. She will be joined by harpist Megan Sesma, pianist Douglas Dickson, and a special surprise guest artist. Ms. Schuman has been engaged by the most distinguished opera houses throughout the world, and has collaborated with many of the foremost conductors and directors of our time. Co-sponsored by Essex Savings Bank and an anonymous foundation

April 3: Fenton Brown Emerging Artists Concert
New Haven Symphony Orchestra with violinist Tessa Lark
Valley Regional High School

Now in its 121st year of continuous operation, the New Haven Symphony Orchestra is one of the country’s finest regional orchestras. Returning to the series, the orchestra under music director William Boughton will perform Mozart’s Overture to The Marriage of Figaro, Haydn’s “London” Symphony, and Beethoven’s Violin Concerto, featuring our 2016 Emerging Artist, Tessa Lark. Lark won the prestigious Naumburg International Violin Award in 2012, and is one of today’s most sought-after young violinists. Co-sponsored by Guilford Savings Bank and an anonymous foundation

All tickets to Essex Winter Series concerts are general admission. Individual tickets are $35. Tickets may be purchased on the EWS website, www.essexwinterseries.com, or by calling 860-272-4572.

More program information, artist biographies and photos are available on the Essex Winter Series website, www.essexwinterseries.com.

Opinion: “The Menace in our Midst:” Comments Closed to FRA on Old Lyme Proposed Railtrack, But Still Open on LymeLine!

Old Lyme First Selectwoman Bonnie Reemsnyder stands at the podium at Wednesday's press conference at the Florence Griswold Museum. State officials and some of the signatories of a letter to the FRA denouncing Alternative 1 stand around her.

Old Lyme First Selectwoman Bonnie Reemsnyder stands at the podium at Wednesday’s press conference at the Florence Griswold Museum. State officials and some of the signatories of a letter to the FRA denouncing Alternative 1 stand around her.

Screen Shot 2016-02-11 at 2.28.57 AMIn the space of just a few short weeks, the residents of Old Lyme have become aware of a menace in their midst. Most unusually for these same residents, their response has been to a man (or woman) identical.  When that happens in this town — unquestionably, a rare event — you can be sure that, ‘Something is rotten (to misquote Hamlet) in the state of Old Lyme.’

The ‘menace’ in this case is Alternative 1 of the three high-speed railtrack routes proposed by the Federal Railroad Authority (FRA) in their Northeast Corridor (NEC) Future plan.

But let’s backtrack for a second — why is the FRA proposing these new routes? Their objective is, “to improve the reliability, capacity, connectivity, performance, and resiliency of future passenger rail service … while promoting environmental sustainability and continued economic growth.”  Let’s say right away that we are fully supportive of this objective — we are huge fans of rail-travel — you cannot grow up in Europe without taking rail travel for granted.  The trains there are fast, clean and efficient … they are a way of life.  We absolutely wish it were the same in the US.

So what is the difference here?  Why has the reaction to Alternative 1 been so strong, so united, so passionate?  In case you are unaware, Alternative 1 calls for the high speed rail track to cross the Connecticut River over a new bridge a little higher up the river than at present and then travel to the center of Old Lyme bisecting Lyme Street by eliminating both the western and eastern campuses of Lyme Academy College of Fine Arts before turning north and crossing I-95.  The 1817 John Sill House, currently owned by the Academy and situated on its campus, would likely be acquired by the FRA by eminent domain and then demolished.

The impact of a high-speed railtrack through that sector of town would be totally devastating for our community, effectively destroying its very heart.

This editorial could now run for pages to explain the full spectrum of impact to Old Lyme of this proposal.

We could discuss the horrific effects on our incredible local environment — one which has inspired artists for generations including some of the greatest impressionist painters in American history and one officially designated as a “Last Great Place.”

We could talk about the untold damage to the storied structures on Lyme Street and list the irreplaceable buildings that will either be completely destroyed or permanently scarred by this new train track construction, many of which are either National Historic Landmarks or on the National Historic Register.

We could mention that Lyme Street is the joyful, bustling hub of our little town — it has a unique personality and touches every aspect of our community life.  It is home to our town hall, our public schools, our daycare, our youth services, our library, our churches, our village shops, our art college, our art association (the oldest in the country), and the Florence Griswold Museum (a national institution.)  Can you even begin to imagine Lyme Street with a high speed railroad running across it?

And let’s just consider for a minute what this proposal, if implemented, would achieve?  Bearing in mind that you can already travel from London to Paris (286 miles) in 2 hours and 15 minutes, would we be able to hop on a train in Old Saybrook and be in Washington DC (334 miles) roughly two hours and 45 minutes later?  No, the current travel time of six hours would be reduced by a grand total of 30 minutes to 5 hours and 30 minutes.  Unbelievable.

As we said, we could go on for pages but others have kindly taken care of that for us.  There was a splendid press conference yesterday, which spelled out the craziness of Alternative 1 from every angle — coldly, clinically and objectively.  The Old Lyme-Phoebe Griffin Noyes Library has a full print copy of the NEC Future tome if you care to read it in its entirety.  There are links galore on the Old Lyme Town website to the statement and attachments submitted yesterday (Feb. 10) on behalf of some 20 local organizations to the FRA.

So please read and educate yourself on Alternative 1, but most importantly, please, please write to the FRA with your thoughts.  There are many questions as to why and how this proposal was able to be presented without a single public hearing being held closer than 30 miles away from a town on which it was having such a major impact.  But that is history now …

The comment period was originally only until Jan. 31, but there was such a huge outcry as the reality of Alternative 1 began to be fully understood that it has been extended to next Tuesday, Feb. 16.  The FRA needs to hear from each and every one of us — you don’t need to write an essay, you don’t need to write eloquently, in fact, you don’t really need to write much at all, but you do need to write — today or tomorrow, even the next day, but if you have anything to say about Alternative 1 and want your voice to be heard, you absolutely must write.

There are three ways to contact the FRA:

Online through the NEC website: Submit your comment directly at http://www.necfuture.com/get_involved/

Email: Send comments with attachments to comment@necfuture.com

Snail-mail: Mail your comments to:
NEC Future
U.S. DOT Federal Railroad Administration
One Bowling Green, Suite 429
New York, NY 10004

We sincerely hope that there will soon be a public forum of some sort where people can ask questions and comment in person but, in the meantime, we say again, PLEASE, PLEASE WRITE TO THE FRA!

Governor, Lt. Governor Host Town Hall Forum Today in Middletown

Governor Dannel Malloy and Lieutenant Governor Nancy Wyman will host a Town Hall Forum from 7 to 8 p.m. in the Common Council Chambers of City Hall at 24 deKoven Drive in Middletown on Tuesday, Feb. 16, from 7 to 8 p.m.

A point of interest for Old Lyme residents is that Malloy’s choice to head the Connecticut Department of Transportation, James Redeker, also chairs Congress’s Northeast Corridor (NEC) Infrastructure and Operations Advisory Commission.  The Federal Railroad Authority (FRA) is a partner organization of that Commission.

The FRA launched NEC FUTURE in February 2012 “to consider the role of rail passenger service in the context of current and future transportation demands.”  It is NEC FUTURE, which has authored the Tier 1 Environmental Impact Statement (EIS) that includes Alternative 1, which calls for a high speed rail=track to be routed through the center of Old Lyme.

Lyme Library Hosts Talk Today on Power, Politics of First Ladies (… or Gentlemen?)

First Lady Michelle Obama

First Lady Michelle Obama

Former First Lady and current Presidential candidate Hilary Clinton

Former First Lady and current Presidential candidate Hilary Clinton

The Friends of Lyme Library welcome MaryAnne Borrelli, Professor of Government at Connecticut College, this afternoon, Saturday, Feb.13, at 2 p.m., in the Library Community Room.  She will give a talk titled, When East (Wing) Meets West (Wing):  First Lady Politics and Presidential Power.

In this talk, Professor Borrelli will discuss the politics, policy, and power of the presidents’ wives throughout the modern presidency … and will consider the changes that might occur when the president’s spouse is male rather than female.

Come and enjoy a conversation that is both historical and timely, examining the contributions of the men and women who have won the White House.

MaryAnne Borrelli, a graduate of Wellesley College, Boston College and Harvard University, joined the faculty of Connecticut College in 1992.  She is a Professor of Government at Connecticut College.

Her research focuses on gender and the U.S. presidency, and she has participated in the White House Transition Project, which has mentored both Democratic and Republican White House staff members.   The author/editor of several books and articles, her most recent book is The Politics of the President’s Wife.

Register for this program at the Library.