Late Registration Offered to Sing Mozart’s ‘Requiem’ in April with Cappella Cantorum

Late registration and rehearsal for Cappella Cantorum’s performance of Mozart’s Requiem will be Monday, Jan. 11, 7 p.m. at John Winthrop Middle School, 1 Winthrop Rd., Deep River. All singers are welcome; no auditions are required.

The concert, scheduled for Sunday, April 10, will also feature Mozart’s Regina Coeli. Soloists will be Patricia Schuman, Brian Cheney, Heather Petrie and Christopher Grundy.

Registration can also be done online at CappellaCantorum.org. Membership fee is $50, registration $10 and music $15.

For more information, check the web site or call Barry Asch at 860-388-2871.

Volunteers Needed for Tax Preparation Assistance, Training Starts Jan 11

Volunteer Jay Keiser helps a client prepare their tax return at the Volunteer Income Tax Assistance site at the Middlesex United Way office

Volunteer Jay Keiser helps a client prepare their tax return at the Volunteer Income Tax Assistance site at the Middlesex United Way office

Volunteers are needed for the Volunteer Income Tax Assistance (VITA) program to help low- to moderate-income households prepare and file their taxes to ensure they get back the money they have earned.

VITA is a national program of the IRS, and volunteers are trained and certified to ensure that working families and individuals are filing for all of the appropriate tax credits. The program also helps families who might be struggling financially by saving them costly fees associated with tax preparation and rapid refund loans.

The program is looking for volunteers for two VITA sites located in downtown Middletown to provide free tax preparation assistance for eligible taxpayers. Tax preparation is offered January 23–April 12, 2016 at Middlesex United Way’s office in 100 Riverview Center and at NEAT’s office on Main Street.

No prior experience is necessary. Volunteers complete training and are certified by the IRS. Training will be held January 4-7 or January 11-14, 2016, and volunteers need to attend consecutive evening sessions. Volunteers will be trained to let taxpayers know if they qualify for additional tax credits, such as the federal and the state Earned Income Tax Credits and the Child and Dependent Care Tax Credit.

VITA volunteers must complete a minimum of one 4-hour shift per week during tax season in the late afternoons and evenings or on Saturdays; maintain confidentiality of all client information; and interact with the public in a helpful and supportive manner. Opportunities to become certified as an advanced tax preparer are also available.

In 2015, the two VITA sites in Middletown helped more than 570 Middlesex County area residents file their taxes for free and returned more than $770,000 back to taxpayers. Those who filed with Middletown VITA sites had an average adjusted gross income of about $21,000 and received an average refund of $1,656, money they have earned. This impacts not only those who filed their taxes, but also their families and the local economy.

To volunteer or learn more, contact Leah Meyer at 860-227-7409 or leah.meyer99@gmail.com.

VITA is a free program offered by the federal government. Local VITA sites are coordinated by the Middlesex VITA Coalition, a partnership of Middlesex United Way and the North End Action Team. The Middlesex VITA Coalition receives support from the Connecticut Association of Human Services.

Final Chance to See ‘Magic of Christmas’ at Florence Griswold Museum Today

All ages can enjoy the Palette Christmas Trees.

All ages can enjoy the Artist Trees on display at the Florence Griswold Museum through Jan. 3, 2016.

The holiday season is always something to celebrate at the Florence Griswold Museum in Old Lyme, Conn. Visitors of all ages can enjoy The Magic of Christmas through Jan. 3, 2016.

For over 10 years, visitors from across the region have admired the painted palettes on Miss Florence’s Artist Trees. The idea of contemporary artists creating paintings on artists’ palettes is a nod to the Museum’s history as the center for the Lyme Art Colony, and alludes to the door and wall panels the artists painted throughout Miss Florence’s boardinghouse over a century ago.

The palette artists’ styles and subject matter are as varied as the individuals. Oils, acrylics, watercolors, ceramics, glass, and collage are used to transform the palettes into traditional holiday scenes, delightful landscapes, and more than a few surprises.

Nearly 200 noted artists from across the country have donated works to this one-of-a-kind holiday icon. “What a thrill it is for me to participate in decorating Miss Florence’s Artist Tree this year, joining such a distinguished group of artists who have lent their vision and talents to this important tradition, ” states Artist Russ Kramer of Mystic.

Russ Kramer

‘Winter Visit’ by Russ Kramer of Mystic is one of the new palettes for this year.

He continues, “I think all of us wish we could travel back in time to enjoy Miss Florence’s support and hospitality, and share inspirations with fellow artists around her table. In my palette, Winter Visit, I imagined a weary artist after a long, chilly trip from the city, and the warm welcome he would receive into Miss Florence’s home.”

Georgia native Katie Scarlett Faile was one of nine artists asked to contribute a palette this year. “I was very excited when I was asked to contribute to the Florence Griswold Museum’s annual exhibit,” Faile states. “The museum has become a very special place for me during the three years that my husband and I have been stationed here attached to the USS Virginia.”

FaileMedium

‘Winter comes to FairyLand’ by Katie Scarlett Faile is another palette new for 2015.

As an artist that works in multiple mediums, it was hard for Faile to decide how she wanted to paint her palette. “My first love, is acrylics and fairytale themed work so, Winter comes to FairyLand was a grand opportunity to paint in my favorite subject matter in my favorite medium.”

William Sillin from Sunderland, Mass., created 'The Eye of the Beholder,' using oil on wood palette for the 2015 palettes.

William Sillin from Sunderland, Mass., created ‘The Eye of the Beholder,’ using oil on wood palette for the 2015 palette additions.

The palettes will be displayed on three trees in the Krieble gallery, along with the current exhibition, The Artist in the Connecticut Landscape.

In the historic rooms of the Griswold House, visitors can see how families celebrated Christmas in 1910, as historically accurate decorations reveal homespun creativity and the use of surprising materials. The 1910 time period was an important era for the Griswold House. It was the heyday of its use as boardinghouse for the artists of the Lyme Art Colony. Christmas was also Miss Florence’s birthday. She was 60 years old in 1910.

Three designers have created Fantasy Trees

Many special events and programs are held in conjunction with the Magic of Christmas. Christmastime Teas are among the most popular events. Delectables scones with clotted cream, assorted tea sandwiches, and cookies prepared by Gourmet Gallery, a caterer known for their delicious flavors and impeccable presentations, are accompanied by “Miss Florence’s Tea,” a special blend from Sundial Gardens in Higginum. Miss Florence’s Tea is a special blend of superior Ceylon and China black tea enhanced with a touch of delicate spices. The tea celebrates the camaraderie and creativity of the Lyme Art Colony with each cup.

Other events and programs include special events for families, including a visit from Snow Sister Anna & her Ice Harvester, musical performances, and hands-on crafts for children and adults.

Unique gifts from The Shop and memberships to the Museum make thoughtful holiday and hostess gifts.

Located on an 11-acre site in the historic village of Old Lyme, the Florence Griswold Museum is known as the Home of American Impressionism. In addition to the restored Florence Griswold House, where the artists of the Lyme Art Colony lived, the Museum features a modern exhibition gallery, education center, landscape center, extensive gardens, and a restored artist’s studio.

The Museum is located at 96 Lyme Street, Old Lyme, CT, exit 70 off I-95 and is open year round Tuesday through Saturday from 10amto 5pm and Sunday 1 to 5pm. The Museum is closed Christmas and New Year’s Day. Admission is $10 for adults, $9 for seniors, $8 students, and free to children 12 and under. For more information, visit the Museum’s website www.FlorenceGriswoldMuseum.org or call 860-434-5542 x 111.

Magic of Christmas Activities

December 2-24
Daily Specials in the Museum Shop
One day you might save on all books or art supplies, the next, maybe everything sparkly or all snowmen. Check FlorenceGriswoldMuseum.org for a calendar of items and days.

December 4–23, 1-5pm
Elf-in-Residence Days
A new twist on shopping local. Tuesday through Saturday, visitors can meet a different local artisan each day. Speak to them about their craft and pick up a special gift for you or someone on your holiday list.

December 4 – 23
Christmastime Teas
Tuesday through Saturday enjoy an elegant tea of savories and sweets overlooking the wintery splendor of the Lieutenant River. Catered by Gourmet Galley. Seatings at 3pm. Guests enjoy a 10% discount in The Shop. Please call 860-434-5542 x 111 for information and reservations.

Sundays, Dec. 6 through Jan. 3, 1-5pm
Joy in the Making
Each Sunday visitors can create a different holiday craft to take home for themselves or give as a gift. This event is free with Museum admission and children 12 and under are free.

Sunday, Dec. 2711am to 4pm
Miss Florence’s Birthday Party

Visitors share in this hands-on-creative celebration of Miss Florence’s Christmas Day birthday. Birthday cake and fun celebratory activities to honor the woman who started it all. Miss. Florence would be 165 this year, but age is just a number. From 1 to 4pmApril Brunelle of April’s Balloon Creations will create favorite animals, characters, and super heros at no cost. This event is included with museum admission and children 12 and under are free.

Thursday, Dec. 31, 11am to 3pm
Ode to the New Year: Harp Music by Faith Leitner

The harp was Miss Florence’s favorite instrument. Visitors can see the pne her father brought back for her from England in the Florence Griswold House. Accomplished harpist Faith Leitner will perform in the gallery. A beautiful way to end the year, this event is free with Museum admission.

Lyme-Old Lyme Schools Name Hilda Heck as New Athletic Director to Replace Buscetto

Hilda Heck

Hilda Heck

Region 18 Schools have announced the appointment of Hilda Heck (photo added 1/4/16) as the new Athletic Director for the Lyme-Old Lyme Public Schools. Heck currently serves as the Athletic Director at The Classical Magnet High School and Middle School in Hartford, Conn. 

A graduate of Springfield College, Heck has coached both indoor and outdoor track as well as cross country. In addition to serving as a physical education and health teacher in Hartford, Heck has also taught gymnastics and swimming at the Westbrook YMCA. She will begin her tenure in January, replacing outgoing Athletic Director Bill Buscetto.

Region 18 Superintendent Ian Neviaser commented.“We have been fortunate in our district to have a number of very talented and dedicated Athletic Directors in Rob Roach and Bill Buscetto. Hilda Heck fits the mold of high quality people we have had in this position. We are excited for her to pick up right where Bill left off and continue providing top notch athletic opportunities for our students.”

The Strangest New Year’s Day Ever

>We’re pleased to republish a column by John Guy LaPlante today — this column was originally published on Jan 1, 2013, and we thought it would be timely for readers to have a chance to enjoy it again today.

It was the strangest New Year’s Day ever … and I never expect another like it.

John_LaPlante[1]All my life, like you probably, I have celebrated New Year’s Day in winter—most often in a cold, icy, snowy winter. Not a Florida winter.

Winter arrives on Dec. 21, of course, and New Year’s Day 11 days later, on Jan. 1.

My saying this seems silly, I know, but I say it for a reason.

My seeing the New Year in, as for you, has often meant stepping outside into freezing cold air that takes my breath away and then suffering in my frigid car until the engine begins to blow in wonderful hot air.

For many decades this was always the way I experienced New Year’s Day.

With just one exception …

That exception came eight years ago when I traveled around the world for five months. Yes, nearly all of it alone—147 days, 20 countries, 36,750 miles by plane, train, and for only $83 per day, with everything included, right down to every snack and phone call and all the visas required. That trip was my present to myself for my then approaching 75th birthday.

It was a grand adventure. More than that, an odyssey. It led to my book, “Around the World at 75. Alone, Dammit!” It’s a book still selling, and in fact, one that got to be published in China in Chinese—well, Mandarin, which is the principal language.

As New Year’s Day approached, I arrived in Durban, South Africa. That’s nearly as far south in Africa as you can go, and I had come a long way, all the way from Cairo near the Mediterranean in the far north.

I arrived on Dec. 28, I think it was, just seven days after the start of winter and three days before the new year dawned. However, I had crossed the Equator to get here and in fact was far south of it.

But the seasons are opposite on the other side of the Equator. Yes, it was December, but it was not winter. Summer had just started here and it was summertime, with long daylight, short nights, shirtsleeve temperatures, even bathing suit temperatures. How remarkable. How wonderful.

Durban is a big city. An impressive city. And I was here to enjoy it . I was lucky. I was staying in a nice hostel right downtown, the Banana Backpackers. Not hotel. Hostel. I was using hostels because they were cheaper (hotels for five months can get expensive) and I got an experience more true to my purpose.

Don’t ask me why that name. I never found out. And I was making friends. And I was making the most of the city, taking in everything I could—its bustling downtown, its historic and tourist attractions, its museums. It’s all in my book.

New Year’s Day was a great celebration here, too. It’s a big day all over the world. I read everything I could in the big Durban daily about activities coming up. English is the official language. There would be all the usual merry-making. I was looking forward to it. Planned to enjoy it as much as I could.

New Year’s Day rose, bright and sunny and warm and beautiful. But none of my senses told me that this was New Year’s Day. This was so dramatically different. But my brain did.

Durban is right on the Indian Ocean, just north of where the Indian and Atlantic Oceans merge below Capetown. Durban has great beaches. I had not glimpsed them yet, but I knew they were gorgeous. I intended to get to them today. They were not far, at the end of a broad avenue that nosed right into them. A cinch. I could get to them in just a few blocks.

But imagine my surprise. My stupefaction. Thousands of people were planning to do the same thing. I noticed that the minute I stepped out of Banana Backpackers. People jammed the street, walking in from various directions.

So many. Amazing. The boulevard was closed to vehicles for the day. People were heading south on it in a broad torrent. They took up the whole width of the street. All going the same way, toward the salt water. Some on bikes but most hoofing it. Carrying all the usual stuff—towels, picnic baskets, folding chairs, parasols, toys. Many with children in hand.

Instantly I saw they were all black. Durban is a typical South African city. It has the usual mix of blacks and whites, but the blacks were there first and predominate. In fact, apartheid had been the law of the land until quite recently. Apartheid mandated the enforced separation of the races, the same as in many places in our U.S.A. when I was young, but even more severely, I’ve read.

Right away I saw this was a black crowd. I could not see any whites. Of course, white people like nice, warm, sunny, summer beaches, too. Why this river of people was all black, I don’t know. And I didn’t find out. I still don’t know. But right away I decided, this is just too much. No way can I walk with them.

I gulped hard. I was so disappointed. But then I braced up. A main reason for this big and crazy adventure of mine–I knew some thought this–was to visit other countries, and the more different the better. I wanted to see what they were really like. I was deliberately staying clear of the heavy tourist areas. I wanted to see the real people in their real everyday life. So how could I chicken out now?

Uptight I was, but I stepped forward and slipped in among them. I saw dark eyes studying me but I looked straight ahead and walked on. I was uncomfortable. Nervous. Apprehensive. I admit it and am embarrassed to say so. I was tempted to drop out and head back to Banana Backpackers. What I was experiencing, of course, was plain, classic culture shock.

My head was battling with my emotions. My head was telling me that 99 percent of these people were good, fine, no-problem people. I knew that this was true of people all over the world. Yellow, brown, red, black, white, mixed. In every country the bad ones—the malicious ones—are a tiny minority. True, too, in our U.S.A.

The only thing these folks had in mind was getting to the beach for a fine New Year’s outing.

My heart made me fearful, insecure, borderline panicky. But I walked on. I was feeling this way because they were so many and they were all black and I wasn’t used to this and there was no other white person around. But on I went.

I wasn’t going to the beach to sun myself or swim. I did like these things back home. I was going because I wanted to see the Indian Ocean and smell the sea air and be part of the festivities and observe everything going on and get some exercise and see what a New Year’s Day was like in this country and how folks enjoyed it.

We got to the beach. A great big, broad stretch of sand. The Indian Ocean stretched out ahead, clear to the horizon, with not even a tiny island in between. A few pleasure boats, yes.

But know what? The Indian Ocean didn’t look a bit different than many other stretches of salt water I have gotten to see. The only reason I knew that this was the Indian Ocean was because I was told it was, period.

What I noticed was the great numbers of people. Right away I thought of Coney Island. Who isn’t familiar with Coney Island? I’ve never been to Coney Island. But I’ve seen the photos of the packed crowds on the Fourth of July.

For sure this huge turn-out would rival Coney Island in the Guinness Book of World Records. And of course all these people were black. But they were behaving just like white people would.

I became more relaxed. I began walking around. I roamed the beach. I made my way between all these people. Families in tight clusters. Kids frolicking and romping and tossing balls. Couples making out. People reading, snacking, applying suntan lotion, snoozing.

Not easy to walk in that loose sand. I made my way down close to the beach and walked along the shore on the packed sand, moist from the outgoing tide. Some people were in the water, swimming, splashing, floating, but quite few. Which is typical on any beach anywhere.

I walked a long way to the left, then a long way back and to the right. Some people looked at me and followed me with their eyes. Most people were too busy. I had my camera and I began sneaking pictures. I learned long ago it was not smart at times to face whoever I wanted to photograph and snap a picture.

I had developed a different way. I would spot someone I wanted to focus on. Then I would turn 90 degrees and face in this new direction. But slowly I would turn my camera back 90 degrees. Very stealthily, all while gazing straight ahead. And click the shutter. Sometimes I missed the shot. But often I got the good candid shot I hoped for. Rarely did anybody catch on.

Now I got bolder. I even walked up to some people. Made sure I smiled. And asked if I could take their picture. Nobody said no.

It was all pleasant. I was happy to be part of this. But this was a film camera. And of course my roll of film got used up.

In all this, I did not come upon another white person. How come? Maybe this was a traditionally black beach. Maybe there was a traditional white beach elsewhere. But I thought of this much later.

Satisfied and content, I walked back to the Banana Backpackers. I quit long before the others did. There were just a few of us heading back. I was happy I had not caved in to my apprehensions and had had what turned out to be a most pleasant experience.

Back at the hostel, I found practically nobody around. That evening I ran into a couple of people and mentioned what I had done. But they were foreign tourists, too. They were interested. But they had nothing to say that enlightened me.

Later I had another thought. It was about black people in the U.S.A. Men and women of all ages born there and grown up there. Like me. Just as much an American citizen as I.

And I thought of the many times when for sure they must find themselves alone among whites. At times they must feel as alone and isolated and apprehensive as I on this New Year’s Day. This is probably a common experience for them in our section of Connecticut where blacks are still a small minority, although the situation is changing a bit. And surely they get used to it, adapt to it, and develop a certain comfort.

I felt these disturbing emotions just for a few hours on just one day. I’m sure some of our blacks back home must feel it frequently, on and on, all their lives.

That New Year’s Day in Durban made me more understanding. More sympathetic. I learned a powerful lesson. And the lesson has stuck. We’re all much alike. Little reason to be nervous among strange.

I’d like to include some of the photos I took that day but they’re not at hand. Sorry.

Happy New Year to you, one and all!