“Big Ideas” Lecture Series Continues with ‘Peter Halley: Utopia/Dystopia,’ April 11

As part of the Big Ideas/Big Paintings lecture series, Robert Hobbs of the Virginia Commonwealth University, will present “Peter Halley: Utopia/Dystopia,” Saturday, April 11, at 5 p.m. at the Florence Griswold Museum in Old Lyme.

The lecture series accompanies the Museum exhibition, “Peter Halley: Big Paintings,” on view through May 31. Halley’s contemporary style of abstract painting charges simple geometric forms with powerful ideas, including those of interconnection, isolation, and technology, creating an important body of work that uses bold colors and textured surfaces to investigate American culture.

A light reception follows the lecture. Seat reservations are strongly encouraged but not required. The lecture series is sponsored by the Dangremond Family Foundation and is free of charge.  For more information or to rsvp, contact the Florence Griswold Museum at (860) 434-5542 ext. 111 or www.FlorenceGriswoldMuseum.org .

The Big Ideas/Big Paintings lecture series is part of the public programming for the Halley exhibition. and on April 25Wayne Koestenbaum of the CUNY Graduate Center will present “My 1980s and Beyond.” For additional programming including family programs, visit the Museum website.

The Florence Griswold Museum is located at 96 Lyme Street, Old Lyme and is open Tuesday through Saturday, 10am to 5pm, and Sundays 1pm to 5 pm (Closed Easter Sunday and major holidays.) www.FlorenceGriswoldMuseum.org.

Published in the Deep South, Carter’s Article About Old Lyme Hits the Big Time

Old Lyme resident Margaretta Carter is a junior at Ole Miss, where she is an Integrated Marketing Communications major with a minor in Business. Her parents are Cathy and Chris Carter.

Margaretta is currently interning for Hotty Toddy.com.  She recently wrote an article for Hotty Toddy about Old Lyme for the online newspaper’s “Hometown’ section.  The article was written several weeks ago after the South encountered snow, ice and crippling weather.

Carter’s mom told LymeLine, “I thought [Margaretta’s] article might be of some interest to LymeLine. [It] received recognition from Ed Meek (the benefactor for the Ole Miss, Meek School of Journalism) and was viewed by over 9,000 subscribers.”

We appreciate Kathy sharing the article with us and are confident our readers will enjoy it too!

 

 

CT River Museum Offers Canoe, Kayak Paddle Program This Summer, Partly Funded by Cabela’s

Connecticut River Museum Expands On-water Experiences with the Development of a Canoe and Kayak Paddle Program. Photo credit: Joan Meek.

Connecticut River Museum Expands On-water Experiences with the Development of a Canoe and Kayak Paddle Program. Photo credit: Joan Meek.

The Connecticut River Museum (CRM) will launch a canoe and kayak paddle program on the museum campus in Essex this summer as a major expansion of its environmental outreach. The Cabela’s Outdoor Fund, a nonprofit organization dedicated to the promotion, conservation and improvement of wildlife and wildlife habitat, hunting, fishing, camping and other outdoor sporting and recreational activities, has made a generous contribution to CRM that will fund the purchase of 10 boats as well as assorted equipment that will make this important educational program possible.

According to the museum’s director, Chris Dobbs, “The Connecticut River Paddle Explorations Program is an exciting expansion of our ongoing environmental education activities and will allow more members and visitors to get out on the water. We are thankful to the Cabela’s Outdoor Fund for making this possible.”

“Cabela’s Outdoor Fund is proud to support the Connecticut River Museum and its efforts in educating and exposing the community to the great outdoors,” said Jeremy Wonch, vice president of Cabela’s Outdoor Fund. “The Connecticut River Paddle Explorations Program will be great for both the community and the conservation efforts on the Connecticut River.”

Between June and September, CRM will offer canoes and kayaks at a nominal fee as a member benefit and to the public. The program will allow visitors to explore the local marshes and tributaries around CRM, a great way for adults and families to access the River.

Dobbs commented, “Through the generosity of the Cabela’s Outdoor Fund, the museum will be able to use these boats for a variety of education programs.” He said that this would include “guided paddles, exploration of nature preserves along the River, and places further afield.” As part of the expanded vision for the museum, Dobbs would like the paddle program to partner with land trusts, historical societies, and other organizations up and down the River as a way to build appreciation for this “magnificent cultural and environmental resource.”

For more information about this program, to volunteer with the paddle program or to provide additional support, contact the Connecticut River Museum at 860.767.8269 or via email at crm@ctrivermuseum.org.

The Connecticut River Museum is located at 67 Main Street, Essex and is open daily from 10 AM – 5 PM and closed on Mondays until Memorial Day. Admission is $8 for adults, $7 for seniors, $5 for children age 6-12, free for children under 6.

For more information, call 860-767-8269 or go to www.ctrivermuseum.org.

Essex Winter Series Presents Season Finale Today

Artistic Director and pianist Mihae Lee has been captivating audiences throughout North and South America, Europe, and Asia in solo recitals and chamber music concerts

Artistic Director and pianist Mihae Lee has been captivating audiences throughout North and South America, Europe, and Asia in solo recitals and chamber music concerts

For the fourth and final concert of the Essex Winter Series (EWS) 2015 season, pianist and artistic director Mihae Lee will take the stage with two other celebrated artists in a program of masterpieces of the rich piano trio repertoire.

The concert will take place on Sunday, March 29, at 3 pm at Valley Regional High School in Deep River. Making their EWS debuts in this program, “Mihae Lee and Friends,” will be violinist Chee-Yun and cellist Julie Albers. Both have performed as soloists with many of the world’s major orchestras, are highly-regarded artists on the chamber music circuit, and have recorded extensively.

The selections include piano trios from the eighteenth, nineteenth, and twentieth centuries. First on the program will be the Trio No. 39 in G major by Joseph Haydn, who, along with Mozart, developed the genre by adding a cello to the violin-piano duo to create many more interesting musical possibilities. Written in 1795, the piece is nicknamed the “Gypsy” trio after its finale in the Hungarian style.

In contrast to Haydn, who ultimately wrote 45 piano trios, the early twentieth-century composer Maurice Ravel wrote just one. This 1914 work, completed just before his enlistment in the French army at the start of World War I, has become a staple of the repertoire and will be performed before intermission.

The concert will conclude with the second and final trio by one of the great nineteenth-century composers, Felix Mendelssohn. His C minor Trio from 1845 is among the romantic master’s finest and most beloved works.

Tickets, all general admission, are $35, with $5 tickets for full-time students, and may be purchased on the EWS website, www.essexwinterseries.com, or by calling 860-272-4572.

The March 29 concert is dedicated to the memory of Marilyn Buel, former member of the board of trustees of EWS, who passed away in August, 2014. Mrs. Buel, an ardent supporter of the arts, helped build support for Essex Winter Series’ Fenton Brown Emerging Artist Concerts and also served as president of the board of Chestnut Hill Concerts.

About the artists:
Mihae Lee

Praised by Boston Globe as “simply dazzling,” Artistic Director and pianist Mihae Lee has been captivating audiences throughout North and South America, Europe, and Asia in solo recitals and chamber music concerts with her poetic lyricism and scintillating virtuosity. She has performed in such venues as Lincoln Center, the Kennedy Center, Jordan Hall, Berlin Philharmonie, Academia Nationale de Santa Cecilia in Rome, Warsaw National Philharmonic Hall, and Taipei National Hall.

An active chamber musician, Lee is an artist member of the Boston Chamber Music Society and is a founding member of the Triton Horn Trio with violinist Ani Kavafian and hornist William Purvis. Her recordings of Brahms, Shostakovich, Bartok, and Stravinsky with the members of BCMS were critically acclaimed by High Fidelity, CD Review, and Fanfare magazines, the reviews calling her sound “as warm as Rubinstein, yet virile as Toscanini.”

Lee has appeared frequently at numerous international chamber music festivals including Dubrovnik, Amsterdam, Groningen, Festicamara (Colombia), Great Woods, Seattle, OK Mozart, Mainly Mozart, Music from Angel Fire, Chamber Music Northwest, Rockport, Sebago-Long Lake, Bard, Norfolk, Mostly Music, Music Mountain, Monadnock, and Chestnut Hill Concerts.

In addition to many years of performing regularly at Bargemusic in New York, she has been a guest artist with the Chamber Music Society of Lincoln Center, St. Paul Chamber Orchestra, and Speculum Musicae; has collaborated with the Tokyo, Muir, Cassatt, and Manhattan string quartets; and has premiered and recorded works by such composers as Gunther Schuller, Ned Rorem, Paul Lansky, Henri Lazarof, Michael Daugherty, and Ezra Laderman.

In addition to her concert career, Lee maintains her commitment to give back to her community and help many worthy charities. At the invitation of the Prime Minister and the First Lady of Jamaica, she has organized and performed in concerts in Kingston and Montego Bay to benefit the Jamaica Early Childhood Development Foundation. For many years she brought world-class musicians, both classical and jazz, to perform in fund-raising concerts for the Hastings Education Foundation outside of New York City, and she recently launched an annual Gala Concert for the Community Health Clinic of Butler County, a free health clinic outside of Pittsburgh.

Born in Seoul, Korea, Lee made her professional debut at the age of 14 with the Korean National Orchestra after becoming the youngest grand prizewinner at the prestigious National Competition held by the President of Korea. In the same year, she came to the United States on a scholarship from the Juilliard School Pre-College, and subsequently won many further awards including First Prize at the Kosciuszko Foundation Chopin Competition, the Juilliard Concerto Competition, and the New England Conservatory Concerto Competition.

Lee received her bachelor’s and master’s degrees from The Juilliard School and her artist diploma from the New England Conservatory, studying with Martin Canin and Russell Sherman. She has released compact discs on the Bridge, Etcetera, EDI, Northeastern, and BCM labels.

Violinist Chee-Yun's flawless technique, dazzling tone and compelling artistry have enraptured audiences on five continents

Violinist Chee-Yun’s flawless technique, dazzling tone and compelling artistry have enraptured audiences on five continents

Chee-Yun

Violinist Chee-Yun’s flawless technique, dazzling tone and compelling artistry have enraptured audiences on five continents. Charming, charismatic and deeply passionate about her art, Chee-Yun continues to carve a unique place for herself in the ever-evolving world of classical music.

Winner of the 1989 Young Concert Artists International Auditions and the 1990 Avery Fisher Career Grant, Chee-Yun performs regularly with the world’s foremost orchestras, including the Philadelphia Orchestra, the London Philharmonic, and the Toronto, Houston, Seattle, Pittsburgh and National symphony orchestras. Additionally, she has appeared with the Atlanta Symphony, and the St. Paul Chamber Orchestra, and has performed with such distinguished conductors as Hans Graf, James DePriest, Jesus Lopez-Cobos, Michael Tilson Thomas, Krzysztof Penderecki, Neeme Järvi, Pinchas Zukerman, Manfred Honeck and Giancarlo Guerrero.

Internationally, Chee-Yun has toured with the Haifa Symphony, the Hong Kong Philharmonic, Germany’s Braunschweig Orchestra and the MDR Radio Leipzig and performed with the St. Petersburg Camerata, the Bamberg Philharmonic, the Bilbao Symphony, the London Festival Orchestra, the Nagoya Philharmonic, and the KBS Symphony Orchestra.

Her orchestral highlights include a concert with the Seoul Philharmonic conducted by Myung-Whun Chung that was broadcast on national network television, a benefit for UNESCO with the Orchestra of St. Lukes at Avery Fisher Hall, and her tours of the United States with the San Francisco Symphony (Michael Tilson Thomas conducting), and Japan with the NHK Symphony. Recent and upcoming engagements include return subscription weeks in Pittsburgh and Jacksonville, as well as the Colorado and Austin symphony orchestras and the National Philharmonic.

Julie Albers

Cellist Julie Albers is recognized for her superlative artistry

Cellist Julie Albers is recognized for her superlative artistry.

American cellist Julie Albers is recognized for her superlative artistry, her charismatic and radiant performing style, and her intense musicianship. She was born into a musical family in Longmont, Colo., and began violin studies at the age of two with her mother, switching to cello at four. She moved to Cleveland during her junior year of high school to pursue studies through the Young Artist Program at the Cleveland Institute of Music, where she studied with Richard Aaron.

Albers soon was awarded the Grand Prize at the XIII International Competition for Young Musicians in Douai, France, and as a result toured France as soloist with Orchestre Symphonique de Douai.

She made her major orchestral debut with the Cleveland Orchestra in 1998, and thereafter has performed in recital and with orchestras throughout North America, Europe, Korea, Taiwan, Australia, and New Zealand. In 2001, she won Second Prize in Munich’s Internationalen Musikwettbewerbes der ARD, and was also awarded the Wilhelm-Weichsler-Musikpreis der Stadt Osnabruch . While in Germany, she recorded solo and chamber music of Kodaly for the Bavarian Radio, performances that have been heard throughout Europe.

In 2003, Albers was named the first Gold Medal Laureate of South Korea’s Gyeongnam International Music Competition, winning the $25,000 Grand Prize.

In North America, Albers has performed with many important orchestras and ensembles. Recent performances have included exciting debuts on the San Francisco Performances series and with the Grant Park Music Festival where she performed Penderecki’s Concerto Grosso for 3 cellos with Mr. Penderecki conducting. Past seasons have included concerto appearances with the Orchestras of Colorado, Indianapolis, San Diego, Seattle, Vancouver, and Munchener Kammerorchester among others.

In addition to solo performances, Albers regularly participates in chamber music festivals around the world. 2009 marked the end of a three year residency with the Chamber Music Society of Lincoln Center Two. She is currently active with the Albers String Trio and the Cortona Trio. Teaching is also a very important part of Albers’ musical life. She currently is Assistant Professor and holds the Mary Jean and Charles Yales Cello Chair at the McDuffie Center for Strings at Mercer University in Macon, Georgia.

Albers’ debut album with Orion Weiss includes works by Rachmaninoff, Beethoven, Schumann, Massenet, and Piatagorsky and is available on the Artek Label. Julie Albers performs on a N.F. Vuillaume cello made in 1872 and makes her home in Atlanta with her husband, Bourbon.

See the Results of ‘The Chester Creative Challenge,’ April 11

David Rau’s “Bull Market” for this year’s Hooked Again! Creative Challenge to support the Chester Historical Society was inspired by two hooks, commissioned by the New York Stock Exchange in the 1970s and made in Chester by M.S. Brooks & Sons.

CHESTER – This spring the Chester Historical Society is hosting its fifth annual Creative Challenge, dipping back into Chester’s roots as a manufacturing town. For five years, area artists, sculptors, photographers, engineers, jewelers, and all others with a creative mind have accepted the challenge to use artifacts from Chester’s rich manufacturing history to create items for a silent auction and reception to raise funds for the Chester Historical Society.

This is just another great example of making history current, the ‘then and now’ that is often part of the Society’s exhibits at Chester Museum at The Mill.

Those accepting the 2015 Hooked Again! Challenge issued by the Historical Society are working with assorted sample hooks, handles and hardware, which were still enclosed in small sealed manila envelopes, from Chester’s former M.S. Brooks & Sons factory.

“Hooked on Mandalas” by Bill Vollers is a framed, signed, archival digital image.

“Hooked on Mandalas” by Bill Vollers is a framed, signed, archival digital image.

The finished pieces of art, jewelry, sculptures, photographs, etc. will be exhibited and sold by silent auction at the Historical Society’s Reception on Saturday, April 11 from 5:30 to 7:30 p.m., at the Chester Meeting House.

The reception will feature hearty hors d’oeuvres and desserts from Chester kitchens served with wine and non-alcoholic beverages.

Tickets for the evening are $30 and will be limited. They can be purchased at Chester Gallery and Ceramica, both in the center of Chester, or by calling Sosse Baker at Chester Gallery, 860-526-9822.

All the proceeds from the event will benefit the Chester Historical Society and its programs, including Chester Museum at The Mill. Information is available on the Society website, www.chesterhistoricalsociety.org or at Facebook.com/chestercthistoricalsociety.

Caption:

Caption:

Caption: To create “Hooked on Amazonite,” Donna Carlson used Amazonite stone and the special order hooks created for The Tigers Den by M. S. Brooks.